MOSAICS
General
Info for making clay mosaics
......making decorative tiles
...More
uses for mosaics
...Lessons
...Cutting
the tiles
...Grout & bases
...Websites
--some examples + uses for mosaics
Puzzle-pieced
& "Pietre Dure"
...Tessellations
Micro mosaics & temari balls
Other
mosaic-like techniques
Books &
software
INLAYS (hard) &
Other
...Backfilling
Patterns
& ideas from other media
.......(for mosaics & inlays)
MOSAICS & other Inlays
Mosaics
General Info & summary..... re Making Clay Mosaics
In
this section, mosaics are defined as inlaid tiles (or tesserae)
which can be applied in one layer to a sheet of clay or to other items...
the tiles generally cover all of the background and form a pattern of some
kind..
......Tiles can be other sizes and shapes besides small and square though
(many of those are discussed in lower categories)
...There are other
kinds of polymer "inlay" aside from "mosaics,"
in which flat bits of baked clay are embedded into the suface of other clay, but
these tiles often are used singly or in groups, and do not completely
cover the background. (another way to think of these would be a lot of grout
to a little amount of tile(s), whereas "mosaics" are a lot of tiles
to a little grout)
Tiles can be any size (and any shape for some techniques).
There
are several ways to create mosaic tiles:
...square or other
shaped tiles can be cut from a sheet of raw clay sheets
with tiny cutters (Kemper makes small ones, or aspic cutters, e.g.)
...or
squares can be cut in grids by cutting with a long blade or with the tip
of a blade... or simply scored in these ways before baking to be snapped
apart after baking
.......or squares or other shapes can be cut freehand
with an Xacto, perhaps using a pattern or template
.......some square grids
can be cut or impressed with things like a french-fry cutter or tiny-ice-cube
tray
...or make a log of clay (round or square, etc.), then cut
many slices (as close to same thickness as possible
Then in either case,
bake the pieces to harden them
....tiles can also be created
from baked clay sheets of clay very flat (even weighting
down with something smooth and flat), and cutting them after baking while
still warm (generally with scissors --thin clay is fairly easy to cut
when warm)
..here are some tiny tiles
cut from baked (regular) clay with scissors --Kim Korringa's collection, sorted
by color family
http://pg.photos.yahoo.com/ph/dianeatglassattic/my_photos?urlhint=actn,del%3as,1%3af,0
(click on polymer1)
...or break or
crackle the baked sheets into random-shaped small tiles or bits
(perhaps by pressing down on the sheet and/or rocking with something small and
hard to force it to crack in several places
....tinted
baked liquid clay sheets can also be used to make tiles (baked on
glass sheet, then punched out --or cut out-- and applied
........tiny
regular clay or liquid clay tiles (can't tell which)
onto small flat shapes of raw clay ...tinted liquid clay also used as grout
http://www.michaels.com/art/online/displayArticle?articleNum=as0056
(near bottom
of page)
finishes... for a matte finish on the
tiles, put a sheet of paper on the top side of any weight you use
....for
a shiny finish, put a sheet of glass or a metal baking
sheet on top of the clay sheet before baking, and then weight it (heated clay
will take on the texture of any surface that's placed against in during baking...
any spots that don't completely touch, however,
won't be shiny)
.......Kato brand of polymer clay has a naturally
somewhat-shiny finish though
Tiles
don't have to be completely flat and a single color.... some other possibilities
might be things like:
...stamping or texturing ...
mica powders... metallic leaf... acrylic paint (sponged,
stained, painted, etc.)... transfers... marbling...
etc.
...these things could be done before or after baking
(see
more below in making decorative tiles)
Tiles can also be re-shaped (after creating either way) by re-heating, then cutting with scissors while still warm... especially if you want specific shapes or smaller filler shapes
bases.... finished
tiles can then be inlaid into a raw sheet of clay (either butted
tightly together, or left slightly apart) to form the pattern
........(the
base sheet of clay could be a solid color, of course.....or even something like
marbled-colors or faux ivory)
...or the tiles can simply
be glued onto another material such as wood, metal, cardstock, glass,
etc,
........or items made from those materials like boxes, frames,
switchplates, etc..
.............some ideas re where to put
mosaics (not polymer mosaics mostly, but could be)
http://www.michaels.com/art/online/search?page=1&keywords=mosaic&type=4
"grouts"...If the tiles are applied
slightly apart, there are several ways the spaces can be treated after
baking:
.....ordinary grout can be applied and wiped off in the
usual way (damp wipe at end)
....a polymer grout can be made from solid, colored
polymer clay, thinned with Diluent-Softener, liquid clay, or even
with mineral or vegetable oil
....acrylic or oil paint alone can be
applied all over and forced into the spaces, then the surface wiped clean ...
or oil paint (or alcohol inks) could be mixed with liquid clay
If you've used grout, and it isn't all removed by damp wiping, when you've finished baking the mosaic piece, it (may look a bit cloudy). If that happens, you can apply a clear finish like Future floor wax or Varathane (water-washup), or you can sand the surface with wet-dry sandpaper (use it wet) in grits of 400 then 600, then buff with a t-shirt or most any fabric to bring up a shine (the longer you buff, the higher the shine generally as long as you've sanded first)
Tiles
can be laid in a line or grid around a frame or wall clock,
used for a flat vessel top, etc.
(....for many more ideas for tiles,
see Frames,
Mirrors, Dec. Tiles > Decorative Tiles )
Tiles
can also be laid onto onto small clay shapes (or shapes
made from other materials)... flat or slightly dimensional
....tiny clay
tiles applied onto small clay shapes (heart and heraldry shape)
from baked Premo sheets (#5-6 on pasta mchine)
......they also suggest
using punches (square, triangular, etc.) to cut the tiny tiles out of the
baked clay sheets
......could also use liquid clay as adhesive
and tinted grout
http://www.sculpey.com/sculpey201.htm
(middle of
page)
The indirect or reverse technique for making mosaics can
also be used (esp. if you want a completely flat surface for your
finished mosaic)
...draw your mosaic pattern on a piece of brown
craft paper (or grocery bag?)
...glue tiles onto paper pattern face
down (if there is a "right" side) using wallpaper
paste, or a water-soluble white glue, or (or diluted
regular white glue --2 pts water to 1 pt glue)... dry thoroughly
...apply
cement like Thinset, or glue or liquid clay, etc., to the surface
you want to cover
...flip entire paper-and-mosaic over, and press it
(paper side up) into glue on new surface
...weight and level by laying
something flat and heavy onto the paper/mosaic ...press or hit to make sure it
has good contact with glue/mortar ... thoroughly dry
...remove paper
by soaking few minutes with damped sponge which will dissolve the paste
or glue) ...then slowly peel paper off diagonally
(grouting
can be done after finishing, or before flipping)
lessons: http://www.thejoyofshards.co.uk/projects/mermaid/reverse.shtml
http://www.hgtv.com/hgtv/cr_mosaics/article/0,1789,HGTV_3258_4224852_02,00.html
faux
"stained glass" & "cloisonne" effects
could also be "mosaics" (see
Liquid Clay)
....even
wire separators (instead of grout) like those used in Catherine's
"mosaic" inlay sections of geometrics and landscapes
website gone)
making "decorative" tiles for use in mosaics
Polymer
tiles don't have to be completely flat, or one single
color ...some other possibilities could be:
.....(these
things could be done before or after baking):
marbled
clay... to give a marbled or just visually textured look (see Color
> Marbling)
gradient blends of color(s) ... Skinner blends or discrete blends (can also be used in canes) (see Blends)
stamping
or texturing, or even carving (then possibly highlighting
or antiquing or backfilling with paints, metallic powders, inks,
clays, etc)
(see Stamping, Textures, Powders, Paints,
Inks for more)
very dimensional
clay tiles... made in molds or sculpted, etc., could also be used as "tiles"
(see
Molds, Sculpting)
mica powders (complete coverage for "pearly" tiles...
or partial coverage in other ways
....or real-metal powders (for hard-metallic
tiles)
(see Powders )
acrylic
paint (sponged on or stained ... also used to paint patterns
on the tiles, etc.)... or oil paint (see Paint)
.....completely
painted tiles, set as mosaics ....Laurie Mika's patterned tiles are also
textured while raw..... used for tabletops... frames....a "building"
for a wall plaque... tops for boxes, etc
http://www.mikaarts.com/gallery.php
.....http://npcg.org/galleries/progress/progress3.htm
lesson http://www.hgtv.com/hgtv/cr_mosaics/article/0,1789,HGTV_3258_3709285,00.html
(on making box)
metallic-leafor
metallic foil (silver, copper, gold, etc)... be sure
to seal leaf afterward to prevent oxidation
....these could also be crackled,
and crackled areas can be further colored too (see Leaf
)
mica clays (techniques like ghost impressions, cane slice sheets, etc.) (see Mica)
many
translucent clay techniques (see Translucents-Glow)
glow-in-the-dark clays (see Translucents-Glow)
inclusions
and fauxs:
...for granite or stone look tiles,
mix inclusions (spices,herbs, glitters, etc.) into
translucent or opaque clay ....or
use use purchased Granitex, or "Stone" clays
...baked
polymer shavings
and chips, or raw gratings, would make wonderful
inclusions
....... or they could be mixed with thinned
liquid clay (thinned to maximze tranpsarency)
...many fauxs would
make beautiful tiles (ivory, jade, amber, turquoise, ... or simulations
of wood or metals or glass, etc.
...lesson: Marie
Segal's use of many colors of faux abalone (or could be any amorphous
swirling) in mosaics on boxes, trays
http://www.polymerclaycentral.com/ms_abalone3.html
...faux
opal chip or "broken" turquoise polymer
mosaic jewelry would be perfect solid-back bezels (cabochon settings).
......that
would solve one of the bigest questions of using those scraps : " How do
you get back the color that is muted because of the rough surfaces?" The liquid
clay would hold the scraps together to allow for surface polishing. I think best
results could be obtained from using just enough liquid clay to leave a rough,
bumpy surface that could be polished down to a sheen, since it's is SO hard to
sand.
......that should also leave you some cracks and "veining"
to fill with acrylic paint coloring, then wipe off. Sara
Jane in NC
(see
Inclusions, Fauxs-many, Faux-Ivory,
Faux-Turq-Wood )
transfers (whole or cut up)... also whole transfers could be cut apart, then all pieces laid back down but slightedly separated for adding grout (see Transfers)
canes
... cane slices (geometrics, images, etc.), cane-slice sheets (see Canes-Instr.)
mokume
gane (see Mokume Gane)
"cracked"
pattern made with 2 contrasting colors of clay
...put
a thicker sheet of softer clay underneath
a thin sheet of harder clay (could leach, or use firmer clay)
....then
run them both through the pasta machine (...should crackle the top layer). Brightpath
Debbie
J has various mosaic or inlay effects made from faux (wood,
ivory, stone, etc) tiles
http://colspolyclay.org/Debbiejackson.htm
mixing
media... anything else that can be glued down can be used along
with polymer tiles
...polymer tiles were used with found objects, bits
of mirror, etc, in Lindly Haunani's Funky, Folk
Mosaics http://www.nwpcg.org/ravensdale/catalog/haunani.shtml
(gone)
(see Mixing
Media for many more ideas)
More Uses & Patterns for Mosaics
any
surface which can be "covered" or partly covered with
polymer clay is also a candidate for covering with mosaic patterns
(...for
full list of things that can be covered with clay, see Covering
page)
....whole tabletops
can be tiled
... boxes (wood, papier mache, etc.).....or metal tins....or
pencil cups
....my son
has made board game pieces. Sarajane
.......could also be used to make
game boards themselves (see Kids >
Games for some ideas)
quilt
patterns, etc.
..tiles the
shape of quilt block elements (patches) could be laid down in patterns into a
sheet of raw clay, or on a layer of liquid clay or white glue...
or could be glued onto any surface in a conventional way.
...quilt
shape tiles could be cut from raw clay or baked clay sheets
or baked clay gun logs:
.....
raw clay...
cut with long blade or blade tip or shape cutter from clay
sheet (chill
or rest first to keep shape)
...........see
Violette's lesson on cutting diamond tiles (60 + 120°) for "Tumbling
Blocks" pattern" etc,
from a raw clay sheet, baking, then snapping apart,
in
Cutters-Blades > Cutting Small Tiles)
........baked clay sheets .... cut tiles
from thin sheets of baked clay with scissors, or punch out with shape punches
........baked
clay gun logs extruded from a clay gun with disks suitable for quilt
shapes... cut with blade while warm (see Clay Guns
> Disks for shapes available)
....these
tiles could be grouted later, or butted tightly together when laying
....Violette's
various quilt block patterns, bowls, etc.... (some grouted black or gray, some
butted)
http://creaplastic.free.fr/10gal_vio.htm
Lessons
(more)
(....see also above in "Gen.Info"
category...)
lesson...though
Chryse Laukkonen's mosaic has
large areas between her strips, cutouts,
etc. on eggs
http://members.aol.com/Laukkonen/index.html
Lisa
Pavelka's lesson on cutting/scoring small square
tiles while snugly lying on a ceramic tile... then baking and snapping
apart
... she then makes a base clay sheet the color she wants
her "grout"
.. ALSO, to make guidelines for correct
placement of tiles on the clay base, she lays a tracing paper pattern
on the raw base clay, then cuts through both layers with a pointed craft
knive to mark the pattern lines on the base clay;
...(no
additional grout is needed in this case).... after cutting some square tiles
to fit (with scissors or knife), she places then on the base
...then flattens
the tiles into the sheet further with a roller (her whole pattern "grows"
a bit because each tile is pressed into the black sheet while laying)
...cut
outside line of the design using a cardboard template or freehand
(see below for more)
http://www.hgtv.com/hgtv/cr_clay_other/article/0,,HGTV_3239_1396715,00.html
Sarah
Lajoie's lesson on attaching baked tiles in a grid to a wood
frame (painted black) with white glue, to create a mosaic... she uses regular
grout afterward
http://pcpolyzine.com/october2001/frame.html
Ann&Karen Mitchell's lessons
:
...to cover an object (lamp bottom) w/ mosaic, liquid clay
is used as glue, under baked tile pieces ...lamp & tiles are
then baked
.....liquid clay then used also as grout between the baked
tiles:
....cut raw clay sheets of different colors into tile shapes using
a blade or craft knife... cut squares, rectangles and/or triangles or
blunted triangles (shapes will depend on what will fit on your surface, e.g.
if it has curves, and size of tiles will vary by scale)... can be
trimmed after baking with scissors if necessary
.....tiles could
be first textured and treated with mica powders, metallic leaf,
acrylic paint, or another item
....the liqiud clay grout
can be colored, if desired, with mica powders, clay, or paint
....she has a lesson also on making a stand-alone mosaic .... it could
be glued to a base, or used as a smaller onlay/applique on
a mosaic sheet, by laying (baked or raw) tiles into liquid clay which is sitting
on waxed paper ...then baking, and removing them to use elsewhere
http://www.hgtv.com/HGTV/project/0,1158,CRHO_project_10421,00.html
(mosaic begins with Step 5 )...CAN'T
FIND NEW ADDRESS
Ann
Mitchell's lesson on making a transfer mosaic necklace (pendant):
...making
b & w photocopy... lay sheet of med. thickness clay on small
piece of waxed or other paper ... place photocopy face downon clay...brush back
of photocopy with alcohol (using paintbrush)... burnish... dry.... then
repeat with alcohol, but remove photocopy while still wet.
...cut
around edge of transferred image exactly... cut 1/4" lines for
tiles without removing the tiles (note: in the actual demo, she first made
one central vertical cut, then one horizontal cut, to to center the cuts before
making rest of the cuts)... bake
...cut some backing clay slightly
larger (or do cutitng later)
...make vertical and horiz. indentation to act
as guidelines for placing tiles.... apply layer of liquid clay ...break
tiles apart in quarters, then break tiles from one quarter and place
on backing clay using guidelines (leave slight gap between tiles)
...add top loop made from wire by twisting center around small rod then
twisting tails around each other; trim tails to 1/4" & insert with dab
of liquid clay in top of mosaic, flat ... bake
...for grout,
mix (Red Russet) Pearl Ex powder in 1 teasp. of liquid clay & spread over
tiles and cracks... wipe excess with paper towel... bake 10 min.
...neck
ring... use 16" of memory wire (cut with heavy duty wire cutters)
and make loop at one end... thread on 48 or so small beads if desired ...add
jumpring to top loop and thread onto neck ring.... close other end with loop (doesn't
need clasp)
http://www.hgtv.com/hgtv/crafting/article/0,1789,HGTV_3352_2013767,00.htm
(see Marie Segal's lesson on making faux abalone mosaic, above in Decorative tiles)
Cutting
tiles for mosaics (tesserae)
Clay tiles can be made in various ways.... (see General Info. above also):
First, it's easiest to bake the raw clay sheet on a slick surface like a ceramic tile or sheet of glass or smooth metal baking sheet, etc, to keep the clay sheet (and tiles, if you've cut them yet) perfectly flat while baking
(the
thickness of the raw sheet can be any thickness you want, but should be
thinner than #3-5 if you want to be able to trim the tiles
into different shapes after baking with scissors, Xacto knife, or punches)
from RAW clay:
sheets of raw clay can be made any thickness before cutting
(unlike baked sheets)
to cut tiles at this point (from raw clay), cut tile
shapes all over the raw sheet (not touching) with shape cutters
(like canape cutters, Kemper cutters, even straws for
round tiles, etc) ....or
use sharpened square brass tubes as cutters (to sharpen,
use a fine file held at a 45 degree angle, on outside edges)
....do
NOT MOVE tiles, but do remove all excess raw clay between tiles, leaving
tiles well stuck to glass
... bake tiles on glass ...
pop tiles off afterward
lesson:
http://pcpolyzine.com/october2001/frame.html
Lisa
Pavelka's lesson on cutting raw tile shapes freehand
from a clay sheet laying on a ceramic tile
........she scores
them... after baking, she lifts and breaks apart
........her
base sheet "grows" a bit since tiles are pressed into it...
cuts some tiles to fit
http://www.hgtv.com/hgtv/cr_clay_other/article/0,,HGTV_3239_1396715,00.html
...Ann
& Karen Mitchell also cut their tiles freehand, but cut them in various
shapes (to cover lamp base)
http://www.hgtv.com/HGTV/project/0,1158,CRHO_project_10421,00.html
(details above in Lessons)
...Violette's
lesson on cutting diamond-shaped tiles (60 + 120°) for
geometric quilt or other patterns (like "Tumbling
Blocks," etc) from
a raw clay sheet... then baking and snapping apart,
is in Cutters-Blades > Cutting Small
Tiles)
(see more on cutting
tiles for quilt patterns, see just below)
plastic
ice cube tray - the type with tiny squares ...roll the clay
out... put the clay sheet on top of the tray, and roll over the
clay with a piece of PVC pipe that is the same length as the tray is wide... one
roll and I've got a slug of cut tiles! Nancy
... a metal french fry cutter
(the grid type) could work that way too
...or could use one of those just to
make an impressed grid of lines to use as a guide
...(see also
a lighting grid panel below in Grout)
extrusions
from the noodle cutter of a pasta machine can be cut into
tiles as well (use as rectangles ...or combine them for squares)
......can also use the noodle cutter to run through a thin
sheet of baked clay... then cut those strands
into tiles. Sarajane
"torn" clay
pieces, used as mosaic tiles
....Rhea's torn sheets of faux turquoise
--looks as if she's made a sheet of faux turquoise, then torn it into shapes
before applying to a black base sheet).... whole mosaic sheet them made into a
bowl, with inlaid gold clay(?) spiral
...tearing works best with a fairly
"dry" clay... so either FimoClassic, possibly Kato, or leached clay
http://www.pcpolyzine.com/may2001/technique.html
(middle of page)
from BAKED clay
NOTES:
.. use strong clay
brands (no Sculpey or FimoSoft --too brittle to cut smoothly after baking)
..use
thin sheets of clay (less than #3 on pasta machine) or they may be too
difficult to cut
...place clay on a smooth
surface as above (well adhered) --but don't score or cut tiles out
...bake
... remove clay from surface
...cut into desired shapes with scissors... a craft knife... or punches (see Cutters-Blades) when clay is warm or after cooling, whichever works best
Would it also be possible to break up sheets of baked Sculpey or the new version of FimoSoft since those clays are brittle after baking (not other brands) into irregular small tiles with a hammer like one would do with ordinary ceramic or terra cotta dishes, etc.? Diane B.
sanding ....& more cutting info
If you make a tile that's off, use an emery board to sand it where needed. We've never had trouble making the tiles fit, and we do lots of mosaic things. Sarajane
if needed, tiles can be straightened after they're placed on their backing clay, with a tool made by forming raw clay around the tip end of a pencil. Ann M.
(for more info on cutting or making tiles --including more on using punches to make tile shapes from baked or raw clay, or on using spring dividers, etc,etc.-- see Cutters-Blades > Cutting Small Tiles.. ...and also other places on that page which deal with blades and cutters)
Tiles
can be placed onto bases with no grout used
...spaces may be
left between them which show the base's color, more like onlays
...no
spaces may be left and the tiles placed as close together as possible
Dorothy
Greynold's various mosaics (spaces & no spaces)... squares, circles,
texuring
--tiles on frames, and as insets in box lids
http://www.picturetrail.com/gallery.fcgi?p=999&gid=9255474
rectangular
tiles of various patterns/colors used together, puzzlepiece...no grout
http://www.mhpcg.org/clayDays/claydays04/may2004/images/mosaicLg.jpg
(see
also Sheets of Pattern > Pieced...
and Frames > (Irene))
base clay layer as grout... tiles
pressed into base layer, but not completely level with "grout-base"
....Lisa
Pavelka's lesson on cutting tiles and laying them on a black
sheet of clay for "grout" (so no grout is placed in the spaces as
a second step) with a pattern; hers "grows" a bit because each tile
is pressed into the black sheet while laying
http://www.hgtv.com/hgtv/cr_clay_other/article/0,,HGTV_3239_1396715,00.html
or can use non-clay
materials as adhesives instead of clay base (or in addition)
....apply
tiles onto layer of white glue or liquid clay or acrylic paint
to help tiles to stick initially
... especially for covering
non-clay items
GROUTED:
Chryse's
lesson on making mosaics with clay "puzzle pieces" laid
on a base (a metal lid or an egg, in her case) with spaces between each,
baked, then grouted with plain clay, baked again, and sanded
http://members.aol.com/Laukkonen/index.html
Kathleen F's unusual mosaic using different colored grouts randomly
between the all black tiles (hearts and other shapes)
http://www.polymerclaycentral.com/chall_feb04.html
(click on Details)
If you like the look of natural grout, I had great success with ivory-colored polymer clay in between the tiles, then using something to texture in between the tile to give it that rough grout-y feel. What I used was a little doo dad that you slip on your finger to pick up tiny seed beads that have gotten away from you. it's got what looks like the bottom half of velcro on it, and makes a really great texture for the unbaked clay. Bunny
For the grout I used a transparent and white clay mix - the result
of misunderstanding with Rachael's reference to using ivory (big grin) I jumped
in made my ivory and read your post about using pearl the next day he he.... I
had drawn the design on paper 'many times' (one of my doodles) and when it came
to making the design I had it all laid out in my head. I first covered the coaster
base with a white sheet of PC and then started with the weed, pebbles
at the bottom and then the fish. I filled the background in last and YES I
used all unbaked clay.
After finishing the main design I continued
to cover the outside edge of the coaster. Once done I baked the whole thing for
25 minutes approx. On removing the piece from the oven I noticed a big airbubble
forming so I quickly pierced this with my needle tool and whew it went down
- the needle mark wasn't going to be seen anyway because of the grout which came
next.
I mixed some of my ivory mix with diluent but I didn't know
how mushie to make the PC grout. I probably should have added more or I should
have been more careful of how I applied the grout anyway I ended up with a mess
which was made worse with the baby oil which I used
to remove the excess grout... in the end I gave up baked the lot again and sanded
the remaining grout off and Hay Presto here we are.
I was keen to texture
the grout by because the design is so small ie the mosaic pieces are approx
3mm on average I don't think I could have textured it properly. Nina
(see
Nina's fish mosaic (website
gone) --gone)
I applied cane slices in rows, very symmetrically: Baked 10 minutes, then used translucent grout, applying with a leather burnishing tool (shaped like a tiny, flattish spoon). I like to as a use translucent in this way, because if any should overlap a tile, it doesn't show.
A
lot of people do mosaics with baked polymer clay tiles laid onto a base,
and then moosh diluent-softened clay in as the grout.
..... Instead
of using the Diluent/clay mix for a base though, I would do it on a thin base
layer of regular clay, and "grout" after baking.
To
begin removing the excess polymer grout, a rubber
squeegie (like for the shower doors or windows) works great.... even
a rubber spatula or batter spoon, the side of a credit
card or the back of a plastic knife
...You
can wipe most of the excess grout off with an alcohol saturated cotton
ball
I just made a mosaic piece with
liquid clay as "grout."...works very well.
...I made a (fancy)
tic tac toe board for my dad ....the grout between the squares is TLS,
colored with black oil paint.
...liquid clay is so much easier
to squirt into those tiny grooves using a needle and syringe,
than to smash soft clay in there
....and also, the liquid clay leveled itself
out so nicely and smoothly! Heather (website gone)
If you go to a medical supply place you can buy the syringes in various sizes from very small to huge. ...Now, for the needles, its been a while since I lived in the South Bay, but if Fry's Electronics is still around they have needles and syringes available for electronic soldering. The needles are real handy. They are short, not pointed, and screw right onto the top of the syringe. They fit the syringes from the med supply. These are real handy for squeezing "grout" between mini tiles. magicmoira
I had
a thin piece of raw, patterned clay that I had used several
months ago, it cracked when I went to use it again
...so I back-filled
those cracks with liquid clay --but I colored the liquid clay
with gold. jayne
...looks like grout in a mosaic
but also outlines the pattern shapes
... this could also be very interesting
if I had used some Glow in the Dark liquid clay. jayne
I chatted
up the model train expert re the grout situation (for my dollhouse floor).
....He pointed me to a 1/2 gallon milk carton size of a product called Extra
Light HydroCal. This stuff is used to lay streets, etc. on the train boards,
as it is light, doesn't shrink, doesn't get hot when hardening, can be carved
or sanded when hard, can be colored, and is pretty cheap considering. It cost
about $8.00 for a carton, enough to grout all the tile I will ever do, or for
lightweight plaster-type molds, etc.
....and it air hardens with about a 45
minute working time, and a 45 minute "cure" time.
....Initial cleanup is with
soap and water, and was purported to be very easy.
...at home, I colored it
with half acrylic craft paint and half water with a dab of powder ...worked great
and looks great! Janey
Sarah
Lajoie uses non-sand (regular) grout between her tiny tiles http://pcpolyzine.com/october2001/frame.html
(lesson)
I used Golden's Extra Coarse Pumice
"polymer medium" for the grout when I used very thin tiny tiles,
and it worked like a dream. I applied it pretty much as you would regular grout
--just globbed it on, used a rubber spatula to mash it in, wiped it off with a
wet cloth. Took about 5 minutes and looked great..... they also sell a finer
grain pumice medium. Lisa
...I was terrified of grouting, but I ended
up using Golden brand Extra Coarse Pumice Gel, and applied like real grout.
It only took minutes and it worked like a dream and looked like the real thing.
obirtasil
The brand of modeling paste I have used for a design class and as grout for some pc mosaics is Liquitex. It is found in the same area as the Gel Medium and Gesso, i.e. among the painting supplies. Kat
I also saw in a craft magazine that someone had the idea of making a picture on a base, then pressing in a piece of egg crate lighting panel which is that 1 inch grid (afterward?), thus marking the clay in the grid, baking, then filling in the indentations with clay grout. Jeanette from Comox
I have a LOT of sea glass, and when I got tired of wire-wrapping it for jewelry, I made votives with it. I wrapped a soda can in foil, and used a dab of white glue to glue one piece of glass on (this is the starting point). Then I wrapped the edges with a smake of clay and added another piece. When I was done it looked like a stained glass mosaic. I baked and took the can & foil out, and rubbed off the glue mark, and I had a lovely votive. I've also done this with a larger form, and used those glass blobs that you use in aquariums or vases, and before I baked the clay, I rubbed gold powder over the clay, . . . Petunia D.
More Websites (& uses) for polymer mosaics (mostly small-tile ones)
*M.Reid’s mosaic swap
http://members.aol.com/mfhreid/index.htm
Ann S's mosaics (octopus and quilt)
http://albums.photo.epson.com/j/ViewPhoto?u=4153008&a=31266991&p=68339440
Kim K's mosaic of tree, etc., using tiny diamond-shaped tiles
http://www.pcpolyzine.com/2004march/treemosaic.jpg
Peggy
O's votives covered with simple mosaic
tiles
http://new.photos.yahoo.com/scadventurer2001/album/576460762386230301...
or
http://pg.photos.yahoo.com/ph/scadventurer2001/my_photos
(click on "Clay Art"--alphabetical order)
Hava's mosaic frame, also with mosaic background around sculpted
"picture"
http://www.polymerclaycentral.com/chall_jun03.html
Japanese
polymer guild's various "mosaic" techniques
http://www.polymerclayart-japan.com/newkaz/englishdaikanyama.html
polymerclaycentral
...various mosaic techniques
Kathleen F's unusual
mosaics on inside and outside of bowl (one using all black tiles and various colors
of grout... the other using colored heart shapes surrounded by white
filler tiles and gray grout)
http://www.polymerclaycentral.com/chall_feb04.html
(click on Details)
Chryse's faux abalone and faux mother-of-pearl mosaic
eggs, with black grout
http://members.aol.com/Laukkonen/index.html
Tonja's mosaic of bamboo leaves with mosaic frame
http://www.tonjastreasures.com/misc/tn1.htm
Crissy's colorful mosaics (rabbit, apple, letter A)
http://home.stny.rr.com/casadeclay/Gallery/KeylimeDesigns.html
Margaret Reid's Roman or Byzantine themed
complex mosaics
http://members.aol.com/mfhreid/mr.htm
Joann's animal & geometric mosaics --polymer & also some glass
beads
http://www.dances-with-dogs.com/arts.html
Cherie R's geometric complex mosaic
http://home.att.net/~reserved/Riesberg02.htm
Dayle's
wider-spaced tiles, surrounding a small transfer or cane slice
http://www.societyforcalligraphy.com/workshops/doroshow/pages/1010013x_JPG.htm
http://www.societyforcalligraphy.com/workshops/doroshow/pages/1010014x_JPG.htm
Janet Farris' face and geometric complex mosaics on a mask
http://www.janetfarris.com/gallery2.htm
Arlene's complex mosaics mixing
micro-and-regular mosaic pieces combined
http://members.aol.com/jennypipes/afew.htm
Kim Korringa's mosaic people
http://kimcreates.com/gallery.html
*Georgia S's freestanding flower "mosaic" (bowl?), petals
formed with 4 large tiles each (long triangles)
http://members.aol.com/jennypipes/gsa.jpg
mosaic tiles used as onlay on a large gourd "vase"...
freestanding tile lines & shapes, and lg.raised cap around
opening covered with tiles
http://www.sdpcg.org/Sandy_Camp_2002.htm
Lisa P's mosaic tabletop
http://www.heartinhandstudio.com/Mosaic_Table.JPG
Lisa
P's mosaic framing a fireplace
http://www.heartinhandstudio.com/more_clay2.htm
Becky's overlapping circles, geometric mosaic box lids (probably
tiles)
http://www.pcpolyzine.com/may2001/technique.html
Sherry's tiny balls mosaic
http://www.polymerclaycentral.com/chall_sep01.html
fabulous
"mosaics" made with leftover Mardi Gras beads (but
could use any beads)
http://emenlevy.com/beadart.htm
various mosaics at PCC challenge
http://www.polymerclaycentral.com/chall_apr00.html
Denita's mosaic plaques ...& birdhouses
(real)
http://www.lindagoff.com/ (wrong url)
Sarajane's guitar & head, etc.,
covered with mosaic of cane slices
http://www.polyclay.com/mosaics.htm
*Kim Korringa’s scrap mosaic technique,
lesson on strips applique, & others (inlay & onlay)
http://home.earthlink.net/~sbpcg/1198os.htm
Lynne W's just a few tiles, laid in a sort of pattern...lots of grout
showing
http://members.aol.com/jennypipes/boxa.jpg
Amy's sunflower mosaic & pearly
mosaic pins
(website gone) http://www.polymerclayhaven.com/guild/ktapcg/fswap.htm
Kathy G's several mosaics, & mosaic of mica shift tiles
NOW
AT? .... http://albums.photo.epson.com/j/AlbumList?u=4153008/jewelry.html
(gone)
Tracie's
mosaic (covered) mirror --traditional mosaic with lots of "grout"
(website gone)
Denise's mosaic top
for Altoid box: brown grout, small random pieces, autumn colors (website
gone)
*Violette's onlay mosaics (with
many balls, strings, etc.) (website gone)
faun's many mosaics, some with seed beads
(website gone)
*Nina's
fish mosaic (coaster) (website gone)
REAL MOSAICS,
& Misc.
*Sonia
King's website
http://www.mosaicworks.com
(click on Mosaic > Mosaic Art Gallery for many wonderful mosaics)
http://www.mosaicworks.com/frameadvancedclass.html
(work of many students and others... click on others too)
*The
Mosaic Man, contemporary mosaics, vessels, etc. (also click on Mosaic
Gallery)
http://www.themosaicman.com/
how to make ( real) tile mosaics lesson
http://www.ehow.com/eHow/eHowPrint/0,1097,7941,00.html
non-polymer, "real"
mosaics? For inspiration:
http://www.linley.com/carthage.htm
(simpler designs, geometrics)
http://www.users.dircon.co.uk/~asm/index.htm
(online mosaic magazine)
http://www.tunisiaonline.com/mosaics/index.html
http://www.uky.edu/ArtsSciences/Classics/ngo.html
http://www.artistictile.net/
Sue
Puzzle-pieced
& Pietre Dure
marquetry, parquetry
Marlies'
method of creating a picture from colored sheets of clay (not wood-like)
which are cut from a template of various larger "puzzle-type" pieces,
then joined (some are textured) . . . no grout is used (she makes this one on
a CD) . . . not really "painted" though; one is a quilt pattern
http://www.mcuniverse.com/05/index.php?id=1001
...more of Marlies' "paintings" of this type: http://www.mcuniverse.com/index.php/Polymer_Clay/290/0/
Rachel
Friedman's 2 fabulous mosaics (sailboats on the ocean)... each made with a
drawn pattern as a guide
... larger boat and water created with strips
of marbled or Skinner blended clay, cut to fit the pattern
....smaller
boats and water created with small tiles comprising each strip
...she
then auditioned 3 possible grouts for the larger piece (shown before
sanding):
...... light blue clay mixed to a paste with Diluent/Softener,
blue acrylic paint, and dark blue oil paint mixed with liquid clay (TLS)
http://s96.photobucket.com/albums/l163/DianeBB/mosaic_techs
I went to Italy last year and got very excited about Pietre Dure, the ancient technique that can best be described as marquetry with (sheets of) semi-precious stones. They have a mosaic museum in Florence filled with this wonderful artform - Tables that have pietre dure tops covered in conucopias, fruit, flowers, little Italianate scenes; panels of classical gods all done in the same technique; astonishingly lifelike birds etc etc. The colours are fabulous - blues are lapis lazuli, turquoise, reds are carnelian and so on... Anyway, I have spent countless hours attempting to simulate pietre dure in polymer clay and the final results are thrilling me. Sue Heaser.
...pietre dure uses larger and more shaped pieces of tile than traditional mosaic work, which combine to make pictures of plants/flowers, landscapes, etc. . . . think of pieces in a somewhat simple puzzle
One of Sue's books explains her technique on pietre dure: Wonderful
pietre dure examples, by Sue Heaser (landscape)--& Polyzine
http://www.bpcg.org.uk/membergallery/suepietre.htm
http://www.geocities.com/polyzine/january2001/heaser.html
(small but visible)
reading/seeing
more on this subject (Sue+others)
http://inlay.com/stone_inlay/books/stone.htm
(see also bottom of Web page)
http://inlay.com/stone_inlay/
http://inlay.com/stone_inlay/pietre%20d.htm
http://inlay.com/stone_inlay/books/fullimage/chapel%20of%20the%20princes%20in%20florence.jpg
http://www.inlays.com/MARQUETRY_FACES.asp
http://www.inlays.com/MODEL.ASP#Inlay
Strips In Stock
At the same site there are a lot more pics - also pietre dure, some of them from the same museum I went to: http://inlay.com/stone_inlay/stone.htm This also shows a pic of the Medici Chapel which has walls of the stuff! As to pics of my polyclay version - there is one of my early attempts on the British Polymer Clay Guild site. The little Italian scene on the left - it is about 2 inches tall. Sadly you can't see the detail too well of all the swirls and effects in the faux stone. I'll try to get more pics up soon.
Marie Segal's use of many colors
of faux abalone (or could be any amorphous swirling) in mosaics
on boxes, trays
http://www.polymerclaycentral.com/ms_abalone3.html
I
have baked a lot of sheets of clay for various applications between two ceramic
tiles. It keeps the sheets completely flat, no bubbles, and, as you
say, gives a glass-like surface. I usually weight the top tile with a heavy
casserole dish. It gives me wonderful sheets of faux stone or simulated
wood to do a form of marquetry with, among other things. The important
thing is to allow about 20 minutes extra baking time to allow for the tiles
heating up and for the heat to penetrate to the clay.
Another thing I do to
heat up my tiles prior to baking (so as not to have to add too much additional
time in the toaster oven), is to always put two "ready to bake" filled tiles on
top of my toaster oven while another one is baking. When a "cooked" one is taken
out, usually a waiting one is hot enough that I have to pick it up with my pliers.
see also Fimobob's and others' wonderful marquetry/parquetry made with sheets of polymer clay in Faux--Turq & Wood
Tessellations
~I have been absorbing a great book-Designing Tessellations, by Jinny Beyer. If you have ever looked at an M.C. Escher print and wondered how he made his facinating interlocking patterns, now you can learn how! It seems so simple when someone shows the steps. Basically, you take a standard shape, like a square, and carve out a piece, then place that piece on another side of the square facing out. Now you have a basic shape that will interlock with itself! You can carve some more from another side and add that to a different side, and still have a "tile" which will interlock with itself to form bazillions of designs! The book shows detailed ways to use the same pattern, like cane slices, and put them together in 17 symmetrical ways. This may be old news to some, but for me it was a great revelation! I got into this because I have been translating quilt patterns into clay... I was amazed at how many different designs could be made with the same basic block or "tile". Crafty Fox
Mosaics
can also be created wtih tiny tiles
... Squiggy's pins are made
from regular shaped tiles, just very very small (grout was translucent clay)
http://home.icenter.net/~squiggy/crafts/mosaic.htm
Cynthia
Toops' technique of arranging tiny, baked mosaic
threads into raw clay to make pictures
.... she uses no
grout, only clay base underneath, and her threads very close together
...Toops and Adams explantion
and mosaics, etc. (her technique was inspired by 18th-Century Italian micro mosaics,
as well as the elaborate work of Mexico's Huichol Indians, who embed seed beads
in hot wax) . . she uses a pin to scratch a design into the soft unbaked clay.
Then, with a pair of tweezers, she sets each thread in position and tamps it down.)
...In
an article about her in Bead and Button, Cynthia Toops said when she was making
mosaics, she'd prebake her threads, and have her supplies packed and go
to the coffee shop to work…Guerilla clay! Faun
http://home.earthlink.net/~cdbeads/id3.html
http://www.lapidaryjournal.com/feature/1099str.htm
http://polymerclaydaily.com/?m=20060315
http://www.npcg.org/Activities/muse/images/toops/Original%20Files/TOOPS1.JPG
(gone)
Toops &
Dan Adams -regular mosaics and thread mosaics
http://www.pmcguild.com/gallery/embellishments/zshow23adamstoops.html
http://www.pmcguild.com/gallery/embellishments/embellish.html
Mary Jo’s micromosaics (Coffee & Blue
Lady)
http://www.mdpag.org/maryjo.htm
(gone)
Yang Yang's
micro mosaic
http://www.myart.com/yayaju/gallery/micromosaic.html
(gone)
Arlene's
micro-and-regular mosaic pieces
http://members.aol.com/jennypipes/afew.htm
(gone)
Kim
Korringa's African mask with onlaid strips cut into shapes for facial features
(could be micromosaics though)
http://www.nwpcg.org/ravensdale/rave/rave98pics3.shtml
(gone)
Violette's
threads mixed with other onlay pieces for mosaic
(website gone)
Trina's
filigree threads used somewhat as mosaic fill (this technique uses
thicker ropes, and would be better for the time- or patience-challenged!)
(website gone)
Kim K's mosaic
using tiny diamond-shaped tiles
http://www.pcpolyzine.com/2004march/treemosaic.jpg
*Lori
G's fabulous slightly larger micro-mosaic masks... with cane slices
too
http://www.abundancebox.com/Masks.htm
(gone)
It's a smiliar idea as Cynthia Toops (micro
mosaic), whose work has been an inspiration but the "micro" pieces are probably
3 times the size of her little threads...which is still tiny. I'd say each little
individual strip is about 3/8" x 1/16", maybe a little thinner.
The masks are about 2-1/4" x 1-1/2" and are all 'wired' to be a pendant. Laura
Liska's work and Sarah Shrivers blending techniques have also been great inspirations.
Lori
(some molas have a similar look which could be created using this technique? . . . e.g. some have lots of short lines, others have the traditional cut-away layering --see Onlay for more on molas)
(for temari balls --very thin strands wrapped around a base ball shape in geometric patterns-- see Clay Guns > Weaving,etc.)temari balls ... a
Japanese technique in which thin strands of different colors are wrapped around
a base ball shape, resulting in geometric patterns
some real temari balls
: http://www.temarikai.com ... http://temari.com
---seems to me there could be various ways to simulate these
using clay:
...could actually wrap base balls with thin extrusions
from a clay gun (using Flex clay if you needed to).
...or create
"tiles" to replicate the sections instead:
......could
use actual clay gun strands---a quickie way would be to fold
a strand back and forth on a backing sheet of
clay... then cut out whatever shapes you need
from the sheet (the folded ends wouldn't be included). ...repeat for all the other
colors... then put all the pieces together puzzle style like we do mosaic tiles
(some Balinese Filigree methods could work here too).
... see spirella or string art for a 2-D version, in Mixing
Media > Spirella
...another way to approximate thse would be to create the puzzle pieces from a
cane that's finely layered to look like strands
(see Canes-Instr.> Stripes,
and also Folded Canes on that page)
...or you could simulate
the patterns with non-cane puzzle pieces of clay which just simulate
the look of strands (or don't look like strands if you just want to create
the general feel of a temari pattern..).
.......one way to do this would
be to create a clay sheet for each color of the ball by texturing a sheet
of clay with an object with fine lines on it, then cutting out your pieces. Diane
B.
...maybe make a kaleidoscope cane .... could also do it by making
marks on a base shape and tiling in each with the same pattern. Lysle
Jeannine's inlaid (food processor?) crumbs of clay forming design elements
in a relief mosaic (sky, sea)|
http://members.aol.com/jennypipes/jpa.jpg
Miriam's
unusual "mosaic" of woman's bust, outline filled in with spiral
canes, rolled-up noodles, and features
http://bussola.supereva.it/italyclay/book/foto/miriam2.jpg
Carol
Z's use of various mosaic tiles and bits in some parts of mask
http://www.pcpolyzine.com/0306june/zil03.jpg
Rhea's spiral of gold clay (?), inlaid into "torn" turquoise
bowl
http://www.pcpolyzine.com/may2001/technique.html
Ed's Egyptian partly mosaic, winged scarab (pendant)
http://edsclaypage.homestead.com/TheEgyptianWing.html
(see also below in Patterns & Ideas from other Media)
(for these books, look at amazon.com, etc.)
Polymer Clay Mosaics,
book by Sue Heaser (2003)
..great book about all kinds of
mosaic tile techniques with polymer clay ...beginning and advanced
.....all
kinds of regular mosaics, miniature mosaics for pendants, pietre dure for book
covers, pebble mosaics for picture frames, tile mosaic table tops, etc.
http://www.amazon.com/exec/obidos/tg/detail/-/1581802579/102-1129716-7944930?v=glance
Polymer Clay Mosaics, book (of the
same name! but) by Krista Wells (2004)
...another good book on
mosaics, with maybe more small mosaic pieces ...includes jewelry, mirror decorations,
house signs, coasters, tabletops, garden items, etc.
http://www.amazon.com/exec/obidos/tg/detail/-/1402703384/102-1129716-7944930?v=glance
Mixed
Media Mosaics, book by Laurie Mika (2007)
...using polymer-clay
tiles & traditional mosaic tiles (to make boxes, tables, jewelry, etc)
...textured/stamped,
painted, glazed, embedded with beads/buttons/found objects, coloring clay with
mica powders/leaf, etc., making molds...various alternatives for grouting ...also
ideas for creating meaningful or themed helpful mosaics, personalizing with words,
personal items, etc.
http://www.polkadotcreations.com/books/detail_1581809832.html
ALSO...
software for designing mosaic patterns ...(includes ability to create
a mosaic from your drawing or other image)
http://www.mosaicdesigner.com/index.html
INLAY
(other
kinds of hard inlays besides mosaics)
Desiree's lesson on impressing inlays into
faux ivory
http://desiredcreations.com/howTo_CAivoryHorn.htm
Tory Hughes’ carved/inlaid into ivory (Vol.2),
also onlay (Vol.9)
http://www.gameplanvideo.com/videos.htm
Dayle's
inlaid cut-up cane slices?, inlaid on faux ivory minibook pendant,
& other inlays
http://www.dayledoroshow.com/images/07.jpg
http://dayledoroshow.com/pics3.htm
Emi's
lesson on faux ivory and also example of inlaid cane slices,face, etc.
http://www.hgtv.com/hgtv/cr_clay/article/0,1789,HGTV_3236_2251543,00.html
Helen P's inlaid chips of faux turquoise, coral, etc., pressed into faux
ivory pieces
http://www.picturetrail.com/gallery/view?p=999&gid=4530485&uid=531344
Debbie
Jackson's inlaid chips of faux wood or rock (shades of dark yellowish
or reddish brown) with dark brown grout or background, in pendant
http://colspolyclay.org/Debbiejackson/djfeathers.jpg
Paulo's
faux stones with inlaid bits of turquoise, coral, etc., along with impressions
and antiquing
http://groups.yahoo.com/group/PolymerClayPeople/files/Paulo%20Guimaraes/colar%20paulo3%20copy
(gone)
Bunny's
inlaid chips (website gone)
Judith
Skinner’s turquoise, jade, coral, ivory, mosaic (sort of bargello),
etc.
http://members.aol.com/polyannie/fauxs.html
(...see more on inlaid chips, etc., in Faux-Ivory
> Inlay and in Mosaics&Inlay)
Squiggy’s
(time-consuming but beautiful) inlay method (could adapt for something easier?)
http://home.icenter.net/~squiggy/crafts/Isis.htm
Cut shapes with Kemper
or other tiny cutters from raw clay sheets--bakery supply stores,
etc. -- bake them to harden, and press into other clay (plain
clay or something like marbled colors or faux ivory --see Ivory
for embedded chips).
....if
you want to prebake a bunch of Kemper cutter shapes to use as inlays,
etc., just press a sheet of clay onto a smooth tile and punch away....
then peel the excess clay off, and bake the whole
tile with the shapes on it. Works great. Bean
...
Or use sheets of baked
clay (marbled, or whatever) and cut with scissors (plain or
fancy-edged ones) or punch out shapes with hole or other punches.
Potential
inlay shapes can also be cut out or punched out of baked sheets
of liquid clay (see Liquid Clay >
Faux Enameling > On Glass for more)
....You can inset a punched-out
shape made from liquid clay into a ...raw bead . . . carefully
put the cut out shape on it, making certain no air bubbles
were trapped... then and gently rolled it around a bit, making sure
it was stuck on the bead fairly securely....then I baked the bead, let
it cool and glazed it. Pamela
Bob's
lesson in Polyzine on using a cutter to make a thin inlay
to place into a raw clay background (same cutter used to remove clay from background)
http://www.pcpolyzine.com/september2001/cutters.html
Bob's
beautiful geometric faux wood inlays
http://polymerclaycentral.com/clayday_faux1.html
Sally's
inlaid & impressed palm tree (larger piece, in background) (website
gone)
I stamped the (top of the?) slab first, then inlaid really thin pieces of baked clay by simply smushing them into the edge of the slab. I cut off any "flashing" then baked the whole thing.... The inlays seem to adhere pretty well, but I put a coat of Future on it after antiquing to help. Pat Edmonds
I am trying to make a black clay cover (for the top of an altoid tin) with one single ...(baked?) cane slice in the middle of it. When I put the cane slice on the conditioned black clay and roll it through the pasta machine, it comes out with a very noticeable seam all the way around the cane slice...tried rubbing it out with my finger, melting it out with diluent, and covering over it with TLS..it is not working! mooie
polymer
inlays in WOOD:
Cynthia Tinapple's bowls and drum with inlays
http://www.tinapple.com/oldsite/cynthia/bowl2000.html
(several bowls, one with Balinese Filigree clay pattern)
http://www.tinapple.com/oldsite/cynthia/bowl399/index.html
(+ lesson)
http://tinapple.com/cynthia/?p=16
(with inlay of "dot slice" from clay gun)
http://www.tinapple.com/oldsite/cynthia/djembe.html
(drum)
...Cynthia's stairs with
inlaid raw polymer along the edge (short, border, "railing")...
cured with heat gun
http://www.tinapple.com/cynthia/stairs.html
....Cynthia put a strip of textured clay on her DH's 4' tall
poplar chest, between drawers (also added clay handles)
http://www.tinapple.com/oldsite/cynthia/poplarplinth.html
Bonnie
Bishoff's disks of patterned baked clay into the top of a wooden
stool ... and a wood chair back
http://www.guild.com/artitem/28168.html
and http://www.guild.com/artitem/28170.html
Try inlaying wire (spiral, etc...could be left alone or could be hammered flat)
...or inlaying many short pieces of wire like micromosaics? (would need superglue or LS? If the wire is not tiny, sand back of it for tooth before gluing. DB
Catherine's wire separators for inlays (website gone)
Desiree's
inlays ... wire and brass escutcheon pins, etc..
http://desiredcreations.com/gallery2necklacesPg1.htm
Donna
Kato's inset (more than inlaid) metal pieces, etc., in depressed
pendant "windows"
http://web.mac.com/donna_kato/iWeb/Site/Page%202.html
("canoes & kayaks")
real rocks embedded
in gray faux mortar used as frame around a miniature "fairy door"
by FairyWings (or could use faux rocks)
http://img.photobucket.com/albums/v297/bloodymoon/clay/100_0759.jpg
(see above in Mosaics for ideas on materials to use to make chips/shapes)
plastic
onlays ...using and baking them
... inexpensive plastic
"gems" may be okay baked with the clay, but some won't
be okay
...(bakable materials like real glass rhinestones or metal
items would be fine though )
......if
plastic gems and pieces are pushed in far enough so that a little clay
comes up around them, a glue (like liquid clay) probably won't be
needed
......different types of plastic have different distortion
or melting points, depending on the type of plastic they are... and some
may also change color with sufficient heat
......Lauri
says some acrylic
plastic ones can get cloudy when baked
......chances
of problems can be reduced by instead pressing into the clay to
create an indention of the exact size needed (removing), then gluing them
back into the clay in after baking
......various types of glue will
work... most superglues should be fine as long as there is an exact
and tight fit ... 2-part epoxy glues would work well... white glues
made for jewels and metal like Beacon's Gem Tac or Jewel-It
should be fine... (any regular permanent white glue would probably work
fine for things which are in impressions like this
too) ... a dab of a silicone glue like E6000 will be strong enough but
any that shows can turn yellowish over time (and Lauri says: some glues
like E6000 can "crackle" the silver
backing on some cheap glass stones)
...plastic shards from prerecorded
CD Roms are safe in the clay (at least up to 250°)
.......CD
Rom shards used for making pins, covered with UTEE and heated (Sally) --
lessons
http://www.rubberstampsclub.com/tips/cd-pins.html
(more on CD's and their shards in Covering
> Plastics < CDs and in Onlay
> CD Shards)
previously baked clay slices
or bits used as onlays can be onlaid and baked on raw or baked clay, but it's
better to use some kind of glue or liquid clay if the items won't
be mechanically held on by any of the clay ...(see
Glues)
.....these may be baked in place along with the clay (if
they're pushed in far enough you probably won't need glue too, but if you want,
a tiny dab of liquid clay on the metal back before insertion would hold even better)
Flattened "Inlay" using raw clay slices into sheets
You can also use unbaked clay strips, bits, etc., to "inlay" into raw clay. There are other examples of this elsewhere on this site (e.g. twisted mica ropes, etc., in Mica), but here is one example of doing this:
Deb's Altoid boxes covered with base and strips of various patterned clays
http://community.webshots.com/photo/18564524/19701179OSsANpNQCI
Backfill
--see much more on this technique in Carving ... also Dockyard micro carving tools and linoleum cutters which can carve into the clay
backfill: many small marks were pressed into raw clay with various tools (to make shapes like long, thin,triangles—or any shape, baked, then backfilled with a white "grout" made from Premo mixed with diluent and rebaked. Julia’s grouted tool marks (backfilled) (website gone)
Alison Ingham's faux mosaic?
technique using colored powders (painted carefully into?) impressed
areas before gold powder used?
http://www.heaser.demon.co.uk/polyclay/guild/al-ingham.htm
Kellie's
backfilled lines and squiggles, sometimes clay colors added after
carving, but before next carve, to keep separate
http://www.kelliesklay.homestead.com/pendant.html
http://www.kelliesklay.homestead.com/Tins.html
(doodle box)
PATTERNS
& IDEAS from other media
(for
mosaics & inlays)
There are lots of other places to get patterns for traditional mosaics..... or for using mosaic bits, tiles or beads ... or other materials:
Beadies, etc. ... pony beads or smaller
beads woven together (plastic lacing, thin wire, etc.) to create a flat image
or pattern
http://www.beadiecritters.com
(hundreds of free patterns on all topics)
see
many patterns in Mosaics
...I have (many
old beads) I pulled out all the flat, and somewhat-flat, beads
to make a random mosaic tabletop. obirtasil
Perler
Beads ... heat-sensitive plastic beads which are placed onto a shaped background
plastic base sheet (like a star)... then the beads are placed over each of the
tiny upraised spikes on the base in the colors indicated on the pattern sheet
...the
top surface of the beads are then ironed (under silicone paper), and their
sides fuse enough to hold them together... remove from plastic base
http://www.perlerbeads.com
(click on Galleries)
Grove and Grove's
faux mosaic technique created mostly by impressing and/or texturing
long clay ropes repeatedly, so they resemble a "line of tiles"
as they are laid on a base sheet
... they also overlap their clay
shapes which also creates an sort-of illusion of mosaic
http://www.groveandgrove.com/fishgal/%20fishgal.html
(fish)
...something similar is done on some Balinese Filigree ropes...
perpendicular lines are impressed along the rope, creating a line
of "tiny tiles"
... or a circular "stamp" like a
ballpoint pen part are impressed along the rope which looks more like a line of
small round beads (see Clay Gun > Balinese
Filigree)
Kathy G's
butterflies made with and surrounded by Balinese Filigree
(circular and folded elements from a clay gun) (website gone)
This technique
could be used with any kind of mosaic patterns too
by filling in outlined areas with folded ropes, or spirals formed in squares/triangles/etc.,
or meandering ropes.
Could
a faux-broken-eggshells mosaic effect be created by placing
a thin, dome-shaped sheet of baked clay on top of a sheet
of raw clay... then be broken into many pieces by pressing
down firmly on them?? ...leaving spaces between the unevenly broken "tiles"
in the raw clay (which acts as a grout)?... this might work especially well with
the brittle clays like the Sculpey's. Diane B.
pewter
shapes inlaid . . . .the pewter is a thin sheeting (obtainable
from craft shops - it's used for embossing 'tinwork'). I make the shapes
using a shape punch normally for paper - the metal is thin enough to do
no harm ...This cabochon was roughly shaped out of black Fimo. ...Several small
section flower cane slices were added to the surface
.... Then the metal
shape was placed into a cab mould ...and the clay pressed
in afterwards (the metal (bends and) takes on the curve of the cab surface
quite well). ...The whole piece was then baked as usual (pewter's melting
point is a good 100C degrees higher).. . .
...surface embossings
to the metal - like wing-veins etc - can be done when the piece is cool.
...Then the metal is fixed firmly into place using superglue, epoxy or the whole
cab covered with a thick coat of spirit varnish - which holds the metal in place
too. Alan
http://groups.msn.com/ALANpolymer/polyclaysculpture.msnw?action=ShowPhoto&PhotoID=22
Small stone chips can be bought in bead areas (many seem to be brown or faux turquoise) and inlaid into clay or ivory, etc.
MORE
places to find PATTERNS
....needlepoint
... counted crosstitch
...
dots-of-fabric-paint technique for sweatshirts (name?)
....Huichol
(see also Mixing Media
> Seed Beads for many ideas)
Bargello ...(for more on bargello, see Onlay
> Bargello)
...Jan's quilt-like bargello
patterns, made with tiles on a base (no grout)...she uses square tiles
(some solid, some marbled or patterns) and snugs them together
http://www.pbase.com/janruh/tiles&page=3
quilt patterns (see Canes-Instr. > Quilt)
(see
also:
Canes/Instructions
for CANED mosaics, Cutters-Blades
and Frames/Mirrors/Tiles
for making tiles,
Liquid
Sculpey for cloissone, Faux--Many
for pietre-dure faux stone, Faux
Ivory, Faux Turquoise & Wood,
Inclusions, & Onlay)