Polymer
clays
for sculpting ..+ "best" ones
...some suppliers
Non-polymer
clays
....air dry clays
.......paper
clays, "cold porcelain" clays
.......epoxy
& other clays-putties
General sculpting
...Gen
Info (shapes,strength, joins, baking, fragility, finding images)
...Fingerprints,
smoothing, dust
.......cleaning + smoothing .... "solvents"
.......tools,
gloves.... plastic wrap/baggies... liquid finishes, liquid clays
.......after
baking
...White or any clay --keeping clean
.......before baking ... after baking
...Plaquing
...Misc.
info ...crumbling, cracking, etc.
......"covering" w/ cane slices
Distinguishing human characteristics
Flowers & Leaves
Other
items to "sculpt" (animals, bugs,
puppets,etc.)
Covering sculpted forms
with clay
.....covering with slices
Settings
& bases for sculpts
Bas
relief sculpts (onlay)
More tips
on sculpting + painting
PAGE
2....(in process...
for now, still here)
Books
& Videos + Molds, etc.
Online discussion
groups,
etc.
Websites
.... lessons...more-realistic
figures ...dolls/special figures ... whimsical
+ simpler
figures
.....mystical, fantasy, goddesses,
wise women...... jointed-dangly figures
.... other....
misc)
(see Books & Videos for sculpting books)
SCULPTURE --general
"best" POLYMER clays for sculpting
..... for clay recipes for skin color however, see mostly Heads > Skin
(for some photos of a few different clays (packaging) for sculpting http://members.home.nl/m.spijkers/dolls.htm)
Smudgeable
clays (those that "smudge" well for sculpting) (Sculpeys & Premo
& Kato Polyclay) tend to be insoluble clays; water is
the release agent of choice, especially for intricately detailed molds.
Fimo
and Cernit, both initially firm clays are soluble clays; both possess
a filler (possibly kaolinite) that absorbs moisture.
For them talc or cornstarch are the better release agents
.
. .Using the right clay for the job is part of the process. Being a sculptor and
not a caner, I have a natural preference for clays that blend. . . .I want
a clay with a good memory, a clay that holds the detail I give and can take some
handling. Leached Premo seems to be that clay. I've had no trouble with bubbles
or plaqueing and I rather like the stickiness. Just my 2 cents, Katherine Dewey
leaching... there are ways of making soft clay firmer
and better suited to modeling. Leaching, especially suited to blendable
clays, takes one to two days, but will save you work in the
end.
...while only slightly harder to push into shape, leached clays are
more likely to resist being pushed out of shape
.
...to leach, roll the clay to a thickness of 1/8th of an inch or
less (that's the thickest setting on most pasta machines) and sandwich btween
clean sheets of paper, or paper printed in an ink that won't transfer to the clay
(ink jet). Place a weight on top (for example, a Rio Grande catalogue) and let
it rest while gravity does the rest. Some of the plasticiser in the clay will
wick into the paper, leaving the clay firmer.
......for detailed work
that demands a very firm clay, change the paper after 6 hours and
continue leaching, or let it sit for 2 to 4 days, depending on the original
consistency of the clay.
...I use the following "fitness test" to determine
if the clay's right for modeling: roll the the clay into a ball and cut
the ball in half. Put the ball back together by sealing the seams using thumb
or finger strokes only. If the clay loses its shape,
it's too soft for modeling. If seams blend easily, yet the two hemispheres
retain their shape, the clay's generally just right. Katherine Dewey
...I
always imagined that your preference for leached clay was one of those personal
preference things, but that *I* would be perfectly happy using clay straight from
the package! HA! WRONG! Really really wrong!) Anybody reading this, take note
-- the amount of difference between fresh Premo for sculpting and leached Premo
for sculpting is unbelivable! Sherry
...(see more on leaching in Conditioning)
I have recently learned that leaching not only removes some of
the plasticiser--making the clay less sticky to handle--it also takes
out some of the stabilizers.
Sarajane
...What exactly does this mean for the clay once it's baked? . .
. .that it's more likely to crumble, be more breakable if stressed,
or have some other effects? Diane B.
...The short answer is "yes". It
also removes color stabilizers that help keep
the colors from changing. (As to long term-comparative tests, I don't think
any have been done yet. Someone would need to break a block into two parts, wick
half and leave half alone, then bake and comepare--and compare again in a year
and in two.) . . . It does change the strength though, and I was told that
changing the chemical formulae may not be a real good idea, and that wicking/leaching
takes out stuff that's in there for a reason, and not just "excess moisture".
Sarajane
(...see also Misc. below for more on avoiding
crumbling and fragility in finished items,
particularly over time)
For
clay to hold detail, it should be firm and I think the less sticky the
better. . .. If strength is an issue, then I suggest leaching the daylights
out of some premo . . .. If ease of sculpting is the biggest concern..
as may be for a beginner or practice work then leeched supersculpey
is the stuff.
....I don't recommend either the original
white sculpey (sometimes marketed under the name PolyForm) or Sculpey
III for sculpture because they have all the wrong qualities.... I also don't recommend
the original Fimo because it just doesn't
have the right kind of "smushability." Tommie
I think everyone who sculpts with Polymer clay has a different opinion. Jack Johnston seems to prefer a softer clay. I and many others prefer a much firmer clay. But just that part of the consistency is not enough to say it's a good clay with which to sculpt. Fimo is very firm in many of it's colors but seams don't blend so well. Many very fine artists, some of the best in the world, like Premo. I find it too sticky unless it's leeched and even then it's kind of tacky. I like a good solid clay that has an almost waxy consistency. Super Sculpey has this quality but it's really not the strongest clay once it has been baked. The absolute favorite sculpting clay of this particular dabbler was Promat, and in particular promat black seemed to combine all the characteristics that I wanted. Firm, Waxy, great detail hold, and VERY strong. But much to my dismay promat is no longer being made.
PREMO clay is very heat sensitive and easily by overworked... try to learn to use fewer strokes, etc., or let the clay rest a bit, then continue.
SUPER
SCULPEY (flesh-colored). . . to select the best box, I had little 'tests'
for the clay before I bought. ....cracks (like splits) in
the raw clay were a good sign as well as how much came off on my
finger when I drew my finger hard accross it. Shane
...Many
times there is a lot number stamped on the box. So when you find that first
great box you can then note the lot # and check out all the boxes with the same
number. I use to reserve boxes of clay of the same lot once I found one I liked.
... at home I carefully
drag my palette knife across the clay...this removes any dirty marks without
removing to much clay.
...SuperSculpey is a good clay for sculpting, and baked
at a slightly higher temp, just under 300 degrees, proves to be
fairly strong. Katherine Dewey .....it will darken though if not covered
or using enclosed baking method? ...Katherine Dewey recommends covering baking
sculpts with damp cloth?... would increase plaquing though?
......Baking
times for me are 20 minutes per quarter inch thickness, with a minimum of
20 minutes
...When I blend clays, I don't treat it as blend and compromise
temperature or time, but use the clay with the highest temperature as a gauge
and bake accordingly.
...To prevent
browning of
thin or
prebaked, or
highly placed (my oven has hot spots)
parts of
a sculpture, those parts get wrapped with cotton batting secured with aluminum
foil after the first 20-30 minutes of baking time. Works for me,
....can
also drape with a damp paper towel, etc., (see more ways to avoid
darkening in Baking > Darkening, Scorching)
... the Robert McKinley's book on dollmaking shows him using Super Sculpey but
he stopped using it because he was experiencing too much
breakage... and he switched to paperclay!!? Sadly he wasn't around long
enough to try some of the newer and stronger clays that we have today. Kathndolls
...SuperSculpey
tends to plaque (moon)
a lot with small areas or opacity in the otherwise translucent clay... can add
a bit of white to it to hide them, and/or avoid getting humidity and air into
to the clay before baking (see Translucents
> Plaquing for more info)
....a
friend of mine sculpts in SuperSculpey, then applies a thin layer of Cernit
over it to give it a more translucent look. Cheryl
......Right
now, I'm trying a 50-50 blend of SS and Cernit. I've heard
from several dollmakers that this is an excellent combination, easy to work with
and has very little mooning, if any. I haven't gone clear through the process
of baking with it yet, so I can't tell you my honest opinion. Peggy
"crumbling"
clay sculpts:
... I question the validity of the decomposing (baked
clay) doll tale . .. So many artists undercure
SuperSculpey and SuperSculpey blends to prevent scorching that as a result the
clay is more crystaline, brittle because it is underfused.
I await what the polymer chemists have to say. Katherine Dewey
Terra Cotta original Sculpey in the box is extremely crumbly after baking (maybe even more than the original white Sculpey in a box?)...see more on Terra Cotta Sculpey in Characteristics > Sculpeys > White & Terra Cotta
Super
Sculpey Firm (dark gray)....extra firm, opaque gray,
sculpting compound ......shatter and chip resistant after baking
......good
for sculpting fine details... gray color makes item easier to see and photograph
... 1 lb pkg ($10?)
http://www.clayalley.com/premo.htm
...http://www.polymerclayexpress.com/sculpey.html
I work with Sculpey's Superflex all the time (now called Bake and Bend). Yes, it's tacky and somewhat greasy, but it's a problem solver. (I use it in two ways: for flexible sheet molds that can be run through the pasta machine and) as the ductility agent when I want to model very thin elements of a sculpture that won't break. For modeling, I normally blend Beige Flex in a 50/50 mix with Premo (any color) that's been leached twice and then leach the 50/50 blend one more time. Beige Flex is so inert as a color it has a negligible effect on other colors, includeing white. The result is a slightly tacky clay the exact color I need with a consistency similar to fresh Premo, but it does remain flexible after baking; that's the quality I want. Examples on my webpage http://www.elvenwork. com include every finger on every sculpture, the membranes on the dragon's wings, the ears and tail on the sphinx, and the leafy dress on the the Green Lady. Katherine Dewey
Tommie's saga re
testing the new KATO POLYCLAY for sculpting (he liked it very much,
and felt that it raw clay blended to baked clay was very smooth and that it was
very strong, among other things)
http://www.polymerclayhaven.com/lessons/dragonart.htm
.... My only complaint so far is just a minor one. The Kato skin tone clay
is much too orange, and too opaque for reality. But it's not a big
deal to mix up my own. I do that most of the time with the premo and fimo, too.
I haven't sanded any yet, but I like the nice satiny sheen it has just baked...
I did my best face sculpt yet out of it (despite the skintone issue) because it
took the tooling so nicely. And seams lovely. That nice blending
of pieces together. Dawndove
~I tried the flesh color to sculpt
a fairy with, and wasn't impressed with the color (too peachy) or the translucency
of the skin after it was baked. So I tried mixing it with translucent. Still didn't
like it. And the feel was a bit too mooshy, for my tastes. Some people like Cernit
feeling clays, so I'm not knocking it, it was not for me. Guess I'll be a Super
Sculpey girl forever.... I do like the clay, it's just different from anything
I've tried. Ginger
Vernon said when I first ordered it that they were going
to change the color of the flesh to something with less orange.
Leslie
...Well Kato clay is very strong, firmer than Premo which
isn't always good for what I do, but I've found that if I mix in a little liquid
clay it does pretty good.. . . I like the softer, more elastic Premo
for clothing my figures as it stretches more easily. . . . The thing
that I love Kato clay is that it doesn't color shift like Premo. Since I make
figurines I was always having trouble with the skin darkening especially
since I do many repeat bakings, different body parts tend to bake a lot.
. . . the color white in Kato is and stays a nice bright white,
but Premo's white is duller and darkens when baked to a less than satisfactory
shade.
. . . Kato clay has a slightly shiny surface (looks a
bit too plasticy) when baked which I like for the hair of a figure
but don't for the rest, there I prefer Premo's soft matte finish. Dawn
S.
....If you dip a pinkie in cornstarch & smooth it over the surface
before baking, you'll end up with that nice matte finish on Kato
clay. Marla
ALL the FIMOs
...the Fimo clays have been reformulated
yet again...this time because some customers felt it was too crumbly
...
though the plasticizers used in the previous formulation were judged okay for
toys by the European Union (Fimo is classed as a "toy"), they also worried
that the EU could ban more plasticizers in the future so those were changed too
.....both Fimos are now not as strong as
they used to be, though if they're baked at the old temp of 265 instead
of the new recommended temp of 230, they will be stronger
......FimoClassic
and FimoSoft are softer than their previous
formulations (becoming softer with each reincarnation) and have more problems
with stretch and detail
......the
new FimoClassic is now too
soft and tacky
(which makes it almost impossible to use for sculpting).
UGH!!! ... it used to be my favorite for sculpting. Chris
......miniaturists
don't like it as much because of the softer texture
& the color changes
...for
more info, see http://www.garieinternational.com.sg/clay/shop/fimo_new_formula.htm
........also
see Safety > Plasticizers,
Oils, Phthalates....and Baking
> Times and Temperatures
Fimo flesh-colored
doll clays:
...dollmakers
particularly are not happy. ...we are currently testing the new clays and observing
their performance for jewellery, modelling, miniatures and doll making. We will
update this page as soon as they are completed. Sue H.
http://www.polymerclaypit.co.uk/acatalog/Information_on_changes_to_Fimo_clays.html
.......Miniature Doll Fimo is a lot softer than it was
when it was first re-introduced. The latest batch was very difficult to use for
original sculpts of miniature dolls although it is still fine for moulding.
.......Soft
Doll Fimo is also currently very soft. We are waiting for more information
from the manufacturers about this problem. (Meanwhile, if you are having difficulties,
you may wish to use Sculpey Living Doll instead. I have found this
clay is excellent for making both full size and miniature dolls.) Sue H.
...while
the general hobbyist will probably find the clays easy to use, some of
our professional users who have "higher demands on the clays, particularly
the dollmakers, are not happy. ...we are currently testing the new clays and observing
their performance for jewellery, modelling, miniatures and doll making. We will
update this page as soon as they are completed. Sue H.
http://www.polymerclaypit.co.uk/acatalog/Information_on_changes_to_Fimo_clays.html
(the following things were written before the
refomulations of 2007)
I prefer
a firmer clay for sculpting small faces (I use FimoClassic.)
Leslie
...(Katherine Dewey): FimoSoft
is a pretty good sculpting clay, but blended 5 parts Fimo Soft with 1
part Classic Fimo and you have a very good sculpting clay. Soft enough to
push into shape, yet firm enough to hold the shape you given to it and resistant
to fingetprints. It also has the "smudge factor", and semas blend easily. I found
it not quite as strong as Classic Fimo, nor Premo. As I'm one who believes the
strength of a sculpture should come from within, i.e. armatures, the 5 to 1 Fimo
Soft/Classic Fimo blend mentioned above proved to be a very good clay for very
intricate work. Fimo Soft, on its own, did not stand up to the task.
...I
mostly use Fimo soft. I love the constancy of the clay, and seams disappear
easily, and it suits me well because I have not so warm hands. Christel
...I've
been sculpting horses - my other great love! Fimo Soft is a great sculpture
material - blends to itself with ease, minimal cracking, and stronger than S Sculpey.
I also find the translucency of SSculpey difficult - can't see what's happening!.
. . . Maximum clay thickness should be no more than 1". Donna Kato
...I
had always worked with Fimo. My husband had to condition the Fimo for me
and when the new stuff (FimoSoft) came out I just couldn't work with it
at all. I didn't like the colors or texture and it was harder to work with. I
really freaked because my whole line and livelihood was based on the old Fimo.
Well, I started mixing Cernit 50/50 with the Classic Fimo and got INCREDIBLE
results. I can mix it myself, it takes 75% less mixing, the colors are sooo vibrant
and it's stronger than the original Fimo was! It is soooo much better to sculpt
with! ...You don't have to draw (leach?) the moisture out or anything- a few runs
thru the pasta machine & you're in business. I can sculpt all day & night without
having tendon problems, too! Kristy
...Fimo's Classic is too
hard and Soft is too soft for me, so what I have been doing for my sculptures
is mixing the two together in proportions 1:3 - 1:5 depending on
the firmness I want (Classic being the smaller proportion). Christina
PUPPEN
Fimo ("Doll
Fimo") . . . comes in 3 shades --porcelain (-03), rosé
(-43), naturell.... packages are 500 grams.
...You cannot compare this
clay with the small packages fimo classic. . . Doll fimo (puppenfimo) is much
easier to condition and works and feels very different.
...Also I find
PuppenFimo the best polymerclay to work with, you can work so tiny with it and
so full of detail.
..... It doesn't looses its shape when curing, doesn't get
too soft when sculpting. And most of all, I think this is the only polymerclay
(in Holland ) that doesn't get the plastic shiny look after curing (I compared
Fimo, Cernit and CrealTherm).
.... Also compared the 'smearability'
(new word?) ;-) If you make a head you usually have to add layers of polymerclay.
Fimo is very easy to smear and smooth. Cernit was the most difficult, I had to
try to melt the parts in each other, and CrealTherm was in between those two brands.
Easier to smear/smooth than Cernit, but it still took more time with this brand
than with fimo to smoothen the lines of new layers I had added. . . .I'm curious
about Premo and Sculpey, are they easy 'smearable'? Marika
....
I have Puppen Fimo in
Rose but I find it too hard to condition, and not as easy to sculpt with
as Prosculpt... Maybe on a larger scale I would like it better but not on small
faces!! Nanner
....I e-mailed Maureen
at Wee Folks about your question…"It isn't quite the same, though both will work
for dolls and figures. PuppenFimo is a bit less elastic than is regular FIMO.
The FIMO #43 tends to be dry. I would add MixQuick to it." Myself, I have added
diluent to the puppin to soften it as it is rather dry to start in my mini food
processer which I use since I almost always mix in the porcelian Puppin to lighten
and make more translucent. I think it is the " less elastic bit that helps the
...Puppin Fimo holds fine detail better. At least adding the same product
to lighten or darken should not affect the internal integrity of the baked clay.
Cheryl
... I
have used a lot of different clays and mixes I keep coming back to the Puppen
fimo becuase it is soft colored and stiff enough to get better detail , in the
miniatures I make.
......To brighten it up the easiest is to buy powder
makeup and lighly brush onto the unbaked clay,
......I use powdered blush
for the ckeeks and a light brn pastel chalk for the eyebrow/eyelash area's to
get more sparkle use sparkly face powder that shimmers for character dolls usually
a matte finish is better, atry different brand to get different effects.
........I
find that SuperSculpey does not take powders as well as PuppenFimo and
can look cakey, so do tests first .
........You can mix Puppin Fimo flesh
with Puppin Fimo porcelian to lighten. Cheryl
.......If you like a darker
color (than PuppenFimo), Prosculpt is great to work with , easy to seam
like the Puppin Fimo , and comes in ethnic colours, though it's not as moveble
or as translucent as the Cernit which I use in larger dolls but not in miniatures
as is too soft. Cheryl
....a friend of mine sculpts in SuperSculpey,
then applies a thin layer of Cernit over it to give it a more translucent
look. experiment, have fun…Cheryl
CREALL-TERM is a nice clay- but
usually expensive here in the US. I like it mixed with S.Sculpey for dolls.
It has a nice elastic quality that gives character dolls interest. By itself-
it's got lots of bounce and I didn't like that. It's sort of like Fimo- and that
isn't my favorite to sculpt. Kathndolls
(no longer being
made?)
PROSCULPT
(sold by Jack Johnston, sculptor )
...
you might also want to try Prosculpt, which is a new clay particularly formulated
for doll makers. Jack Johnson is the vendor
..........he also makes wonderful
dolls and has workshops, books and videos.. Cate
...
I really like Prosculpt because it is so smooth and strong...and
the fingers don't break off like with Cernit and Fimo.
....But, it
gets really soft fast (like Cernit)
...it's
also more expensive than the other flesh-colored
clays
...J.Johnsons Prosculpt. It's really nice to work with. It doesn't
moon or crack, but it isn't as translucent
as some of the other flesh clays
.....His clay also blends better than
a lot of them I've seen.
........ I can sculpt really tiny faces
with Pro-Sculpt much more easily than with Cernit
though
....Prosculpt's Caucasian is
pink, ugh.
Dianne C.
.........Caucasian for me bakes up way too
dark... don't even want to use it for my reg adult dolls.
GardensOfUtopia
.....Ethnic ...
Prosculpt also comes in a deep
brown (so has to be mixed to get lighter colors)
...Jack Johnston's clay Prosculpt
is a very strong clay and wonderful sculpting clay--just does not come
in enough colors.... I would rate it equal to Premo in surface hardness.
Jeanne R.
....(2008) ProSculpt now offers new colors: Light (esp.
for fairies and goth), Baby, and Translucent White
......Baby
is a wonderful color! I adore it alot when making babies. It's a rosier color
than Light. GardensofUtopia
.........I use Baby
for everything ...to see what Baby looks like, check out my gallery where everything
in the top 3 rows is Baby (the 1st two on 4th row are Caucasian, you can see how
much darker)
.........I used to sculpt in Roma Plastelina so sculpting
in Prosculpt is the closest thing to that real clay feel for me, blending,
etc. Nanner
......Light ...light color, little
or no translucency
.........(aka Fairy Light) is really light, but not
as light as porcelain... I use fairy Light with mostly everything, even baby sculpts.
........
I also paint (antique) my babies a nice rosie color and makes them look
more real rather then clayish sometimes. GardensOfUtopia
......Translucent
White is great... alot of people like to use it for teeth and eyes
too
.........people also use it for mixing with other clays (to make
them more translucent). GardensOfUtopia
...ProSculpt is not
as translucent as Cernit--- but if you add Premo translucent
you can get something close to Cernit--problem is, it then begins to work like
Cernit. Hard at first and then too soft
......I found what works best for me
though --work a little, then sit it on marble or glass so it hardens a
little and cools... go back again later and do a little more. It is amazing
what you can touch the next time and how much more control you have over the clay.
Jeanne
......I use a light dusting of powder once I get it smooth. The powder
makes it easy to make even smoother with no fingerprints. Jeanne
.... I normally
don't touch the clay all that much with my hands
...... I keep my babies'
limbs etc on a rod or toothpick, and I cut away with tools and smooth
as I go
...... When i add patches though like "fatty area's to the face,"
I like those to be warm and done by hand...they seem to smooth easier.
......
I do though somtimes get really soft clay when I have to touch, but that is mostly
when I am kneeding at the beginning and shaping my pieces.
After I do this I put it in the fridge for a few minutes.GardensOfUtopia
(for
tips on too soft clay, esp. if you have hot hands
or are working in a hot environment, see Conditioning
> Cooling)
....I
have been thinking about
mixing brands for strength and for better color
......I
think we just need to realize that we have to mix to get the colors
we want. Dianne C.
...ProSculpt
also sells his own brand of polymer clay diluent (like Sculpey's
Softener-Diluent), which is called Smoothing Oil
mixing
clays: Years ago, when I was low on Super Sculpey, and in rush to finish
a sculpture, I used Cernit, blending it with Super Sculpey at a one to one ratio.
That piece is now more than ten years old, and shows no sign of decomposition.
Katherine Dewey
(.....Clay brands can all be mixed together, as far as I can
tell. The main caveat is that when caning, *any* clay mixes, or
colors mixes within one brand for that matter, must result in the same consistency
or the cane will distort more easily when reducing.)
There are also
edible candy
doughs that look and work like polymer clay (which can be made --easy--
or purchased)
... they can
be made into little figures or items, as as well as cast in molds, or caned...
then eaten if desired
[for all details,
see Kids-Beginners > More (Various)]
some
suppliers
Puppenfimo
& Cernit, (& LaDoll..not
polymer) ...... sculpting clays sold at Polymer Clay Express
http://polymerclayexpress.com/dollmaking.html
...(for
more on LaDoll, see Air Dry below)
ProSculpt
The
Clay Store: http://www.theclaystore.com
Onestoppolymerclayshop:
http://www.onestoppolymershop.com/page/939390
(SuperSculpey is sold by many online suppliers, as well as in craft stores, etc.)
for more suppliers, look in Supply Sources > Polymer Clays
To answer your question, there isn't
any hobbyist product I know that will give you the same results (as oven-bake
clays-- produce similar results, smooth, plastic-and-rubber-like texture and feel).
But some come close. Here are some alternatives:
1) Low melt plastics
will give you the plastic/flexible finish you desire. Typically this is sold as
pellets or sheets of material that soften when placed in boiling water. One brand
is called Friendly Plastic. This stuff is formed rather than sculpted -
and it's not really possible to mix colors. So forget about figurines, mixing
colors, and detailed molding.
2) Air dry clays such as DAS (see
also Apoxie Sculpt below) generally give a hard, plaster-like finish.
Some air-drying versions of children's (air drying) clay may give
more of a "plastic" finish, but they probably are not stable and colors are
limited. If all you want is the satiny gloss of plastic, but not the flexibility,
use air-dry clay and paint it with acrylic paints.
....Makin's Clay
. . (composition? ... same as stone ground mineral clays below?)...This is a GREAT
product esp. for children. ....within an hour it was set up enough to take home...
Works really, really well. Smooth as silk and molds perfectly in Amaco molds,
Alley Goop molds and Miracle Molds. Perfect consistency for working. . . of course
this is a fairly new product and has not had any time to dry out on the shelf
. . . (does not have the feel at all of all the products like DAS Modeling material
or the other similar non-polymer clays... works so much like polymer clay....
only thing I would need to watch now is whether it
has cracking upon curing/drying or it shrinks.
I would think it would shrink a little since moisture has to go to set up. It
starts to dry fairly quickly and if a spritz of water is added, it can work longer.
But unless the water is worked into the clay very evenly, I think there could
be some light crackling. I do see possibilities---esp. for miniaturists! Jeanne
http://www.Makin'sclay.com/mc/aboutus.asp
.....
for fine-detail and air-drying, stone ground mineral clays, see
below in Stone Ground...)
.....(for
a material that's cheap and easy-to-carve after drying
but not perfectly smooth for creating 3-D forms (even for kids),
see vermiculite and plaster mix in Carving
> "Carving" Sculptures ...not polymer, but could be embellished
with glued-on bits of clay)
An applied
surface finish can give you the look you need. Get DAS or another air-dry
clay and have fun. Then get a set of acrylic paints, some interesting acrylic
mediums, and experiment. Almost any texture can be produced. If you want a smooth,
rubbery look that is not grainy or clay-like, then rub the piece down with acrylic
gesso before painting. To get a cartoon-like " claymation " finish as you
describe, paint shapes separately with flat color, then assemble them.> Which
leads to:
3) Acrylic mediums. (see also Form-It and Liquitex
modeling paste below too??) These are usually spread out in painting to produce
thin, flexible films on paper or canvas, but there is no reason they can't be
used in the round - many modern artists do - except that they are expensive
and somewhat toxic(???), and so you should wear gloves or use tools. Squeeze
out a blob of acrylic paint and let it dry. See if it's close to what you want.
The manufacturers make a host of matte and glossy impasto (thick?) mediums, iridescent
and metallic gels, and of course a wide range of colors. This stuff also adheres
well to almost everything, including glass and metal, and has been formulated
for permanence. Acrylics air dry rather rapidly, so you can't leave a shape uncompleted
"til next time", although you can continue to build since the stuff sticks so
well. This is tricky to work with.....even the thicker impasto medium can be too
moist to model....and then a surface film forms as the acrylic dries out. Which
leads to....
4) Papier mache…A very simple and effective sculpture
medium is papier mache. This can be very sophisticated indeed - and also can be
used as a core/filler with acrylic paints, which will cut the price quite a bit.
As children we were taught to glue strips of newspaper together, which looked
rough, but the trick is to boil/mash the paper until it disintegrates and the
pulp is completely smooth. Use lots of water, you can always squeeze it out later...
Instead of plain paste, you can bind the pulp with acrylic medium - then, depending
on how much acrylic you add, and how moist the mix, the pulp becomes a hidden
filler to stretch your acrylics. Less acrylic and drier pulp yields a firmer,
more grainy material. Acrylic paints mix and thin with water, so there is no problem
here. This is MUCH easier to model with than straight acrylic, and you can add
color and detail with outer layers of pure acrylic. Items made in this way, then
smoothed and painted with acrylic, will resemble polymer clay a lot. They will
be slightly flexible, but much lighter in weight than polyclay tems of the same
size.
Note that paper mache has a very short working life before the binder
starts hardening - especially if the binder is acrylic resin. Best to prepare
as much pulp as possible, then mix with binder in small batches.
(for more
info on papier mache, see Armatures)
5)
spackle and filling compound …Hardware store solutions: The
paint section of your fix-it centre will offer spackle and filling compound.
These are usually cellulose fiber mixed with a resin or plaster binder
- in other words, ready-made paper mache mix. Mum can't object to THAT!
These products have been formulated to fill cracks in walls, so they do not
shrink when drying, unlike plaster. This is important if you are matching
parts of a figurine or model.
6) (I do
NOT advise using the various
putties and epoxies from
the hardware store.
None of these have been formulated expressly for long-term
contact with the skin) Ben David . . . though
check out the sculpting epoxies below)
(...for more on the characteristics of all "clays," see Characteristics > Types of Clays...).
see more info on all these clays in Characteristics > Types of Clays
(Of
the many types of "clay" on the market, modeling clay, air-dry
clay and polymer clay are the three types most commonly used in crafting.
The various types are defined by how long the clay takes to
dry, how hard it sets and its strength, its workability how
easy to work with, how impervious to water, whether it's one part
or two, its final surface texture, if it comes in colors, etc.
...modeling
clay, such as Play Dough, is the easiest to use and doesn't harden/dry. This type
of clay is especially good or young children to practice with, since it can be
repeatedly reshaped into new forms.
...air-dry clays are best used
for permanent creations, since they will ultimately harden and cannot be reshaped;
most clays of this type will set in about 24 hours. ... doesn't require the use
of heat to dry and set the finished piece.
...polymer clay is a little
tougher to work with but is also more versatile. ...(DIY)
...Laguna
brand clays (Ovencraft -350 for 1 hr .... Ovencraft II -350 for 30 min...... Self-Hardening
Clay -1-3 days,no oven)
Some air dry
clays are Amaco Mexican Pottery Clay, Amaco Marblex Clay, Amaco Stonex Clay, Adica
Pongo Das Air Dry Clay, Jovi Air Dry Clay, Binney & Smith Crayola Model Magic
Air Dry Clay, Creative Paper Clay, Hearty Clay Air Dry Modeling Clay,
....variety
of air dry clays:.... Crayola Model Magic, Delight (made by Paperclay company)
or Hearty Clay (claycompany.com) - white one bag of Paperclay
Mexican Pottery Clay by Amaco ...very blendable
...I'd like to
make some pottery beads and put polymer clay on them, like a flower here
and there.
.....I think the warning about not curing it in the oven
is because if there is the slightest bit of moisture in the center, the
piece will
explode, and if someone is opening the oven
just at that time...well, I can hear the lawyers now
.... However, I have also
found that if it air-dries until not cold to the touch, then left
in a barely warm oven overnight, it can be oven-baked at the
same temp. as PC. Consequently, if I plan to be extraordinarily patient, I
can combine MPC and PC for some very interesting, beautiful effects. I'll put
some up when they're finished. I refuse to be responsible for injuries to anyone,
though -- that stuff is like shrapnel if there is moisture trapped inside. Kelly
...
Sounds like it might be best to make the components from each material separately
and then combine them. Using two-part 5 minute epoxy to adhere polymer embellishments
onto the pottery clay or vice versa should work...would that do? Meredith
....the Amaco clay may have some shrinkage, so dry beads thoroughly and cook them
first…MJ
Another air dry clay
is Bond Kelly Clay (???)
... 18 colors,
4 oz bars $5.29; 6-color sets $5.50, but no indication of oz. .(available only
in the Far East or by mail order?)--flexible in thin areas as well; must be kept
damp until use
http://www.bcsgc.com/aboutclay.htm
(gone?)
``````````````````````````````````````````````````````````````
Modena
clay ??? is very flexible after
air drying, not shrinking so much as cold porcelain and stays flat. Because
of the flexibility, Martha from ACDS found out that you can make a lot of home
decorations with the JEM cutters and the GMF cutters. Without any support it stays
flat. You can bend it after drying. Just take a look at all the ideas on the pricelist.
This product is only available in white but you can knead accryl paint and oil
colors through it and you can also paint it after drying."
paper clays ? (air dry)
(for more on paper clays, see Characteristics > Types of Clays ... and also Armatures)
Makins'
is a version of paper clay similar to Creative Paperclay, but comes in colors.
Hearty and Model Magic also come in colors.
(Celluclay is an unmixed version
of a paper clay, but leaves a bumpy surfaces and not as easy to work with as the
pre-mixedclay forms... comes in white or gray)
I have used Creative
Paperclay with very good results. Overall, I found it to be a very good medium
and believe you will enjoy working with it. Here are some hints based upon my
own use of it:
--You can tint it, even if you are planning to paint it. This
will give you color gradients if you want them, or natural blends. If you dislike
the color, you can just paint over them.
--Sanding and carving are both very
easy to do and if you make an error you can just add more clay let it dry and
re-do it, or sand/carve off the part you don't like and rebuild it.
--You
can use any type of paint, I used acrylic.
--I also used a good clear acrylic
spray to seal mine. I found spraying light coats prevented bubbling and left a
nice even look.
--You can use molds, plastic are the only ones I used, which
release easily because the clay shrinks ever so slightly and that is something
may want to to keep in mind if you are using scale. Do a couple of experiments.
--Also you can put paper clay in the oven if you desire something to dry
quickly. About a 250 degree oven at 30 minutes for most, unless they are extremely
thick, but check the packaging directions.
--I cannot really attest to the
durability as I made faeries that are hung, so they are not really handled too
much, but I know paper clay makes beautiful jewelry and that must stand up to
use. Hope this helps some. Donna in GA
....I've
used paperclay in making miniatures. I've made an Egyptian scene
where I covered all the walls and floor with paperclay and then textured
it to look like stone. ....I haven't used it yet to sculpt figures.... I really
like the texture while I'm handling it but don't like it
when the clay dries on my hands! Euuuuu! ...
one good thing is putting on new layers and having it blend together really
well. Donna in Mt.
http://www.picturetrail.com/gallery/view?p=999&gid=1657966&uid=448958
Makin's
Clay ...very smooth........by ProvoCraft?, or Dutch? .... acid free (when
dry)...lignin free
........9 colors (incl.
glow in the dark) http://www.makinsclay.com/US/eng/products/basic_color.htm
.......
can mix colors, or color w/ acrylic paints
http://www.makinsclay.com/US/eng/products/mixing_chart.htm
........"does
not have the same feel as air dry products like DAS Modeling material or
other similar non-polymer clays"
... works a lot like polymer clay
.......starts
to dry out fairly quickly ...if water-spritzed, can work longer but must work
in very evenly, could be light cracking? Jeanne
...many
projects http://www.makinsclay.com/US/eng/makins/aboutus.htm
(click on Project Gallery)
Hearty
Clay (by Venture Craft)... cornstarch-based??
or paper based??? air
dry clay
...soften until pliable before using...
must keep air tight until
used.... comes in colors...(must be sealed?)
http://www.claycompany.com/htips.htm
some
project lessons (roses, etc.) http://www.claycompany.com/projects.htm
....I
buy the white clay and color it with a few drops of paint (acrylic=opaque) or
oils (translucent?) ...can paint on dried clay too
...the colors Hearty sells
are (very bright)horrendous don't give a realistic colored flower. Hazel
...
air-dried... when dried, has a suede-like feel that's also flexible.
When the
clay is wet, it will stick to each other and create a very strong bond. It may
be necessary to use glue to ensure bonding once clay dries. Water and hand lotion
will help keep the clay from drying
...available at Walmart?, some craft stores
(D&J Hobby, Ben Franklin, etc.)... see link above for Retailers
....In
the last issue of Craftrends there was an ad for Hearty Clay and it was called
"polymer clay" in the ad. ....it does not work, feel, act, or in anyway
appear to be polymer clay. I checked out an opened package that must have been
opened for weeks at Hobby Lobby this past week. It is brittle, easily broken,
can be rubbed apart if allowed to dry. Since it was in its package, it had not
been conditioned as we do polymer clay so that may be why it was not durable.
Jeanne R.
http://www.hgtv.com/hgtv/crafting/article/0,,HGTV_3352_1906864,00.html
(photo)
Emi's lesson on using Hearty Clay
for doll and clothing
http://www.hgtv.com/hgtv/crafting/article/0,1789,HGTV_3352_2014206,00.html
Emi's
short book using Hearty Clay, "Expressions With Air-Dry Clay"
http://tinyurl.com/tyoq8
...can use Rub N Buff or metallic paint on
... I've used other? paper
clays (not the Hearty brand you mentioned) and they didn't work as well
as Hearty which has more elasticity so when you flatten a piece it doesn't
get jagged edges. Hazel
BOOKs: Expressions with Air Dry Clay (by Emi Fukushima,
Donna Kato, etc.. published by Design Originals, Can Do)...other books, and a
VIDEO: :http://www.claycompany.com/mall/ProductPageTools.asp
& http://www.claycompany.com/mall/ProductPageTools2.asp
...One
thing I've been experimenting with lately is Hearty Clay. It's a fairly
new product. When it dries, it's feather light. It's great for making jewelry
embellishments that need to be attached to costumes because it won't weigh the
fabric down.
...Pretty much anything can be used to make props- wood,
clay, plastic, etc. People usually prefer light weight materials because they're
easy to carry around at cons. Toka_pop
...you must first papier maché
it then you can fibreglass it to harden it papier maché can be left alone if you
arent expecting any abuse to it. For something more permanent use fibreglass ontop
of it... Wet sand it and WEAR A MASK & GLOVES! Once it's sanded fill any uneven
craters on the surface with body filler (Bondo) resand (trust me you will have
to sand and resand a good amount!) Once you've gotten it to the smoothness you
desire, paint away. I use primer because Im anal like that, but after all that
sanding you really dont have to....you can get fiberglass at any auto repair
store or at Home Depot.. go to the paint section, it should be near the sandpaper.
It comes packaged in clear plastic wrap-ness. You will need to buy either a fibreglass
cloth or mat and the resin for it. they come in a starter kit but its not worth
it. the cloth that comes with it is short and the resin can is little. Also you
may need a hardener.. jsut dont use too much or as its curing, it will appear
to smoke up and over heat. digitalcactus
...http://forums.cosplay.com/showthread.php?s=&threadid=182&highlight=fiberglass
Model
Magic by Crayola (generally sold for kids... comes in a few colors)... paper?
clay?
.......very marshmallow-y texture.... and very lightweight when
dry
.....We don't use it for Dolls heads but rather we have used it in...creative
scenery bases... for example...it worked fantastic for a beach scene we
were doing. ...It smooths out so nice with a little water spray
on it (slightly damp it seems to spread really well...but not to much water)
...anyway..Richard forms a beach scene of wind blown beach sand with hills
and valleys...shells implanted in the model magic then removed for baking
and painting then replaced in their formed spot. Also you can put in foot prints
and it looks like someone has been walking in the wet sand.... Then we air dry
and spackle paint about 6 colors that you would see in beach sand, and use a hair
dryer in between coats of paint...this builds a neat textures looks and feels
like sand...Jodi
... also amazing how much detail it picks up if you use it
as a mold and then press polymer clay into it after it has hardened.Picked
up every tiny detail of everything I was making molds of.Only problem I found
with it,is that after a while it has a tendency to tear like paper and I haven't
found a way to fix this.Even the thick pieces.So now I only will use it to create
molds to impress with poly clay. Peggy
...If your paper clay is cracking, you may be using it in too thick a layer--try it over an armature/base, like a blown egg or a balloon for heads, over aluminum foil or cardstock rolled and paper taped for limbs, bodies, etc.. . . As to finishing, Van Craig sands and then paints his, I've seen others do things like dip in wax, gesso, or just leave as it is. Sarajane
Crafty
paperclay from Japan. . . An economical air dried paper-based clay suitable for
projects utilizing modeling techniques, press molds or cookie cutters. Sticks
to any core material: wire, wood, glass or paper. Can be carved, polished or sanded
when dry. Raw clay can be added even when dry. Can be painted with any type of
paint.
http://www.miniworlddolls.com/Goodstuff/TipsClay.htm
"cold
porcelain" clays
(air dry)
There are a number of brands and recipes of a silky-feeling, air-drying "clay" which seems to be made from cornstarch, white glue, white oil paint, etc.
(for more recipes
and info on making various clays containing cornstarch --including
cornstarch, glue, glycerin + cold cream-- see
Armatures-Temporary >
Cornstarch Clays )
cold porcelain
can be mixed up and then cooked from scratch recipes, or from the
(thick, white?) "glue" and the "powder"
sold by one of the brands, or it can be bought as a premixed "paste"
clay (which seems to be the best consistency and best to work with)
...dries
in 24 hrs - 3 days,
depending on thickness (full cure, one week?)...can also be oven-dried after dry
to touch
...does not allow for much detail
work.... more useful for objects and sculpts that do not have fine details
...there
is less shrinkage
than with other air-dry clays during drying (10% compared
to up to to 30%) ...can also vary by packet or shelf life for many
air-dry clays
...must be very well sealed
...otherwise will be dissolved with water and will absorb humidity
over time
...now made in many countries (though just becoming
known in the U.S.)... seems to have spread from South America, to England, Japan,
etc., and becoming very popular in those places
...the raw paste-clay can have
color incorporated into it, or it can be painted after drying ....at
least one place has several colors already mixed
...treat pretty much
like gum paste or fondant
...often used to create very thin,
lifelike flowers, but also for jewelry, even sculpts/clothing...
When
I first purchased Cold Porcelain Paste, I was told that for the first time
I should buy the pre-mixed "paste"
....I loved working
with the premixed paste --although it does dry a little fast for me, and I have
to continually mist it
.. I was very impressed with it ...the whitest white
imaginable, and smooth.... it dries just as white so that means if it is tinted,
you get really good colors. Jeanne R.
I knew
when I first smelled the Cold Porcelain Paste that there was a white glue of
some sort in it
....I suspect that the Cold Porcelain Paste could be something
similar to the cornstarch-and-glue clays, but I did some
really good testing and if so, the CPP must be just a much higher quality
version. Jeanne R
(for homemade recipes
for cornstarch clays, see Armatures-Temp >
Cornstarch Clays)
Lucille's pages on cold
porcelain recipes ...plus using cold porcelain to embellish eggs
http://members.tripod.com/~LuJS/coldporcelain.html
some
cold porcelain links
http://www.celcrafts.co.uk/WebsiteHelp.htm
http://tinyurl.com/ymaazr
(translated from Spanish)
drying...It
takes a full 24 hours to dry, even a 1/4" thick piece
(...if you let
it dry by accident when not finished, it can be misted again and even covered
with plastic for it to regenerate so it is workable)....becomes stronger as it
dries
......after one week it is probably about as dry
as it will get....but I always cure mine in the oven at about 165 degrees
after dry to the touch. Jeanne R.
...flowers made with cold porcelain
clay should normally be left overnight to dry, and large flowers may need longer.....
petals can be slightly reshaped the next day by holding
over steam and bending.
sealing...All
cold porcelain clays that I have found can be damaged by the least
bit of water unless sealed very well.... even then, moisture
in the air is absorbed by all the ones I have tried. Jeanne R.
If
I had wanted to mix my own instead of buying the pre-mixed paste,
I would need the Cascorez Cold Porcelain Biscuit which looks
like white glue, plus the powder-like substance, then mix those
together).
......from what I understood on the web site from Brazil, this
mixture had to be cooked to a certain point, then stored in the fridge
........
it looks like there are lots of
variables (and since I did not want to deal with all that, I purchased
the pre-made paste at first).
.....Cascorez
Cold Porcelain Biscuit is the binding agent in Cold Porcelain
Paste...it provides elasticity, plasticity, consistency, the high water resistance,
and smooth texture
.......the Biscuit can also be added to the pre-mixed
paste (CPP) if wanting very specific conditions such as more plasticity
or water resistance....(I have experimented with mixing biscuit in the CPP, and
have not come up with anything that improves on the pre-mixed CPP though)
.......the
Biscuit also used to "glue" the cured pieces of Cold Porcelain
Paste together. Jeanne R.
...shelf life
. ..I have also found that the shelf life of (all) the air-dried clays makes
a huge difference in the shrinkage and how the clays work. Even
when I used clays with the same expiration date, from the same batch, there was
a difference in how they worked.
(...my suggestion is to use polymer clays
whenever possible). Jeanne R.
coloring
...craft powders, chalks ...water colors and acrylics may work...oil-based colors
look good, will keep their color, can be rinsed quickly when dusty (using excessive
thinners though will create an undesirable plastic finish)
...at least one
place has several colors already mixed
shrinkage
...at most, CPP shrinks
only 10%
.... pieces dried
by a quick method of
putting in an oven to finish the drying (after surface dried to touch--- but not
dried throughout) shrank more than ones left for an extra week to
dry in the open.... I suspect that some way, the surface forms a skin and the
rest of the clay dries slowly and does not pull down so quickly. But who knows?
Air dried clays are more fickle than polymer clays.
(....also
combining 2 different air-dry clays in one project
may be difficult because of the diff. amounts of shrinkage) Jeanne R.
armatures
...
large pieces should not be made solid because the
surface will crack
.......polystyrene (Styrofoam), papier mache, wire wrapped
with tissues, paste thinned with water on dried areas, etc., can be used as armatures
....if
under polymer clay, I cure Cold Porcelain
Paste in the oven right before I cover (about two hours for every inch
thick at about 175 dgrees--- and this is even after you think they are totally
air-dried!).... if it is not completely dried, it will cause polymer clay
to get bubbles; and with the liquid clays, a
texture similar to coarse sandpaper will develop under the skin of the
liquid clay even though the CPP is perfectly smooth. .
...If not used immediately
and if living in high humidity climates, they will absorb moisture and cause problems
(I've had no problems if used as soon as removed from oven and cooled).
Jeanne R.
molds
& texturing
... I used some molds and
the CPP shrank just enough to be able to pop out (less than 10%). I could run
my fingernail around the inside rim, but no more...
remove only once totally dried
...since the CPP is so smooth, it takes textures
and molds beautifully
......but when using
silicone molds, it takes a very long time to dry..... If dried
thoroughly, it does not stick to silicone molds, but if still wet, it will stick.
The silicone molds can be put into the oven at the same 165 +/- to completely
dry, Jeanne R.
``````````````````````````````````````````````````````````````
BRANDS
& COUNTRIES:
U.S.
Craft Porcelain
Modeling Material (by Amaco)
http://www.reuels.com/reuels/product6373.html
Craft Porcelain (aka Porcelana Fria)
modelling is a relatively new craft which is growing in popularity.
"...The mixture and art method, while common in South America, is
not well known in the United States.. . ."
http://www.craftporcelain.com
...Craft Porcelain Inc. (currently selling in USA, United Kingdom, Australia and
South America) ...Craft Porcelain SRL is our manufacturing facility in Buenos
Aires, Argentina.
Cold
Porcelain Creations, Florida...
they also sell a large pasta-type roller for the clay
(link deactivated --now an "attack site")
http://www.coldporcelaincreations.com/coldporcelainpaste.htm
BRAZIL
http://www.decaturdaily.com/decaturdaily/livingtoday/020915/art.shtml
..beautiful flowers
"Mixing cornstarch, grease, Elmer’s glue
and lemon juice, Maria McMunn concocts a white clay-like material that
she transforms into realistic flowers, leaves and other pieces such as seahorses
and starfish she affixes to bathroom accessories or decorative boxes. . . . Maria's
clay is air-dried, taking from one to three days to cure, depending on thickness...."
ENGLAND
http://www.celcrafts.co.uk/CelCrafts.htm
http://www.sugarcraft.com/catalog/gumpaste/coldporcelain.htm#whatisit
"
Geraldine's recipe"
When using N.T. (non-toxic) Paste Cold Porcelain,
some shrinkage will occur. We recommend that you increase sizing to accommodate
for this shrinkage until you have experience in making and using N.T. Paste (Cold
Porcelain). Ingredients:
3 tblsp Mineral Oil** 2 tblsp Sodium Benzoate
(above) 5 oz. White School Glue (NON-TOXIC) MUST
BE WASHABLE
(must be "School"??)1 tblsp Water 1 cup Cornstarch**
EUROPE
Asi
Es Cold Porcelain is sold in Holland (Martha
Regtering?) ....but really from Buenos Aires, Argentina?
Titi
Pain, manufacturer and artist?....
BOOKS,
MAGAZINES, etc.
http://www.sugarcraft.com/catalog/gumpaste/BCP.JPEG
Cold Porcelain Projects (book by Margaret Ford)
http://www.lisandrascreations.com/revistas.html
Curso Practico de Modelado en Porcelana Fria (magazine)
http://www.sugarcraft.com/catalog/gumpaste/CP-Works1.jpg
C.P. Works magazine & Cold Porcelain Magazine (translations?)
...also
Modela con Pasta Flexible (bread dough clay?)
JAPAN
air-dry clays with various ingredients --some (or all?) contain ground "minerals" ("stone")...mostly flesh-colored "doll" clays
info
on these very fine air-dry clays at polymerclayexpress
http://www.polymerclayexpress.com/AirDryClays.rtf
Premier
. . . " A natural stone air dried clay of exceptional strength and versatility.
Fine grained and malleable it offers strength to small doll parts and permits
crafting thin, but strong projects. Sticks to any core material: wire, wood, glass
or paper. Can be carved, sanded and polished when dry. Raw clay can be added even
when dried hard. Paint with any type of paint when dry. Can be mixed with LaDoll
for the added strength of Premier and the beauty of LaDoll .
. ."
http://www.miniworlddolls.com/CSClays2.htm
LaDoll clay
. . ."It's a Japanese clay (stone-ground mineral clay, air drying, pale
gray-white)."
...I've seen it. It
is a very very fine clay and resembles porcelain. Never used
it, although the folks I know who work with paper clays say it is fabulous. Linda
...La
doll clay is an air drying clay brand. I have worked with it when i made dolls
but I like polymer clays better... La Doll sometimes cracks when it is drying!
--depends on how much water you use with it and how humid is the room you are
letting it dry in . . . When you are finished with sculpting with ladoll you proberly
need to sand your sculpture first and then paint it with an acrylic
paint and then you can varnish it..
.. All clay is expensive here in
Holland but if you look at how much a brick a fimo/premo cost then the La Doll
isn't at all expensive here. Ria
...a
"Satin Smooth stone clay. Sticks to any core material, wire,wood, glass or
paper. Can be carved, sanded, and polished when dry. Raw LaDoll can be added to
dried LaDoll. Paintable with any type of paint, once dried.... for doll making
where skin tones are important"
http://www.polymerclayexpress.com/dollmaking.html
(one supplier of LaDoll)
http://www.bluemoondanzer.com/Airdry.htm
FormoFit and
LaDoll ...They
are all Japanese air dry clays.... Right now I am working with LaDoll.
It is a little bit smoother and I find it nicer to work with than FormoFit. But
it is the same brand and almost the same price. This clay is wonderfull.
...Totally different from the polymerclays of course. It has advantages
and disadvantages. I like the clay because you can, after it is dry, sculpt it
by cutting it with a knife, so correct it that way, sandpaper it, etc and after
you wet the dry clay with water you can add more wet clay and so on, till you
are satisfied. . . . When it is finished and completely dry you have to sandpaper
it and polish it. That is hard work, that is the disadvantage part of the
clay. . . .After polishing, use a brush to get rid of all the dust and then you
can paint it. I use ordinary paint that is used to paint walls (waterbased).
I colour it with acryl-or watercolorpaint and add lots of mineralwater. I painted
the parts 6 times, do not tuch the parts anymore, because of the grease on your
fingers.Paint de details of the fingers, eyes, lips, etc. Than put protecting
spray on it. Glue the eyelashes and put a gloss varnish on the nails, eyes,
mouth.
http://home.hccnet.nl/a.werker/anna-dolls/techniques-and-tips-eng.htm
Deco
Clay is probably the same thing ... but
comes in several colors... http://www.decoclay.com
Epoxy
and other Putty clays
for
sculpting/carving (before completely dry)
Milliput,
a UK product, is similar to Magic Sculpt.... Another epoxy clay or sculpting
compound is Aves Epoxy Sculpt.
"Milliput
http://www.milliput.co.uk/home.htm
. . . .the
Micromark catalog has Milliput also
...specially
made epoxy compound for the restoration of porcelain and other ceramics.
Milliput Superfine White has a very fine grain and pure white in color.
Milliput Terra-Cotta has a fine to medium grain. Both colors have a easy
1:1 mixing ratio. ...Both of the putties will set in about 1 hour....adheres well
to wood, metal, plastic, glass and porcelain surfaces. It can be easily shaped
before hardening or after hardening, drilled, cut and sanded. It can also be tinted
during mixing, or painted after drying. ..two 2-1/2 oz. bars (1 bar each of resin
and hardener).
....Milliput is
one of my favorite expoxies. It's a 2 part, epoxy putty that molds like
clay and cures hard
(for sculpting when in partly
hard stage). You can roll it as thin as 1/64 inch for making super detailed
scale parts. One big advantage of this stuff is you can smooth it with a wet
finger or tools and it cleans up with water before it cures. It gets
leather hard in about 90 minutes and fully cures in 5 hours without heat
(or sooner with a hair dryer). Carving this stuff is extremely difficult after
it dries completely. You can get 4 ounces of putty for around
$12.
Pliacre is a two-part epoxy putty,
which may be hard to find these days
http://www.silcom.com/~css/ad1.htm
Gapoxio epoxy clay... tips http://www.miniworlddolls.com/Goodstuff/TipsGapoxio.htm
if
you don't need the finest grade, you can probably find a
suitable substitute at any hardware store -- it's epoxy putty, usually
found in the plumbing section. Comes in a plastic tube, in the form of
a cylinder of putty with a white center and green "rind." You mix the two together
until it's white again and then sculpt away. (see warning though above in Ben
David's descriptions of clays)
http://www.hirstarts.com/sculpt/sculpting.html
(sculpting with epoxy ... he allows the putty to sit for 10 min. or so
several times to firm up to the point he wants)
try Plumber's Putty, available at most hardware stores, to fill
cracks in your cured sculpture pieces.
...looks like a bullseye
cane, just slice and mix.
...once the two parts are mixed,
you can press it into your work and let it cure (this happens pretty fast so,
don't waste time!)
...once cured, it can be sanded and painted. Donna Kato
self
hardening clays that mimic what epoxies do:.
FIXIT
and Apoxie Sculpt are synthetic ...can be
an alternative to sculpting with polymer clay
Apoxie
Sculpt,.. Apoxie Clay, and FIXIT
.... loads of info about the characteristics and
differences between them
http://www.avesstudio.com/Products/Comparison_Chart__2_Part_Produ/comparison_chart__2_part_produ.html
http://www.avesstudio.com/FAQ_s/faq_s.html
…
0% shrinkage
…they do stick to polymer clays....
adhere to almost everything (even sticking to it's own cured self), yet
harm almost nothing.
....no baking required....non-toxic,
no fumes, no gloves required, super adhesive, non-shrinking, super strong and
long lasting
...are waterproof, can be painted, filed, sanded, tapped,
drilled, etc.
...can even be used on foam (polystyrene foam?) without
damage, as the products contain no solvents. They are putty-like in consistency.
...have a working time of about 3 hours; projects needing longer
working times are no trouble. Simply finish what you can, then mix up some more
and continue working by adding on to where you left off
...The
Chicago Field Museum used Apoxie Sculpt exclusively to restore Dinosaur Sue, the
full size T-Rex they are exhibiting.... Disney has used these products for many
years.
...Doll
makers use for repairs and restorations, as well as for originial work
MIXES:
... Some even mix
them with polymer clays to strengthen the finished products.
Chuck
....Some miniaturists and modelers
mix 2 parts Apoxie Sculpt to 1 part Kneadatite for
modeling and detailing.
Apoxie
Sculpt from AVES Studio
.
. . has 10 colors and 2 metals-- (I
ordered cream to try & what I got was
an unattractive dull silvery gray.).
...
if it's sticky, wet your clay, tools
or hands to avoid for awhile (Karen)
...an amazing sculpting, repair,
restoration and fabrication product
...a
self-hardening, 2-part,
synthetic clay....putty-like feel.
...cures hard overnight
(24 hour full cure).... 0% shrinkage...strongly adheres to almost any clean surface
(...can take up to 350o
heat)
http://www.avesstudio.com/Products/products.html
http://www.clayalley.com/apoxie.htm
(Apoxie Sculpt ...at Clay Alley)
(The armature in my figure are wire wrapped with fusible fleece)...(after baking and before dessing) the head and hands were covered with Apoxie Sculpt (before adding final polymer clay?) ... while Apoxie isn't as light as foil, there's no chance of getting a trapped air bubble that will later crack clay, and Apoxie is rock hard when it dries. DivaLea
For
best results in achieving a thin sheet with all of these
products:
... knead thoroughly and let it rest for an hour... roll in-between
sheets of waxed paper coated with vaseline, and let rest again
...just before
it cures or sets (about 2 hours from first mixing), you should be ready
to shape it.
. .polymer clay will adhere, but best adhesion occurs
before the epoxy completely cures
. . You can freeze mixed epoxy for
up to 3 days to extend the working time.
....You can also mix it, once
kneaded, with polymer clay. I like a blend of 2/3 epoxy to 1/3 polymer
(Fimo seems to work best) for a medium that's easier to use, though not
as strong, and has a working time of about 5 hours before it
sets up. Katherine Dewey
FIXIT
comes in ceramic white and Aluminum. It is a great structural enhancer,
but is also used for complete sculptures. It has more uses than I could even tell
you.
....The drawbacks for an artist
such as myself are many though... Once painted, one must be careful with the artwork
as the paint chips off very easily. If I must sand
& prime for better adherence it is not worth my time. Also, without
an armature it slags down once molded. I sculpted a miniature (1" tall)
dragon and sat it down to harden. when I went back to it 30 minutes later it had
all but flattened out.
Acrylic clays?
the
Acylic modeling paste, or a product called Form-it, a plastic mousse.
It's perfect for light weight sculptures and landscapes. (see
also Liquid Sculpey, Diluent
paste, etc.)--could use as an armature?
~The brand (of
modeling paste) I have used for a design class and as grout for
some pc mosaics is Liquitex. It is found in the same area as the Gel Medium
and Gesso i.e. among the painting supplies. Kat
~I have done 3-d
sculptures, etc on wood....using Modeling Paste.....It is just the right consistency
to go thru the cake decorating tubes. . . . (I also used a pallete knife
on large items giving it form. It air dries, & is very durable...You can put
paint in it prior to using, but...I would normally paint it after was dry & usually
then antique..and varnish...the end result appeared to be a wood carving....
but for the cake decorations, since it is white, would prob. not need any further
treatment. Before I found polymer clay, it was my main craft..and did very well
at craft shows....Be sure the Modeling Paste is fresh......or
you will be disappointed.... It is acrylic, however, and can be thinned down with
water..... donna (mamadonna)
MISC. clays?
Crayola's "Wet Set" by
Crayola...…the new water-curing clay from Crayola.
... This modeling
clay is soft and pliable indefinitely until submersed in water. It comes in three
colors: natural, moss, and terra cotta. It can be painted with acrylic,
tempera, or watercolors. Shelly
...This is good stuff, and allows unlimited
modeling until you choose to set the clay.
.......What people don't mention
is that the water only penetrates a short distance into
the clay -so if you model a solid figurine,
only a thin shell of not more than 1/4 inch ( 0.5 cm) thick actually hardens and
the clay inside is wasted.....so model hollow
figures, or use a core of plaster or another cheap material. Ben
There are two "new" clays out on the market. One is called "Microclay." It is a modeling material that can be microwaved or baked in a conventional oven to cure. Colored tempera can be added to the wet clay before curing. It can be painted with any paint after baking. Shelly (where do you buy this??)
...see Hasbro's wax formula (for sculpting toys) below in Dane's Tips
Enlargement . . . "expanding urethane"
HydroSpan ... two-part
urethane polymer which will expand 60% (or x1.6) after soaking in water,
so any 3-D object (a sculpt, mold, pattern, real world object,
etc.) you can create a mold for, can be increased in size (repeatedly,
by 60%, if you wish) ... working life =10 min, full cure = 24 hr . . . feels dry
to the touch even if cut... "simply make silicone (or polymer clay?) molds
from small objects and directly enlarge them. . .
....a flexible urethane
polymer, which over time absorbs individual molecules of water deep into itself
until it is completely saturated....as water is absorbed the polymer matrix stretches
to accommodate the in coming water ... Hardness of cured HydroSpan (before
soaking) =45 Shore A, hardness of expanded HydroSpan (after soaking for 14 days
@ 72°) =35 Shore A."
http://www.industrialpolymers.com/water_abs_expanding_urethanes.html
general info
To
attach clay pieces to each other, see Armatures
and Glues.
To strengthen
or bulk up the inside of sculpts using compacted aluminum
foil, wire, or other materials as an armature, see
Armatures
To use a glass ball or
bulb (or wood ball,etc) as a form or core over which to create/sculpt
a figure or head, see Covering
> Glass Balls & Lightbulbs, and Christmas
> Glass Ball Ornaments
find
images on the Web to study:
1.Google's "Image
Search" feature . . . just enter the type of image you want to see (e.g.,
a koala, pineapple, sunset) and Google will display *many* http://www.google.com/imghp?hl=en
(Image Search)
http://www.google.com/advanced_image_search?hl=en (Advanced Image Search)
2. enter the word "clipart" after whatever you want to find
(for example: squirrel clipart), then follow all the links it brings up (these
may be mostly graphic drawings).
..for
costume (hair,hats,jewelry,etc.) and ethnic faces, see Costume
category under Non-Polymer categories
There are an amazing number of shapes you can make with your hands
alone!
...A great exercise (for beginners or anyone) is just to play for an
hour or two and just see how many shapes you can come up with (I save
these in a box for future reference and inspiration).
. . Try to use different
areas of your hands and fingers, different amounts of pressure, and
different kinds of pinching or pressing, then see what you come up with. (Don't
worry about trying to make particular shapes as much as seeing what what things
happen when you use certain motions.)
...Actually, just about every shape
in polymer clay begins with a smooth ball (or
a rolled out sheet). This is the one way we can eliminate all seams,
cracks, lumps, etc., so just keep rolling in your palms until the surface
is completely smooth.
....Then some of the motions you can use for making your
shapes are:
rolling, pinching, pressing, twisting,
coiling, stretching/lengthening/etc.
So, after you've rolled a
smooth ball in your hands, you could:
...press the shape into a cube,
or long or short rectangle
..taper one end by rolling it smaller
(for a teardrop or a longer carrot shape... if you flatten this
shape on its non-pointed end, you'll have a cone)
...roll your
ball into a log (and then you might want to press it into a square,
/triangular, or rectangular log, or another shape).
...(could
also use a toothpick, knitting needle, or larger rod to roll crosswise over clay
logs to indent it, like the posts under a stair railing, or spiral or coil these
logs or tapered logs)
. . . In addition to pressing or rolling with your hands,
you can use your work surface as a sort of third hand to
create flat surfaces (think of flattening the bottom of a teardrop shape
to form a Hershey's kiss shape or cone as above)
...After you've developed
a basic vocabulary of shapes, you'll have the tools for figuring out how
to many just about any shape!
(...for more ideas for shapes and how to make
them, also see these pages:
Beads >
"Rolling Beads by Hand," and Sculpting Body
& Tools)
...There are also sculpting, miniature, and beads/jewelry
books you can buy which show many of these kinds of things in detail. Diane
B.
A good place to start may be making shapes. Balls, cones, teardrops, snakes, coils...etc. Everything in life is made of those shapes. Once you've started doing these, you may very well "see" something in the shapes. Like a teddy bear made of balls and discs with a cone for a party hat. Also you could play with pushing things into the clay (texturing). A toothbrush to give a fur effect, or crumbled aluminium foil to give a stone texture. Fabric, paper doilies..etc. Maddy
To create a very thick sheet of clay, or
a solid rectangular shape like a cube,etc.,, it's a good idea to begin
with a stack of pasta machined sheets rather than simply
rolling out a pad of clay ... this will make sure the top surface is exactly
parallel to the bottom surface
...good for making some cane elements
too
I have continued working on a large doll after leaving it for weeks. But I would not try to re-sculpt areas that I had left for a long time (i.e. a few days or more) as the clay does stiffen up and is likely to tear (unless it's gentle warmed up again or only gentle pushes, etc., are used).
too-soft clay ...if you have hot hands, or are working in a hot
environment, or like to work and work your clay (especially when using
soft clays or Premo, you can use marble work surface or gel packs, etc. to help
clay or canes cool down), see Conditioning
> Cooling
.....on the dollmakers
list, there has been a lot of talk how some freeze their dolls just before
baking! Sue Heaser
so I can paint small pieces more easily, I attach a small object to the top of the golf tee with Fun tack . The golf tees can then be stuck into floral foam or something similar for drying. Cynthia
using armatures inside clay sculpts, for most info see Armatures-Permanent --and possibly Armatures-TemporaryTo
add weight to a sculpture (base, or any part). . .
...or help a figure
to stand up (or kneel, or whatever) in just the right way. Janey
....if you
only need to add a small bit of weight, you could imbed a BB or two
in the piece. Joanie
...tiny sinkers that fisherpersons use. These come
almost as small as BB shot, and I got a box of them assorted for under $4.00.
(a hundred.) What I do for weight in a piece is select a sinker (or cut one up)
that is small enough to hide in the clay object. Since these are lead,
they cut easily, and weigh a lot for their size.
....For really big
pieces, I have used metal washers, and those work too. Just be sure to
bury the metal well into the clay, as you don't want to "find" it when sanding
and buffing. Janey
Joining
parts:
....for many techniques
for making successful joins between clay pieces
(raw to raw...raw to baked... and baked to baked), see
Glues
> Some Bonding Techniques... and
Armatures-Permanent)
(re making a smooth join between connected ends of extruded) ropes of clay, I cut both ends on a diagonal so when I join, then ends overlap a little. Then I roll the overlapped section between my fingers and smooth. Desiree
liquid clay also makes a great glaze/protection of small pieces that might get knocked off with wear and tear eg....whiskers on my bunnies or cats, or flower stems/leaves in my mini baskets. Victoria
A
fews weeks ago I asked for suggestions how to salvage a scorched
(figure). I wanted to paint it (all over) to give it a bronze or pewter
look.
Several of you suggested using Future and Pearl-ex. I
mixed the silver Pearl Ex and a tiny bit of gold Pearl-ex
together before adding Future (to them)...mixing the two powder colors
together seemed to take away some of the brassy look of the gold). mary
(yields a bright, shiny, dark-silver or light-pewter finish)
...
for more ideas, see also below at the bottom of "Keeping White Clay White"
BAKING
& partial backing
(most info about baking
polymer clay is in Baking...
most info about partial baking is in Baking >
Multiple,Partial Baking)
...If
you make a figure out of clay and keep a heat-gun handy, you can heat sections
of the figure AS you build it ...and save yourself the trouble of an armature.
The technique works REMARKABLY well..... it also saves propping
them up in the oven, and the heartbreak of splitting.
.....The baking may not be complete <always> but you'd be surprised
how this material TRANSMITS heat throughout its structure. Heat a foot and the
WHOLE THING hardens. I doubt you get maximum strength (could repeated partial
baking be a problem?), but it's perfect for small original sculptures with protruding
parts.
.....The only thing you have to watch for is NOT to overheat
the thin parts or they'll scorch and even burn.. so 'waft' over it.
(a bit more on heat guns is in Tools)
...PolymerClayFan
heats sections of a sculpt with a heat gun as it's built so it won't get fingerprints
or distortion... he gives his SuperSculpey sculpt a final bake to thoroughly
cure it (setting oven at 250, but putting sculpt in oven at 200, then bakes at
250 for 30 minutes
http://www.polymerclayfan.com/polymer-clay-oven.htm
...Katie's
lesson on baking a standing.
figure
...... to make sure the feet are really flat, and the weight
of the sculpt is well-balanced over the
feet (& because that can change slightly when the clay softens during
baking), she firsts partially cures just the
feet of a med-small sculpt by heating it with a heat gun or hair drying
while it's standing on a ceramic plate or sheet of glass (not in oven)
......after
cooling, she hangs it in the oven from an oven rack (by an "armature
wire" she's left sticking out of the top of the head) with its feet on
a plate and bakes it for 8 min in standing position
......lays
it down on a cloud of fiberfill (with a bit of fiberfill over the projecting
hands and feet), then bakes for an additional 15 min+... cools in oven
http://tutorials.theclaystore.com/techniques/firing-a-standing-polymer-clay-doll
....Bunny's
lesson & explanation on using a heat gun (to cure fingers
of a sculpture to a certain shape, in this case)
http://www.thewildbunny.com/HeatGun.htm
(gone)
FINGERPRINTS + SMOOTHING + DUST/lint
ALSO read Light & White Clay, Keeping Clean just below for more ideas (...some overlap with this sub-category)
firmer
brands of clay get fewer fingerprints than softer ones like Sculpey
and FimoSoft... Kato or FimoClassic
best in this regard, Premo in-between)
allow clay to cool, esp.
before final finishing step
...then run your hands under cold
water (or on a gel ice pack) to cool them a while.
...It
probably helps that I have small cool fingers and a light touch.
Sarajane
...I work a little while, and then
sit my piece on marble or glass so the clay cools
and stiffens up a little
..... then I go back again later, and do a
little more (amazing what you can touch the next time, and how much more control
you have over the clay).
...I also use a light
dusting of powder once I get it smooth which makes it easy to make even smoother
with no fingerprints. Jeanne
to
keep my fingers smooth, I use Curel hand lotion on my hands,
and also a mix of lanolin and cocoa butter, and keep my hands from
being too rough.Sarajane
...Also, to keep your fingertips smooth, it helps to apply hand lotion several
times a day, even when you are not claying
.. I started using an exfoliating
scrub on my face every other day or so. Since using that, it has also exfoliated
my hands, making them very smooth.
Cultivate
a "light touch" when sculpting as opposed to a heavy hand (...use
a finger to "pet" the clay and remove any fingerprints that appear).
Sarajane
....Maureen
suggests using a series of light fingertip pats while sculpting
and shaping clay, rather than pressing firmly on
the clay surface.... It was easy to adapt my sculpting techniques to light taps
and strokes, and after awhile they developed a natural rhythm. The end result
is fewer fingerprints.
After
years of using only Super Sculpey, I developed a few techniques that suited
my heavy handed touch:
...the first was
leaching
... the 2nd was moistening my tools and
finger tips with water to reduce drag. (Dewey?)
if
you see shiny
areas on your raw clay,
it probably means that you smoothed the clay
more in certain areas (with tool or finger)
...to
remove that shine, you can 'wet'
the surface with water and
rub ...something I recommend to do before painting anyway. Jodi
For rolling even logs of clay (without fingerprints), roll the clay log under a sheet of glass or plexiglas. DB
cleaning ...and/or smoothing
OLD DUST (before baking):
If
left uncovered, over time raw clay items or just
hunks of raw clay will get covered with dust, which is hard to remove!
...some possibilities for removing old dust (more details on these + more
possibilities discussed above or below):
......try using various "solvents"
like water, alcohol (91% best), acetone, or even liquid clay or Diluent-Softener
--on a brush or a wipie or anything that seems to work, then smooth out again
(use light strokes, rubs, till you see how each is working)
...try slicing
off, cutting off, or somehow abraiding off just the topmost
layer of clay, especially in the worst areas, then smooth out again
.....one
abraision idea is using Bon Ami or cornstarch as a very-very fine grit, rubbing
it around... they rinse off pretty easily from raw clay
Or BAKE the items
first, then do one of the following things till the top layer is gone:
.....sand
them using wet wet-dry-sandpaper, or sanding sponges, or 0000 or other grades
of steel wool (after doing those, you'd need to then buff the abraided areas to
get back the finish you had before, or use a liquid acrylic finish on the areas
in a gloss, satin or maybe matte, depending on the look you want)
....texture
the areas (even lightly) to hide the dust... or add metallic wax (or metallic
powder in a medium) to the higher areas of the whole figure or just to the worst
spots... or just paint over those areas (acrylic paints) or use light washes.
Diane B (more details on all below)
....I
also use a pointed blob of Blu Tack to pick off any cat hairs,
specks, whatever has landed on the raw clay while I'm working. Pat
...a
fairly sticky clay like Sculpey is good for picking up bits on hands, tools,
work surfaces too
.....I pick up little cat hairs and shmutz on the surface
of clay scotch tape . . . I sometimes even use one of those sticky lint
rollers for larger areas (be careful with the lint roller though -
once it stuck to the clay itself almost destroying the design. I guess less contact
is more?). Kathy S.
(more ide
water
is my savior for making softer looking sculpts and smoothing clay.
.......
I use it on my tools by pre-dipping them.
....... I use it on
my fingertips while sculpting (always in an up & down finger motion,
so the ridges of my finger prints don't transfer to the clay). Wayne
the Dane
...gently
rub a moist finger over the raw clay (if
you're using Sculpey,
Premo or Kato... not best for the Fimo's)
............I
have found that a tiny bit of wetness applied to a smooth tool will aid
in smooshing clay, even Fimo.
.......before
painting on clay, and to remove any "shiny" spots
on raw clay , you can 'wet' the surface of your piece with water
and rub. Jodi
......will
help rid untextured areas of bumps and ridges
......or will
soften texture in textured
areas
very
mild abrasives:
...a
litte baby powder (or cornstarch) on the tip of your finger, rubbed
onto the clay surface in a light circular motion, usually
smooths out the prints, and I find that it alnost gives the clay a buff shine
even before you bake.....Robin
..."finger
buffing" the surface with cornstarch or talcum powder is good
for large areas...nice for smoothing eggs
(....for more
on using powders, liquid, oils, etc., like Bon Ami, SoftScrub, Vaseline,
etc. to smooth, "sand," or get rid of fingerprints, look in Sanding
> Smoothing Before Sanding > Abraisives and also "Solvents")
oils:
...
baby oil...I use just enough to make my fingers moist but not
"wet" (for lightly rubbing
over the clay to smooth)
....vegetable
oil is good with very light brush work when you have time to
let it dry out. Wayne the Dane
...putting
on a bit of nose oil (yes, that is oil that is found around your nose)
also helps put a soft sheen on the clay. Pauline
waterless
hand cleaners
...Maureen
Carlson uses Waterless Hand Cleaner for brushing down her Fimo sculptures
.......to
avoid fingerprints, I sometimes brush the piece with my finger coated with
the Sani-Tuff cream that WeeFolk sells (nice orange-smelling
try KY lotion or aloe vera to smooth clay -- I think the KY is mostly glycerin?
wipes
...using an antibacterial wipe (with alcohol)
is good for getting color that has smeared from one place to another
on an item (one of my young students used them in this way in a class last year.
We were making penguins and the red from the scarf had gotten on the white).Cindy
...I
use a baby wipe that has been dipped in baby oil to remove
lint and fingerprints ... go easy tho
--doesn't take much pressure! Alecia
alcohol
(+ Diluent-Softener)
.....Yes,
rubbing alcohol with a few drops of Diluent-Softener
has been advised by various artists. Katherine Dewey, Patrick (Disney artist),etc.
........it
seems to vary around 1 oz. of alcohol per 2 drops of Diluent
....
for .Sculpey, Premo,
Kato: mix Sculpey Diluent and ispropyl
alcohol together, then using as a smoothing agent (this is what we always
recommended at Polyform. ..Donna Kato
.......(some people seem to think denatured
works better than isopropyl)
...don't
use too much though
because it does soften and
melt the unbaked clay, and can
eliminate texture
...using 91% alcohol
(from drugstore, stronger type of rubbing alcohol)...add 1 drop of Diluent
per 2 ounces w/ soft brush.
......all
the way up to half & half (the Sculpey book says half &
half, but others say this is way too much...it seems to work for me with no adverse
effects.) Annette
(see next for using this to "brush down")
"BRUSHING
DOWN" (see just above for exact recipes)
..."brushing
down" (with alcohol & Diluent-Softener) is the technique preferred
by industry sculptors who work in polymer clay, and it's the last step
before a piece goes into the oven for baking (if needed)
.......It
takes some practice to determine the right touch and the right amount of flow,
but it's a life saver.
.......wipe the
brush on a paper towel, and carefully
brush your sculpture
....If you must touch
the work, wear gloves or finger cots, because the alcohol
will soften the clay.
...also
place your sculpture on its baking stand before you brush
it down, and let it rest several hours before you bake it.
....It
can be sanded (start at 320 or 400 grit, and work your way up to the higher numbers)
However...
brushing down with solvents like alcohol or turpenoid will break
the bond between baked & unbaked clay when trying
to do things like add baked legs or arms to an unbaked body. Katherine Dewey
lesson
uses mineral spirits (on crosshatched clay for skin), from paint-sculpt.com)
http://www.paint-sculpt.com/tutorials/sculpting-tutorial/sculpting-skin-texture.html
....some
people use acetone
....some also use lighter fluid for
brushing down very rough areas as it's a more agressive solvent. Katherine Dewey
If
the area is heavily textured and you want to rid it of
burrs caused by creating the texture, a soft synthetic sable brush should
do the trick, especially if you use artist Maureen Carlson's (older?) technique
of using a filbert brush that's been groomed** with polymer clay....
The brush cleas the clay of burrs as you brush the rough areas smooth.
**To groom a brush, start with a dry sable
artist's brush. Squeeze and flatten a 1/8" ball of well-conditioned white clay
between your thumb and index finger. Leave the clay on your fingertips and squeeze
the brush at the base of the bristles. Keeping pressure on the clay and bristles,
pull the brush handle. The idea is to press the clay into the bristles while squeezing
from the ferrule (metal part) to the tip. Repeat this process until the clay has
worked itself into the middle of the bristles. Pressure is the key. When you are
finished, you should end up with nearly as much excess clay as you started with.
The object is to coat the bristles with clay residue. You won't be able to see
the clay in the brush but it will look almost oily. Once the bristles have been
conditioned this way, they are stiffer and you can pinch and shape them. You may
only need to groom a brush once. After that, stroking it against the clay during
use is often enough to keep it in prime condition. J Maddigan
(see also sculpting over plastic wrap for smoothing before baking,
just below)
(see also the Dane's discussion on "Creating
Smooth Sculpts" in the sub-category below called Tips on Sculpting
and Painting)
Using the tapered end of a knitting needle as a roller helps to create smooth surfaces and is my all time favorite modeling tool.
After
reading that Jodi Creager recommended using an agate stone to smooth out
fingerprints, etc., I decided to try a very old stone tailors egg (or darners
egg).
....I couldn't get along without a Finger Presser from Clover
(like a bone folder?)- it's a small plastic tool that stitchers (quilters particularily)
use to press a seam flat. I use it for all sorts of things from smoothing the
edges of clay to indenting to making impressions. Nancy
Place
finished raw sculpts in the freezer a few min's ...then lightly rub a small
polished rock over surface
.... then go over it with a small, soft bristled
brush and Sculpey Clay Softener (Diluent). sculpey.com
more
on blending seams
... I learned that it is often more effective
to roll the tool along the clay when blending parts
than to slide it along
...I bet if there
was a way to warm our tools we would be able to smoosh better. What
if we keep them on a heating pad?
...to smudge effectively, what tool
is best? Knitting needles are ok, but too smooth....a rounded pencil
eraser actually works pretty well for me since it has some friction between
the eraser and the clay.
...Another smooshing trick is to take a tiny drop
of Sculpey Diluent plus a tiny bit of the colored clay that
you want to smoosh. Mix them together on your work surface until what you have
is a tiny pile of sticky paste
....Now, use your tapered-tip
color shaper to spread the glorp between the two unwilling surfaces and
blend, blend, blend. . .Katherine Dewey?
How
on earth do you manage to sculpt with gloves on?Or are my hands
just weird? The fingertips are always so baggy on latex and nylon gloves that
I feel like a clutz if I try to do any work with my fingers. Come to think of
it,why are fingertips so baggy in gloves? Manx
....I buy latex gloves
at the local Eckert drug store, $5.99 for 50. They come in sizes, so I
get the small size and they are a snug fit.
I use them over
and over, cleaning them between sessions by spraying a little Armour-All
on them before I take them off and rubbing it in, then wiping off the excess with
a towel.
......I rub a little baby powder on my hands before I put
them back on.
The gloves get a little baggy after while, but I save them
for the messy stuff, like mixing Pearl-Ex with clay and the like. mjski
....The
ones I tried that fit snuggly were from home depot, or a store like
that, in the painting section. They were less expensive than the generic ones
at the grocery store too.... they were easy to work with, which surprised me...all
due to a good fit. Lori
....I use gloves almost religiously when I work with
clay. I use bare hands for any sculpting, then towards the end,
I use only one glove on my less dominant hand to hold with
and smooth out with my bare hand. I look like Michael Jackson, but hey, it works.
..... For beads and other small things I always use gloves. I either buy
them in a 5 pack and reuse them over and over again (cleaning in between) or get
a box of small sized gloves (the small ones fit perfect on my hands-no bagginess
at all), non powdered, non texured from a medical supply store. (The one-size
fits all are good only in a pinch.) Valerie
...Lycra
(a brand name for spandex) are NOT latex.. very thin, hands don't
sweat, hypoallergenic, no powders inside (but do have
a "skin conditioner/protectant")
.......new gloves
called ProCraft have been available since late 2004 (made
from Lycra)
..........I absolutely LOVE these... they feel good, and I can
do detail work with my polymer clay VERY well. I'm truly impressed with them.
Mary Clare
.........buy them online at http://www.procraftgloves.com
...or check one of these places for best price, bulk, etc. http://tinyurl.com/5a4z9
(same
as those first promoted in the high tech, medical, and food processing
industries, and for personal protection (military, postal, law enforcement)
but Wilshire Technologies)
(for more info on
these , see Safety-Health >
Gloves --also used by those who get rashes from handling polymer clay)
Our
local Walmart carries finger cots...about $1.25 for a dozen asst.
sizes. (or drug stores)
....I don't use gloves, as I find them uncomfortable,
but I do use finger cots (on all fingers?) made by Renco http://www.rencogloves.com/
for the last stages of a sculpt. They make
latex and nitrile gloves and cots. Even though they have some big customers (NASA),
they have little ones, too (Elvenwork). . . . Initially, I wear cots on
all the fingers of my left (holding hand) and all but the blending fingers
(thumb, index and second fingers) of my right hand. I use water so these fingers
glide over the clay. Sometimes, this is followed by a talc rub down to burnish
the surface when I wear cots on all fingers. I know there are folks who have this
thing about talc, but with some clays, namely the insoluble clays that blend easily,
it works better than corn starch. Katherine Dewey
smoothing
.... plastic wrap & bags
(...raw clay, or raw clay onto baked...)
SMOOTH RAW clay:
...I've been smoothing finished raw pieces lightly before baking by
laying a sheet of plastic over the clay,
then rubbing the fingerprints out gently through the plastic .....food
storage bags seem to be about the right weight. Wayne the Dane
SCULPT
SOFT DETAILS OVER plastic for RAW clay: (from Wayne the Dane)
...place
soft clear plastic on top of clay area to be sculpted or detailed, then
use (a non-sharp) tool to sculpt clay through the plastic for soft detailing
(won't create sharp edges though if that's
what you want
..........the thinner the plastic, the finer
the details that can be achieved in the clay
......the
trick is to keep the plastic stationary ...only
the tool should move
..... for maximum
detailing and minimum mushing, remove plastic
between each tool stroke
PLASTIC
EXAMPLES: both layers of a freezer bagfor the la rger details
like body muscles
........sandwich bags for medium details ....thinnest
plastic possible
for very fine details.
ADDING
RAW clay to BAKED clay:
....stretch the plastic taut over
your thumb or forefinger to smooth the unbaked clay onto
the baked clay (keeps clay from sticking to your fingers)
........use to 'blend'
the seams of unbaked clay to a baked surface (so unbaked parts won't stand
out)
........or use to add translucent clay to baked clay when
you want the most translucency (spreads raw clay very thinly)
liquid acrylics & liquid clays ...before baking
Applying a liquid
finish often brings out fingerprints and
small imperfections unless you put on 3 or more coats
....(so sanding
the baked clay before applying the finish --and/or using other smoothing techniques
on raw clay-- will make the liquid finish look a lot better...and you'll need
fewer coats). Dotty
I discovered this technique due to very hot hands and
the need to hold a bead in one place for a long time to do inlays & bas reliefs
....I
put a couple of thin coats of Future on my raw clay piece, and then
let it dry overnight....I apply the bas reliefs & inlays the next morning
(after the coating has set on the bead and before curing), so I don't distort
the bead and also don't leave fingerprints .
... ('m also convinced that this
makes the item stronger (or at least less prone to chipping) because
there seems to be a blend of polymers that just curing and then "Futuring"
doesn't give it ....the sheen is a more gentle one, but buffs nicely to a higher
one). Kelly
liquid clay...just pulled angel out of the oven and
she has the most beautiful skin because of TLS (recommended by someone to cover
fingerprints). ....Not only did the TLS produce a smooth and matte and almost
a flat finish, it was applied over a painted sculpture (eyebrows, thinted
skin, etc).
....I thinned the TLS with Diluent, cleaned my brush
with alcohol, and painted the thinnest of layers over the fleshy
parts of my sculpture. I baked it at 275 degrees for 20 min and she did
just fine (the final coatingwas so thin that higher, recommended temps weren't
necessary).
.....Although the finish was matte, there were some
rough spots where the TLS had flowed due to heat and gravity. These imperfections,
visible only under magnification, proved difficult to deal with. TLS is
very hard and is difficult to sand.. Katherine Dewey
..TLS creates a very
matte and slightly textured finish. When I've used it, I couldn't
(even) tell it was there.... I'd try thinning it - quite a bit (set aside
a small amount and thin that... a little goes a long way). Desiree
..both Kato
and Fimo liquid clays would be shinier and less matte than TLS
Diluent-Softener
as a solvent will remove pigment stains and smudges from baked clay.
. . Katherine Dewey
see more ways to remove stuff from baked clay
just below "Keeping White Clay White" > Baked (including "washing"
off debris and fingerprints after baking, by Diana W.
I
just pulled angel out of the oven and she has the most beautiful skin
because of TLS (recommended by someone to cover fingerprints).
...
Not only did the TLS produce a smooth and matte and almost a flat finish, it was
applied in this case over a painted sculpture (eyebrows, thinted skin,
etc).
... I thinned the TLS with Diluent and cleaned my brush with alcohol,
and painted the thinnest of layers over the fleshy parts of my sculpture.... I
baked it at 275 degrees for twenty minutes and she did just fine. The layer was
so thin that higher, recommended temps weren't necessary. Katherine Dewey
Various people have suggested making a second clay skin to cover the baked face in order to cover discolorations and fingerprints.
sand the dirty areas after baking with sandpaper or steel wool, etc.... then buff to degree of matte/sheen/gloss you want (see Sanding ...Buffing)
NoraJean
advocates actually filing faces (and other sculpts) after an
initial baking of the rough shape (she may begin with a mold).
. .she feels that one has greater control using a jeweler's file (rather
than sandpaper which removes too much) and one can
go slower, etc., .. and that there's no chance of messing up the head by mishandling
or dinging it (takes about an hour)... should also cover fingerprints and
smooth
http://www.norajean.com/Sculpt/FileFaces/Ramble.htm
She then fills in all the file marks, and coats the whole skin, with skin
colored clay mixed with a drop of TLS ...or TLS and acrylic paint
for the details
http://www.norajean.com/CowboyKai-3e.htm
paint over the dirty areas or
whole sections or whole items
... use 2+ coats of acrylic paint for total coverage
... or just use a wash or acrylic or oil paint (see Paint)
apply metallic powder (in clear
acrylic medium of the finish you want) to the bad areas or all high areas, etc....
or use metallic waxes (see Metallic Powders&Waxes...also
Baking > Darkening, Scorching --fixes)
sequential molds... NoraJean advocates making a number of molds as you get closer and closer to the face you want to sculpt ...so sculpt-mold-make new head from that mold. . . sculpt-mold-make new head....etc . . . . then file
(not fingerprints, but...) plastisizers (from raw clay or incompletely cured clay) live on your hands also, and they love to eat the shine off of beautiful shiny finishes on finished pieces, so you shouldn't pick up anything with a beautiful finish on it without washing your hands eather!! leigh (see more in Baking > Gen.Info)
keeping WHITE clay or ANY clay . .clean!
How
on EARTH do you keep white clay WHITE????
.
. . Leave it in the original plastic wrap and look at it. It works every time
. . .. ;-) . . . Jeanne
......(also read section just above on Smoothing, Fingerprints, Cleaning, for many more ideas ...some overlap)
BEFORE .BAKING
Boy can I tell you about working with white clay!!!! (from
Shane. . . who works a lot with only white clay):
--I clean my work area probably 3-4 times a day with a spray cleaner
and paper towels.
--I do not wear dark clothing
when I work.
--I try to keep the animals out of my studio.
--It
has become habit (after 7,000 white angels) to only touch clay when
my hands have first been cleaned and not
to touch anything else in between.
I don't work with the white then answer the phone
then go back to work. I clean my hands when 'm off the phone.
--I clean my
hands often by mooshing around a piece of white scrap clay in my
hands to act as a tack cloth. If I actually washed my hands every time
I wouldn't have any hands left!
--I wash (cleaner and water)
between colors because the residue from other colors is the hardest to fix.
.......Embedded
stuff I find while raw requires me to find the least obvious spot to dent
the clay and refill. Shane
http://www.shanesangels.com/xmasangels.html
and http://www.shanesangels.com/gallery.html
Just
plain soap and warm water is one way to remove dirt and lint,
etc. from your hands.
....I use a nailbush and scrub my hands...then
I pour salt into my palms and a few drops of soap, a touch of water,
and scrub everything..rinse, and air dry! Adria
...Soaking
your hands in dishwater seems to remove a heck of a lot of that stuff. You can
scrub the insides of your hands with a scrubbie pad, too. Dry your hands
on white paper towels.
...
I've tried sanding my
finger tips, and also alpha hydroxy lotions, and a host of
other "solutions", all to no avail.. . K.Dewey
Oily
substances will make dirt, etc., easy to wipe off or wash off
..
baby wipes are another favorite...they usually contain glycerin...
some have alcohol, some don't
...Vaseline, or anything
that has lanolin or glycerin such as hand lotion, works
great and doesn't abuse the skin.
...i
never use soap, water, or (some) towellettes.... the air
here is so dry, my hands would crack and bleed.
.... while working
with the clay, i use mineral oil and cloth rags to wash my
hands.... when i've gone visiting, i use whatever cooking oil is
in the cupboard. hand lotion also works, so does Vaseline. Sunni
... hand
sanitizers that have alcohol AND glycerin in them
should work adequately. Desiree
Emulsifiers
are excellent for removing all dirt, grime, lints, etc from your hands and work
even better than soap and water
........so try any skin product that is designed
to emulsify grease and oils
...waterless
hand cleaners ... some contain abrasives (pumice),
and some don't
........they can be found in automotive stores, auto
dept of Target, hardware stores, even grocery stores... usually in large plastic
jars
........these are simply rubbed well all over the hands, then wiped
off
.......Orange GOOP without pumice is recommended by Linda
Peterson for removing oil and dirt from hands
.......Maureen Carlson use Sani-Tuff
(and used to sell it at her online shop)
.......I found a really nice, nonabrasive
hand cleaner that has lanolin in it.
.......I
wash my hands about every 20 minutes with GoJo Pumice Orange (wal-mart,
K-Mart etc...) you find it in the auto dept.
......... the pumice in
it helps to clean deep, and this particular brand smells good and also
conditions while it cleans
......
I use "Fast Orange" (their pumice formula -- they also make
one without pumice, but that doesn't work as well as pumice formula does)...There
are similar brands, but this is the only one I'm familiar with. I love this stuff!...
........
I use it to clean my hands, brushes and anything else). ....WalMart
carries it; automotive supply stores have it; I've even seen it in grocery
stores. ...
........for brushes, just work a bit into the
bristles of the brush, then rinse the brush well with tap water. Comes out looking
like new! Bonnie
.....My personal preference while working with polyclay is
to apply generous amounts of cheap hand lotion, then wipe it off with paper
towels, and repeat once or twice.... cleaner, then wash with soap
and water.
When washing
my hands after working with clay what works VERY well
in keeping my hands from getting too dry
is this:
.... I squirt (a couple of squirts actually) some liquid
soap (I use a generic brand) onto my hands (no water) and rub that around,
then WITHOUT rinsing, I squirt (again a couple of squirts)
some hand lotion onto my hands and rub that around really well until
I can see no more residue from the clay on my hands. If there are stubborn spots,
I take a nail brush to them (also to get under my nails).
...Then I rinse
in warm water and dry my hands.
...Sometimes I will rub in more hand lotion
into my hands, but usually I don't. My hands don't dry out anymore like they used
to before I started doing this, and I get ALL the clay off my hands. I don't feel
any clay residue on my hands anymore and they are nice and soft and not dried
out. Judy
First make sure your work surface is clean. . . . I clean my work surface like crazy! . . .
I
keep a chunk of old white clay handy & I spend a few minutes conditioning
it in my hands & also rolling it across my work surface...
It's amazing what the clay will pull off your hands even after all that cleaning.
Joanie
...Angela uses a wad of SuperSculpey to wipe her hands
.....
and she also uses it to wipe off the glossy-coated book covers
she uses to sit her sculpts and component pieces on
http://www.emilysfairies.com/hints/Sculpt_Clean.pdf
(needs Acrobat Reader)
I have a small length of masking tape, sticky side up, attached to my workboard. If I notice any unwanted cat, dog or beard hairs anywhere, I pick them off the work and stick them to the tape - where they stay! It works for me. Alan
Pat Smith
turned us on to Tac N Stik. It's that blue,
slightly gummy substance that you use to hang posters without leaving residue.
I roll a wad of it in my hands and over my work surface before working with light
clay, and it does minimize the lint and fuzz and dust. . . get the blue stuff
-- the white or yellow
type is not as effective. Irene NC
...After I read about a similar technique
using Blue Tac, I thought "Aha!" and tried it, but it just didn't
do the job well enough. Katherine Dewey
First
I scrub my work surface. . . then I put down waxed paper.
...I wipe my pasta machine with oil... and then alcohol.
...Then I wash my hands with Ajax or Comet and dry them
on white paper towels, not cloth ones. Cloth
ones leave tiny shreds of fabric that show up on the white clay.
...Then I
go to work. Very carefully. Fun, huh? But it really helps me to follow this routine.
Dotty in CA
Alcohol is
great for cleaning tools and worksurfaces
...it can be
used occasionally for hands, but is too drying
to use alone regularly on
hands
...... alcohol also facilitates
absorption of the plasticizer into your skin because it so readily
trashes the natural oils in your skin that help to protect it.
....many
baby wipes contain alcohol, and boxes of individually packaged small alcohol
wipes are sold as well (often in the baby dept.)
....i clean my tools and
work surface with rubbing/denatured alcohol. Sunni
Then
I wear latex (surgical) type gloves. For some reason your hands
can hide all kinds of colors and lint in the oils of your hands -- but the gloves
don't. . .
....Also, I use one side of the glove for white clay
- then take them off inside out (which is easy to do) and use the
other side for other colors of clay.. . .If I need to do more white
later, I have my "white side" of the gloves still used only for white clay. Michele
...some
people are allergic or become allergic to latex though
(see more types of gloves in Safety/Cleaning
> Gloves)
Using the cut off fingers of my latex gloves works for me: I've had two weeks of pretty much fuss free . Katherine Dewey
Work
all your white clay first ...and set the pieces aside
while your hands and work surface are clean. Then work on the colored clay
pieces.
...I've also found that assembling parts with the gloves does
not mix the clay colors - at least for me. Michele
...I
have this problem too, particularly this time of year when I'm making a lot of
red stockings with white trim. . . . my best solution
has been to do everything I have to with the red clay first, and
then switch to another set of gloves to work on all the
white trim parts. Lisa
I don't have a big problem when I use a pasta machine because I clean it and use paper between the rollers and white clay. Michele
I am lucky to have more than one pasta machine. I keep one for... light colors and the one for dark colors. That helps with picking up odds and ends of color from the pasta machine. . . One of my pasta machines continues to streak light clays, even after a good cleaning; if I condition white clay with that machine, I end up with a pale gray color. I never use that machine for white clay. Kay
I don't turn on the air conditioner or the heater on the day I am to sculpt ... they kick out all kinds of dust particles into the air.
I suggest covering up your sculpture every night when you finish with a zip lock bag.....but I think the most important thing is to wash those hands constantly.
(When
I use Future, I put it on the RAW clay, let it sit overnight,
and then bake in the morning.)
. . . I also do this when I'm doing something
with bas relief in white and will be handling the item
a lot before baking. (It also gives the clay some protection
from my hot fingers and seems to make the additions meld into the base
better. I do this with my bas relief beads and never have a problem with things
chipping off even if bumped.) kelly
...(would work with Varathane too?)
hide
the fingerprints
....I texture a lot of things to to hide fingerprints.
:) ....or to add visual interest. Irene NC
....this can be done with texture
sheets or with tools ... also just here and there or all
over
....I
textured my slicees sheet with a piece of sheer chiffon... gives the little
quilt a "fabric" look and camouflages fingerprints, too. :-) Elizabeth
WHILE
BAKING
I have found
that placing a damp paper towel over my items prevents it from scorching.
Sue A.
...wrap or drape damp paper towels on the pre-baked
parts. .... this technique also helps to protect smaller or thiner components
of an unbaked sculpture
...... I'm partial to Viva paper towels as they
have almost no texture and are durable, good for multiple uses. Katherine
(see
more on ways avoid darkening or scorching during curing in
Baking > Darkening, Scorching, )
tent
with aluminum foil while baking espeiclaly if you use a lot of white,
translucent or pearl colors in your mixes. ....check it at half an
hour, and then every ten minutes. Those colors scorch
really easily. Elizabeth
...since I've started shielding all the pieces with
tinfoil during baking, the white (actually 50:50 white: fimo pearl) stays white.
Alan
or use a
completely enclosed baking method like clipping two aluminum disposable
pans together with the piece inside, or placing under one half a cardboard box
....other
completely enclosed methods include baking the piece under a pile of baking soda
(see
Baking > Enclosed Baking for more
ways to do partial and completely enclosed baking)
metallic
powders seem to be unburnable... (chalk
powders are pretty impervious too)
.... so it might be a good idea to coat
your white/Pearl item (or area) with white powder
(metallic or chalk) before
curing and softly brush off excess
(you could also brush it off after baking as long as you are not using a convection
oven). faun
... I put the Pearl colored Peal Ex powder on my
Santa beards with a brush and baked, then I'll glaze with a satin
finish ....they came out nice and white, and I baked at 275 for an hour. deb jean
...would
a coating of cornstarch work too as a temporary protector,
rinsed off after baking
I
find that a piece of lint or dust or cat hair is often removed better after
baking with a tiny scrape. Sometimes just running my finger over
the baked piece removes stuff that isn't embedded.
Embedded stuff is a
judgement call.... If I miss this when it's raw, sometimes I can dig it out
with a sharp blade after it's cooked making a nice hole..... I fill
it back in with raw clay and bake again. Shane
I
was about to ditch the entire figure then I thought ......heck I'm gonna wash
it.
.....So I placed my unbaked figure on a upside down bowl and took
it to the kitchen and put it under the spayer on a very coolish warm.
...
that seemed to really be helping, so I took it just one tiny step further. I got
some shampoo and diluted it then I drizzled it over the figure, then I
found a very soft paint brush and washed it out and gently rubbed it all
over the figure....Then rinsed with cool water.
....The results were
GREAT!! Not only is the clay all fresh and clean but no fingerprints and its so
nice and smooth! I'll be doing thn all my pieces just to blend them!!!
....
Later dried it with a blow dryer on slow cool setting. Since
it was on a upside-down bowl, it drained really well and dried quickly. ...just
thought this might help someone else! Diana W.
sand or abraid them
using wet wet-dry-sandpaper, or sanding sponges, or 0000 steel
wool, etc.
....(after doing those, you'd need to then buff the
abraided areas to get back the finish you had before... or use a liquid acrylic
finish on the areas in a gloss, satin or maybe matte, depending on the look
you want)
NoraJean advocates filing faces
(and other sculpts) after an initial baking of the rough shape (she may
begin with a mold). . .she feels that one has greater control using a jeweler's
file (rather than sandpaper which removes
too much) and one can go slower, etc., .. and that there's no chance of messing
up the head by mishandling or dinging it (takes about an hour).... this could
also cover up discolorations of the clay
http://www.norajean.com/Sculpt/FileFaces/001-Group.htm
. . .She then fills in all the file marks, and coats the whole skin, with
skin colored clay mixed with a drop of TLS ...or TLS and acrylic paint for details
http://www.norajean.com/CowboyKai-3e.htm
You can do a second skin of thin clay over the shaped clay at the end to cover the not so clean clay (baked or not?). Anita
sequential molds... NoraJean advocates making a number of molds as you get closer and closer to the face you want to sculpt ...so sculpt-mold-make new head from that mold. . . sculpt-mold-make new head....etc .
cover
the item with a metallic wax (or a metallic powder in a matte or
glossy medium)
....cover just the worst spots
...or "highlight"
the whole figure by applying only to the higher areas
....or
antique over the items or worst spots, especially 3-D items
... I take
a brown antiquing medium over most of my white items.. It fits with my
style anyway.. Dave
... I
just stopped trying to keep my white, white.. That's
why most of my things have an antique look now
...I made a lightbulb
Santa and his beard is not as white and clean as I'd like. I was thinking of antiquing
him to cover it... Michele
just
paint over those areas (acrylic paints) --degrease, and possibly
abraid, surface first
....after baking, you can just paint over it
(possibly preceded by a "primer" coat of gesso or white acrylic
...see Paints)
...try acrylic paint, but apply it in very-thin washes (paint and water
mixed together.....you
will get good coverage but won't cover up your details with one
thick coat of paint.
.......and
dry in-between with a hair dryer
...water
mixable "oil" paints might work very well for this
too
I'm
finding that a white color of (oil paint,
Genesis paint, or oil pastels --see Paints)
mixed into liquid clay especially helpful in covering up small blemishes
on my pc snowmen. Dianne C. (....must rebake
tho' briefly to cure liquid clay)
Some of you use Super Sculpey to make prototypes and for doll faces. When working on prototypes, the translucence of the clay makes it difficult to read the details of your work. Add (opaque) white Sculpey III to reduce the translucence. Amd also...some of you have experienced "mooning" in your clay. This is actually moisture in the resins. This moisture might have been introduced in the manufacturing process or might have been contained in an individual ingredient we use. In any case, you don't want it! Every batch is different, Polyform trys to make them the same but, it just isn't possible. Something like dye lots - they just aren't all the same. So, please test each new box you buy. Work a bit of Super Sculpey as you would normally, then bake it. . . . If you have "moons" either add a bit of White Sculpey III to mask them or leach (roll the clay out into sheets and sandwich between paper towelling for a day or so). Run the test again and see if the moisture has been removed. Donna Kato
To avoid the plaquing you can just add one pea-sized piece of (opaque) white Premo to 2 ounces of the Flesh clay. Premo flesh is really a base clay. ...It's a middle of the road color with a nice translucent quality which, even when mixed with opaque colors, gives the finished piece a porcelian look. Dotty
In addition to mixing a translucent clay with a bit of an opaque clay to control the mooning or plaquing, you can also paint over the baked clay with water-mixable oil paint, washes of acrylic, etc, possibly preceded by a coating of gesso. (see Paints)
I cool (my heads) out of the oven and wrap them in heavy toweling, away from drafts...this seems to help quick changes in temp...and possible cracking..also, fewer moons appear in doing so (I never cool down in oven as I feel it overbakes the piece and therefore making it more brittle causing breakage after the cooling process.) Jodi
Tory
Hughes suggested that if you want MAXIMUM plaquing, you put your pieces
in a hot oven and subject them to that drastic temp change quickly. So it would
stand to reason that if you put your pieces in a cold oven, and gradually bring
them up to curing temperature, then let them cool in the oven (slowly bringing
the temp down) you should be able to minimize the plaquing.
to minimize plaquing- condition with an eye towards
incorporating the least amount of air,(something along the lines of Pier Voulkos's
method of pulling/rolling snakes,cutting and restacking and then repeating, with
a careful eye to eliminating/preventing the formation of air bubbles) place in
cold oven, bring up to temperature and then begin timing. To maximize plaquing-
condition with running start in food processor and then use the Tory twist (doubling
back and twisting a snake upon itself while letting gravity help things along)
preheat oven to ten degrees over temperature, set to correct baking temperature
as soon as you have placed your piece in the oven.
Figures can be placed on bases (standing, sitting, lounging) as well. (see more in Setting for Sculpts, Bases below)
cracking
(mostly in larger solid pieces) during or after baking
...I cool
my thicker items outside the oven, and wrap in heavy toweling away from drafts
.......this seems to help quick temperature changes
in temp...and possible cracking.
........I never cool down in oven, as I feel it makes the baked item more brittle,
causing breakage after the cooling process. Jodi
.......or, if the cracks are
still appearing, rather than letting the pieces cool down in the oven plunge them
into cold water after the full baking time... the clay should shrink and seal
the cracks
...Because I leach my clay, removing much of the plasticiser,
even my very large pieces have never cracked.
...pre-bake your
cores (permanent clay armatures) if you use them, or make cores from more
"advanced" clay (older or leached)
(...see most
info on cracking during or after baking, in Heads
)
(later)
crumbling
...
fragility
...It's important to bake
at a high enough temperature, for at least the mininum
time recommended, to be sure that the clay will not crumble
or leach plasticizer out onto porous materials in
the days and months to come
....so make sure you oven is actually baking
at the temp. it says on the dial, and that it stays
at that temp, and that you bake long enough for the thickness
of your clay item, etc.
...any of the clays will (crumble later) if you
don't bake properly, but Sculpy III
(and maybe the new FimoSoft) is the
biggest problem
......(raw)
clay is full of
plastisizers, they keep the clay soft... when you bake, you bake them
off... but if you don't bake it long enough, you don't kill off all of the
plastisizors....then when you take it out of the oven and the piece cools down,
the plastisizors
Angela's
tips on packaging sculpts for shipping (with lots of large bubble
wrap, cotton batting and packing peanuts)
http://www.emilysfairies.com/hints/Pack.pdf
In the Creager's "Sculpting Hands" video, Jodi says that she has found that when using the Sculpey flesh it has tiny white specks when you pull the clay away from the block and she has learned that when removing clay, if she CUTS it then this lessens the white specks that seem to appear. Also, I have learned not to twist and pull clay. It is better to chop, warm, run through the pasta machine or the like to condition. I use a lot of flesh Cernit and never have this problem. I have heard of several people having the specks with Caramel Cernit, however.
NoraJean advocates using a file on
faces (and other sculpts) after an initial baking of
the rough shape . . .she feels that one has greater control with a file, and can
go slower, etc., this way, and that there's no chance of messing up the head by
mishandling it. After the faces are filed they are covered with a layer of TLS
and skin clay to smooth out the marks.
http://www.norajean.com/Sculpt/FileFaces/001-Group.htm
the best thing I've found is the almighty BABYWIPE! Not only is it handy when your changing clay colors to wipe your hands, but if you catch a smuge mark before it gets to ugly you can use it to wipe off the piece your working on. I even use them to smooth off rough spots on my faces before baking, something about the lanolin in them.
throwing clay on a wheel. . . . (Will Trucheon? --demonstrated it at the Arrowmont conference. (Use Sculpey III; make grog by rolling Sculpey III really thin, baking the sheets, grinding them up and screening them; and throw using KY Jelly, or generic equivalent, instead of water for moistening! Weird but true!) (see more in Vessels > Freeform)
skin reactions: a very few people have allergies to something in the raw clay. This doesn’t usually stop them from claying, but they may use several methods for preventing contact (either barrier creams or gloves –see safety file for details)
I wonder if it would work to build a sculpture on a wax form, bake, then fill in the bottom & bake again. It may be a way to lighten the piece. Many cast porcelain figurines have a hollow core.
~I just visited Ms. Goodnow's website and I am in heaven! If any of you can get yourself of her sculpting seminar, I would grab at the chance! She has a mold making/resin casting instructional (lesson) video tape. 1 Hour + 40 min. for $75.00+$5.00 S&H. Visit her website and see her dolls and click on the videos link at homepage's bottom http://members.aol.com/junedolls/index.html The Dane
~You can take transparent Liquid Sculpey and color it with pearl-ex pigments (i.e., antique silver for grey or gold which turns out yellowish) and then paint the stripes on. I have been doing this with my cat and dog ornaments (although the dogs get spots instead of stripes). mamadude
DISTINGUISHING HUMAN CHARACTERISTICS
(for skin tone recipes, see Heads/Masks)
Babies and children: large heads; large forehead and eyes, short chin, full/wide cheeks, features close together . . .
sarajane . . . the gist of that discusssion was that it is easier to do "character" than "pretty." Well, that's true enough, but here are some tips to help you towards "pretty", should you wish to go there!
Roll out a ball of clay (its harder to work small, so practice a little larger
at first...when you get comfortable, work smaller.) Flatten the convex (rounded
outward). Add bits of clay for the "sticking out" parts--forehead, nose, cheeks,
mouth mound (NOT the lips, the part between the nose and chin--lips go there later)
and chin. Press them into place, and indent where the eyes go. Then roll out a
sheet of clay (set on #3 or so) and use as "skin" to cover the face. Starting
at the nose and working out, press gently into place, working any air pockets
out to the edges. This gives a gentler smoother surface to the facial planes.
Sharp edges become obscured--hard lines read as "old" to our eyes, whereas
smooth is "pretty" ---I use this technique on doll bosoms for nicer "cleavage"
and smooth joins to the chest, as well. Trim away excess clay. Add your eyes,
nostrils, and lips. I often make the eye sockets, and then add eyeballs that are
beads, or round white clay balls that have been baked previously. Or bake the
piece with just the sockets, then add white for the eyeball and rebake. The mouth
mound is very important---mouths (especially in the young) are slightly raised
above the face plane, or they look sunken-- toothless, as it were. This is a VERY
aging effect...so take good care of your teeth!
When you get a face
that you like, look at it from the profile as well as full-on. Look at it in
the mirror--this is a sneaky little trick my costume design teacher taught
me--your brain glosses over mistakes and things after you've been looking at something
too long, but when the image is reversed, your brain sees it afresh, and notices
things.
. . . if you want an older
look for your crones, make the eyes & chin a little smaller, the nose
a little bigger (medical fact - your nose never stops growing!) and drop the cheeks
a bit to make jowls. Fill in the neck a little also. This is what I do for my
"oldies" and it seems to work. Blame it all on gravity. . .these traits are often,
but not always, present. Add a few character lines and grey the hair a bit also.
I love making older faces.
(look in websites for examples)
re:
the elf, Nancy, for such a subject I would suggest exaggerating the
features more, trying different poses ,& in general going for "sass''. You're
on the right track. Mavis
(for male and female hands, see Wayne the Dane's suggestions in Sculpting--BodyParts/Hands).
Think of a story line that these characters are from. What are they doing when you capture them in clay? Is there a tear in the dress from climbing a tree? are they marveling about the beauty of a found flower blossom? think having a story adds to the fun of creating the sculpt. . . and viewers love to hear stories, it really draws them in to the piece, sometimes even identifying with the emotion themselves. tlc
~Or use distortion
to your advantage! The molds I made for the water sprite faces in the fantasy
swap were pretty cool that way. I used one of my daughters' little bitty dolls,
dusted it with powder, and smooshed it into some waste clay. The original mold,
then, was actually a copy of a face that was quite likely copyrighted.
But
next, I made a face from that mold. I used the distortion as it came out
to inspire me--changed the face drastically. I changed the angles in the face,
making it thinner and more mature looking. The jaw was thinned. The eyes became
more slanted, so I took a needle tool and pulled them up even more, giving them
an elven air. The cheekbones got flattened and raised, so they weren't chubby
little cheeks anymore. I sculpted wild looking eyebrows, where before there was
nothing textural--only painted on the original. I added pointy ears. Where the
hair had met the mold it was kind of messed up, so I used the needle tool again
and stretched out every "strand" of hair to look like hair under water, or flames,
maybe. By the time I was done with it, it looked nothing like the commercial original,
except that the facial proportions had been started for me, and I had no lines
to smooth with micro-tools where I'd tried to join on features.
I baked that
face, made a new mold from it, and now have my own "sprite" mold. It's enough
different that I feel guilt-free over possibly violating a copyright to get there.
And for such a small face, it made the sculpting part a cinch. KLEE
There's
information about using molds at my Web site's FAQ:
http://www.angelslanding.com/pushmolds/faq.html
It has a section on softer clays and explains several ways to avoid distortion.
While it was written for resin push molds, the techniques are the same for molds
you make yourself.
to mold a head . . . .first powder the doll head with talc getting all the nooks and crannies .....then press the softened sculpey onto the doll head making sure you get the sculpey into all the folds etc....carefully pull away....then bake!!! Let cool...and then press more sculpey into the baked and hardened mold (oops, talc the mold first)...then pull out and here is where your handy work comes in...."Tweek" the pressed clay...by that I mean...age the head...adding lines and wrinkles, and extra ball of clay on the end of the nose for a real santa look....laugh lines...you know all those cool santa traits...this will give you a good base to work from...and if you don't like the look...start again by repressing the clay. Add ears...you can glue the front part of the head onto a styrofoam ball after baked...paint the head and add lots of hair to cover the back of head and add a wonderful beard.....Jodi Creager
multiple casts: . . . To sculpt one little face from the beginning takes me at least one hour and if I make ears, it takes me at least 1 1/2 hours. I developed a way to make it faster for me. I used a thin plastic which has a grid on it and mark the eyes, nose, mouth in a permanent ink. I then use a large needle and punch holes at the corners of the eyes, sides of the nose, lips, etc. After making the first ball of clay about the size of the head, I lay the grid on the top and put marks in the clay where these features are. Placement of the eyes, nose, mouth ere the most time-consuming part for me and this cut down about 15 minutes. Jody?
(see
also Canes-Instr
> Flowers & Leaves for more lessons,
etc. ...and for real flower photos)
(see also Miniatures
for more flowers)
NOTES:
Three-dimensional
flowers and leaves are referred to here as "sculpted."
(....but
for canes which contain images of flowers and/or leaves, see Canes-Instr
> Flowers or Leaves)
Many
"sculpted" flowers are created with solid-colored clays only
...BUT,
some flower or leaf sculpts are created with fancier petals and/or
leaves which are first created as canes
(as "petal canes" or "leaf canes") in order that some
type of pattern and/or multiple coloring can be used for all or
some of the sculpted flower parts
(...fat slices are taken from these
petal and leaf canes, then those are shaped and used to create the sculpted
flowers and leaves)
(...many of the flower and petal canes discussed in Canes-Instr
> Flowers or Leaves, will work great for sculpted flowers too...
just don't use them for making whole flower canes)
SO,
some of the examples and lessons below deal with just the sculpting
of solid colored clays,
....and some deal with making
a fancier petal or leaf cane first to use for the sculpting.
MOSTLY
FLOWERS (...more on leaves below)
(SOME
EXAMPLES using only SOLID-COLOR &
NO PATTERN petals and leaves)
Cheri
Oshinsky's beautiful sculpted flowers and leaves of barely-tinted
translucent, onlaid as embellisments on a small vessel made of heavier-tinted
translucent (could be "faux jade")
http://www.azpcg.org/documents/VesselSwap.htm
Anne
Klocko's simpler posies (in high relief)
http://anneklocko.com/pix/garden.htm
...http://anneklocko.com/pix/potted.htm
..http://anneklocko.com/pix/country1.htm
Anne
Klocko's somewhat-simple flowers/leaves in
vases (high-relief)
http://anneklocko.com/pix/floral.htm
flowers
in pots, vines, etc.. as onlays (on a large ceramic tile?)... bas
relief
http://it.dada.net/freeweb/bussola/italyclay/book/foto/marita3.jpg
Flo's
simple flowers, leaves & vines (bas relief) (on covered toothbrush
holders)
http://home-and-garden.webshots.com/photo/1067337534045318713IJGDpv
Linda
B's lesson on making a bas relief flower, by putting the
proper scientific parts together
http://www.sculpey.com/Projects/projects_PartsOfFlower.htm
(for
simple tiny flowers made with tiny cutters, see just below
in Cutters)
Cheryl's
flower sprays, etc., & leaves (on wires, etc.)
http://ctrottier.tripod.com/flower.html
Johnny's flowers and leaves on wires, in vase
http://www.pcpolyzine.com/0306june/johnny05.jpg
Crealand's
various flowers --sunflowers, daisy types (not white) ...(some on wires
in pot or stoneware bowl)
http://crealand.free.fr/deco.htm
Marcy's
simple flowers and bee, etc. for garden
http://www.marcysclaypen.com/garden/garden.html
Mary
V's miniature "forever flowers" in tiny vases
http://hobbystage.net/art/airliefairy/
(inaccessible?)
more
flowers, especially spray type ...not clay
http://www.pacollection.com
South Bay Polymer Clay Guild members' "basket of flowers"
assignment (website gone--DB ADD)
Kie's flowers in pots http://www.zigzag.co.nz/kie.html
(gone)
Monica's
lesson on looped "wicker" basket
http://guide.supereva.com/hobby_femminili/progetti/
(click on basket with small flowers) (gone?--find new)
SOME
EXAMPLES using CANED petals and/or leaves
Nora-Jean's
variety of sculpted flowers and leaves ... many from cane components (some
in "pots")
... plumeria... autumn leaves...
striped ("bug") leaves... rose... pansy...
etc.
http://norajean.com/Biz-Archive/OnSiteFlowers.htm
(look down whole page)
japaya's
3 dimensional flowers made with thick cane slices, mostly onlaid from center
of flower
http://i169.photobucket.com/albums/u232/meriporlared/todosjuntos.jpg
using
slices from one cane to create different flowers,
depending on their shape and placement
http://www.norajean.com/New_Projects/2004-FlowersLeaves/F-013d.htm
http://www.norajean.com/New_Projects/2004-FlowersLeaves/F-013c.htm
Mary
W's onlaid cane slices for radial-petal flowers, used as buttons
or as drawer knobs
http://www.merelyknew.com/engine/?a=show_cat&id=1055875939
http://www.merelyknew.com/engine/?a=show_cat&id=1055959811
Marie
S's more complex posies (various techniques)
http://www.clayfactory.net/marie/gallery4.htm
Jennifer
S's rock purse flower with insertion in petals which are then shaped...
leaves molded? (website gone)
*Grove&G.fish,flowers,insects,masks,faces+
http://www.groveandgrove.com/wearablegallery.html
(gone?)
BEADS
& JEWELRY
*Klew's
leaf pods, necklace beads
http://klewexpressions.com/leaf_pod.htm
Klew's Jungle Sculpture" beads with fancy-leaf,
etc., onlays
Cheryl's onlaid sculpted
flowers and many sculpted caned leaves on focal beads
http://www.cherylsart.net/
& http://www.cherylsart.net/Hearts.html
(gone)
Ziggybeth's
lesson on making a flower bead
http://www.homestead.com/ziggybeth/beadless.html
(gone)--find
new?
Burgess'
sculptural flowers & jewelry
http://members.delphi.com/MEEBOE/index.html
(gone)
where
are other onlay flowers?
flower
"corsage" pins http://forums.delphi.com/polymerclay/messages
(gone, or at PCC message board)
Nora
Jean's lesson on creating shaded petals by cutting them out of Skinner
Blend sheets with leaf-shaped cutters
http://www.norajean.com/Biz-Archive/Flowers/WaterLily/Index.htm
...You can give things depth... shading.... by using eyeshadows
You can elongate a petal and roll it into a "bud" shape for a flower, too.
SPECIFIC FLOWERS (mixed techniques)
ROSES
Marie
S's lesson on building simple roses from clay circles cut with small
cutters (wrapped around, and bottom cut off flat)
http://www.sculpey.com/Projects/projects_Knobs.htm
(look near bottom of page)
Jeanne D's lesson on making 7-petal roses,
some with contrasting center
http://www.jaedworks.com/clayspot/techniques/roses.html
http://www.jaedworks.com/gallery/roses/index.html
(how Jeanne uses her roses)
Cheryl's
lesson on making rolled roses
http://www.geocities.com/Heartland/5620/clayhow1.html
Ann
& Karen Mitchells' lesson on making Skinner Blend "ribbon
roses" & furled leaves with clay (steps# 18-22)
http://www.hgtv.com/hgtv/cr_clay_other/article/0,,HGTV_3239_1396639,00.html
sev. rose types on BOH (...one
rolled rose uses double sheet of pink and aqua)
http://boh_pcguild.tripod.com/bottles.html
Elizabeth's
lesson on miniature roses, and ways to use them
http://www.picturetrail.com/gallery/view?p=999&gid=646448&uid=488109
Linda's
lesson on making large rose around the bowl of a wine glass
(as a votive)... using (tinted) translucent clay
http://www.hgtv.com/hgtv/cr_clay/article/0,1789,HGTV_3236_3086662,00.html
Glenna
uses her sculpted clay flowers (mostly roses) on or with
all kinds of other objects, or objects she's created
... like metal
baskets, corsages & bouquets, frames, candles, goblets, card holders, hair
accessories-headbands-tiaras, and earrings, etc.
http://www.rosepetaldesigns.com/misc.htm
(click on all categories)
Mia's pink
roses (based on Barbara's) http://www.clayfulmingles.com/gallerypage1.html
(gone)
Denise
in A's roses with cane slices for petals.... +
hibiscus,
beautiful lily ... miniature bonsai pots,
etc. http://hobbystage.....
(gone)
Karen's roses & leaves on barrette http://www.geocities.com/fripon1980/Barettes.html
(gone)
Maria's
thin sheet roses... made with the Polish Umbaclay (polymer, or air dry porcelain
clay, etc.?)
http://www.polymerclaypit.co.uk/polyclay/guild/maria_gower.htm
mini-lesson
on making a bas relief miniature rose.
.. it's easy ...make a rope of
clay into a (flat?) spiral, and lay it down... press on each rope layer with an
orange stick (perpendicular to it), going around the spiral from the outside to
inside, ending near the center. craftewoman
lesson on making thin
sheet roses and other flowers with air dried clay
http://www.claycompany.com/projects.htm
You want to get the petal edges as thin as possible......for
my roses, I make small teardrops of clay, then roll my finger on them from the
point to the fat "drop" end, pushing a bit as I go so they lengthen out a bit....
After letting the clay rest for a few minutes (gets very soft just from
the heat of your finger), I use a tissue blade to pull the clay up off of the
ceramic tile, sliding it under at a near 45- degree angle (this causes the petals
to curl up as they come off of the tile).... I then roll the roses with the curl
facing outwards
.... using my finger to flatten the teardrops usually leaves
a print mark in the clay, which I don't mind (once rolled it looks like
the barely-visible ridges and veins), and most of the time makes the petal stick
to my finger. I just "slice" it off of the tip of my finger with the tissue blade
(sometimes it gets tiny little tears in the thinnest edge; I also leave these
be because not all rose petals are perfect). Carrie
OTHER
SPECIFIC FLOWERS
Monica's lesson on making a purple orchid
http://guide.supereva.com/hobby_femminili/interventi/2001/11/80945.shtml
http://guide.supereva.it/hobby_femminili/interventi/2001/11/80945.shtml
(old site)
Skygrazer's
painted orchids
http://www.skygrazer.com/polymerclay/gallery/misc2b.htm
NoraJean's
various orchids
http://www.norajean.com/Biz-Archive/Flowers/Orchid/Group.htm
...and her blue orchid lesson, with insertions
http://www.norajean.com/New_Projects/2004-FlowersLeaves/04-04-04-BPwInserts-Index.htm
Monica's
other flower lessons (hibiscus, calla lilies,
http://guide.supereva.com/hobby_femminili/progetti/
(click on English flag for English, but photos
are good anyway)
Maria's
lesson on making a beautiful hibiscus
http://guide.supereva.it/hobby_femminili/interventi/2002/01/88691.shtml
Maria's
lesson on making a bunch of cala lilies (using cut-off teardrop
shapes)
http://guide.supereva.it/hobby_femminili/interventi/2002/01/90251.shtml
Jenna's
lesson on cala lily http://tutorials.theclaystore.com/miniature-food/calla-tutorial
Marie
Segal's lily ...http://www.http://www.clayfactory.net/images/gallery/2tr88.JPG
(can't find again)
Alan's
sweetpea flowers
http://groups.msn.com/AlanJamesV/polyclaythingsnotjewellery.msnw?action=ShowPhoto&PhotoID=77
Cheryl Trottier's daffodils with large leaves on glass vase they're
in, simulating placement on stems
http://www.nwpcg.org/ravensdale/rave/rave00/trottier.shtml
Miniatures(about.com)
had daffodil and tulip, etc.... still helpful daffodil lesson using
6 diamond shapes+fluted tube, & tulip (6 teardrop shapes) (fr. paper tho'
)
http://miniatures.about.com/cs/howto/ht/daffodil.htm
and http://miniatures.about.com/cs/howto/ht/tulips.htm
Celidonia's poinsettia (with a touch of gold highlighting
on edges)...,,,or dahlia, or chrysanthemum-type flowers
http://www.celidonia.it/English/fairies_treasures.htm
Kathy G's poinsettias (website gone)
Nora-Jeans holly leaves could be poinsettias http://albums.photo.epson.com/j/ViewPhoto?u=1751108&a=30172543&p=60672660
...lesson:The white poinsetta was cut out with a small leaf cutter. ...The
mix is this: Sheet of no color translucent. Sheet of gold leaf. Second sheet of
no color translucent and run it through the pasta press. ...I thought...hey, why
not run a sheet thin and then back it with pearl to kick up another layer of shimmer?
What about cutting out leaves on this with the leaf cutter and do it like the
holly, pulling out the veins using the cone shaped clay shaper tool? What about
dusting the center seam with holographic embossing powder? I never thought it
would come out like it was made of ice! I never thought it would come out as pretty
as it did..... One trick with the embossing powder is after the first curing of
an item, paint on Future just on the areas you want the holographic effect on,
leaving the other parts dry. Then sprinkle the embossing powder on it. Let it
dry and then tap off the excess, cure a second time. That way you can highlight
certain areas and have a bit of control over it. On these petals I just dusted
the center stem before curing, just to beef up the gold leaf foil. nora-jean
.......just
use one of the six or eight-pointed star-shaped
canape cutters and elongate the star a bit... make a line between one point
and the one that opposes it for a "vein," and sort of fold it up at that crease
a bit. Tilt one end up and one down. There's a little mini-wreath ornament that
uses those cutters on the polymerclayexpress.com site, the lessons page. Elizabeth
nora-jean's cane slice & formed holly leaves lessons and
photos using a number of wrapped cane lengths, placed together in two rows?, then
shaped and indented
http://www.norajean.com/New_Projects/HollyDaze/MakeLeaf.htm
and http://albums.photo.epson.com/j/ViewPhoto?u=1751108&a=30966173&p=65761472
...I
do about the same as Laurie for tiny 3/8" long holly leaves (lesson):
Flatten sheet of dark green to #6; cut 1/4" wide ribbons; use smallest circle
cutter to cut half moons from one side of ribbon; every other one is shallow;
every other one is to the center of the ribbon; repeat on other side; matching
shallow moons and deep moons; viola! holly leaves!!; place on item; imprint lines
with favorite knife tool. Can lay saran wrap on ribbon if you want softer leaf
edges. Cella in SDak
.....try
a green pearl to dark blue for the basic holly color... then a mix of silver and
pearl to outline and vein your holly leaf... Havenmaven
.....Maria's
lesson on making a leaf mold by pressing an oval ball of cold porcelain
clay (use silicone or polymer instead) onto just the central part of
a heavily veined tough leaf... she then cuts small bites from the
sides of the leaf with a straw so they resemble oak leaves, or poinsettia leaves
http://guide.supereva.it/hobby_femminili/interventi/2001/11/77634.shtml
Alexandra's
pansies & fluffly geraniums ....& heavily ruffled leaves....
in window box
http://www.alexandrablythe.co.uk/photogallery/commissions/commissions-pics/window%20boxes.jpg
Nora
Jean's various tropical flowers (some are lessons)
http://www.norajean.com/Fiji/Index.htm
Jennifer's
lessons for a puakenikeni lei ...and other flowers
http://www.starbulletin.com/97/09/23/features/story1.html
lesson
on making a lei with puakenikeni flower: http://starbulletin.com/97/09/23/features/story1.html
(Hawaiian)
These "eternal leis" (flowers made from polymer clay) can be worn to work
or special occasions, tied around the brim of a hat or hung in the home for decoration
-- and they always look fresh. ...a three-strand pikake lei ...a plumeria
lei. .... Most others, including puakenikeni, pakalana, ilima, rosebud and
single-strand pikake are $45 to $75... leis can take 8-20 hrs each.
Anna's
Hawaiian flowers in necklaces
http://www.alohaainajewelry.com/Styles/flowerM.html
Tahine Niu's 10 bouquets of Hawaiian flowers and leaves
http://members.aol.com/tahineniu/fimo8.html
(wait for the other 9 samples to appear one at a time below the stationary photo)
Lisa's
pinecone (...or flower) created by making many cuts in a egg-shaped
(?) piece of clay, beginning at the bottom?) and bending them back; if the shape
is flatter to begin with, it can resemble a multi-petalled flower (add a center?)
http://communities.msn.com/Lisafamilyncrafts/newtechniques.msnw
to make a flower, just use the leaf lesson http://www.polymerclaycentral.com/poleigh/leaf.html and do it with flowers instead!!! (?)
The
flowers and many of the leaves in this lesson (?) were
made with Premo & Sculpey Super Flex (mixed?). I really
really love Super Flex for working on the leaves!
....
This carnation has enough give that I believe it coulfd be used as a
boutineer and be used again and again without breaking or cracking!!
This is all clay and all made
using the same technique as the leaf lesson!!! Every leaf and every petal was
made from a live leaf or live flower! The only things that are not clay
are the wires that the flowers are wrapped around and the floral tape that the
flowers are held in place with!!! Of course using the Flex clay and getting it
as thin as I get it could definately use a lesson!!! Leigh
...
I do flowers including
roses, irises, all manner of compositae, berrys, and leaves (even with Sculpey
III). I have wired and sold dozens of wreaths with no problem. The trick is
to thin edges only, not the whole piece of
clay. . . . (the main problem was how to wire pieces that
are thin; the solution is to create an illusion by thinning visible edges while
retaining central thickness for wiring).. MJ
.... I don't think I'd recommend
weak Sculpey clays for any thin areas unless you
know the baked clay will never be stressed.
very thin clay sheets or ribbons... scrunched
together (Nora
Jean’s flowers) (website
gone)
CUTTERS,
etc.:
Sarajane's
lesson on making tiny simple flowers from star and other radial
Kemper cutters, then adding various bits for centers (on a mask)
http://sculpey.com/Projects/projects_MayFlowersMask.htm
(middle of page)
my
tiny flower cutouts (using Kemper cutters), indented in for petals
and in center (seed bead added), ornament onlay
DB...add
new yahoo address
Robin's
"field of flowers" made with tiny indented balls of different
colors
http://www.angelfire.com/art/redrobin/gallerytwo.html
(gone)
Heather's
lesson on making a kelp/fern-type leaf plant with Kemper cutters
http://www.sculpey.com/Projects/projects_tropfishswitchplate.htm
("Tropical Goldfish Switchplate")
many
cutters for flowers, border strips, etc.....Creative Cutters
https://www.securewebexchange.com/info-media.ws/
MOLDS:...
use, or make, a molds (see Molds for
making them yourself, or buying many more)
Judi
Maddigans Push Molds and projects
http://www.angelslanding.com/pushmolds/index.html
Polymer Clay Express (sells and shows Push Molds)
http://www0.delphi.com/polymerclay/express/molds.html
Sculpey's multi-mold EZ Release Push Molds (flexible, no release
needed, multi-mold sheets)
http://www.sculpey.com/fset_products.htm
(click on EZ Release Molds)
You
can add details to a baked molded item to get a second
generation object to mold
... e.g., make a flower
from a flower mold... bake the flower... then add to the flower some raw
clay leaves you've sculpted, or raw leaves taken from another mold (using
liquid clay or another glue if no mechanical hold)... bake ... now you'll
have a flower-and-leaves mold to use as you wish
I
bet clay thinned with liquid clay or Diluent can be used in frosting
bags with tips to pipe out flowers and leaves??...Sarajane
H.
(see more on usin icing tips in
ClayGuns > Icing tips)
...Or
use similar methods to cake decoration frosting flowers.
Instead of squeezing out petal by petal, form them with your fingers out of
little balls. Flatten, point one edge a little, like a squatty teardrop. This
is a basic petal, and can be laid out around a center, like daisies, or wrapped
around a center, like roses. Do it all out of one color clay a few times,
so you can squish the first attempts. When you get the hang of it, there's all
kinds of possibilities. Sometimes I make a sheet of skinner blend, where
the colors blend several times on one sheet (rainbow-ish stripes). Red to white,
or red to yellow are great. Then cut out teardrops (by hand or with a kemper cutter),
so that each petal goes from dark to light. Wonderful effect when you make a rose
that way, with dark center but bright tips.
You can also buy a silk flower version of the flower you'd like to make, and take it apart. Use the petals for patterns and put the clay flower parts back together the same as the silk flower was constructed. You'll get a replica the easy way. After you've seen it finished, you can begin to adjust the size, etc. of your parts to get just what you want. Niki
LEAVES mostly:
Maria's
lesson on making a pot with realistic-looking trailing leaves (variegated
philodendron)... she also uses tiny clay ropes for all the stems
http://mx.geocities.com/miporcelanafria/Malanga.htm
(for holly leaves, see just above in Flowers for poinsettias ...watch spellling if using ctrl+f)
NoraJean's many
lessons on various leaves
http://www.norajean.com/New_Projects/2004-FlowersLeaves/Index.htm
http://www.norajean.com/New_Projects/2004-FlowersLeaves/001.htm
PolymerClayExpress'
lesson on making wonderful, realistic leaves, elliptic
or lanceolate in outline, then ruffled along long edges...placed
around clear votive, very dimensional
http://polymerclayexpress.com/jun2003.html
...Maria's
lesson on oak leaves above uses a heavily veined leaf (fairly
thick) to press an oval ball of clay on... she uses only the central area
of the leaf back to make the impression in order to get a thick clay leaf that's
heavily veined
...sculpey.com's similar lesson, but using Skinner
Blend sheet (green pearl to gold, or red pearl to copper for Autumn colors)
......
lobed leaves pressed onto clay for veining, etc., then cut around;
one leaf pressed to each side of square glass jar
http://www.sculpey.com/Projects/projects_autumnleaves.htm
1001artbeads' lesson on making long, pointed and heavily
veined, impressed leaves
....a small rope of (gold) clay is cut into diagonal
segments... each segment is pressed to the back side of the handle
of a disposable Gillette razor to create the veins...impressed leaf removed
and twisted a bit for interest, and the back side is then highlighted
with lt.beige mica eye shadow... leaf bottom is trimmed diagonally to create
a non-symmetrical point, and top is trimmed crosswise before the hole is made
so a number of leaf beads can be hung as a necklace
http://step-by-step-tutorials.blogspot.com/2008/02/beads-in-form-of-leaf.html
Leigh's
lesson on making large leaves with real leaves as texture
and silhouette, in any color, edged with Pearl Ex
http://www.polymerclaycentral.com/poleigh/leaf.html
...various
clay leaves used in jewelry... mostly faux metal...some whole leaves, some
framed cutouts of real-leaf-impressed clay
http://www.flickr.com/photos/stokesgalleries/sets/72157603734300483
...an
article from Michael's Art Mag (I think or maybe Jewelry craft explained how to
make larger clay leaves by pressing real ones through the
pasta machine with the clay..... It used gold powder and rub
and buff too.
.... Sometimes
you can make the squishing into part of the design. I do this with leaves.
...I place the tip of a leaf on the end of a toothpick so that when I press
it into my design it attaches it and also makes the center vein as I'm
doing it. I can hide lots of press marks with leaves.
(lesson
for a leaf)... take the green and yellow streaked log and run it
through your pasta machine... Take (a) flattened slice and cut yourself a classic
leaf shape, rounded at the top and pointy at the end. Now here's a trick. Get
an old mouse pad, or something that is spongey and has a bit of give. Put a layer
of aluminum foil over it, lay that leaf you just cut off from the flattened slice
of yellow/green clay, and press your clay tool gently to form the veins of
the leaf. You want just an indentation but you want the leaf to flex a bit. Cure
that leaf on the foil, pinch and shape the foil to make the curl and movement
of the leaf, the foil will hold the leaf's shape and when pulled away you'll go...wowie!
...Before the first curing I use floral wire and lay in a stem.
You can run beading wire down the middle but do that when you are really comfortable
with the clay and won't get frustrated getting that shiney metal wire to hide
right. Cure the leaf once shaped and you have a floral wire attached, after curing
you can start building your trailing hanging plant leaves, glue them, braid
them, stick them into things that will hold them. Florist have this green foam
block that holds water for your plant...Nora-Jean
Natasha slices could also be used to make leaves ..shape a log of many chopped colors into a rough tear drop shape; cut two thick slices and open them like a book; decide if you want to combine the leaf halves in that orientation or reversed, and add a stem between them if needed... none of the leaves would be the exact same pattern, of course, but the all colors would be the same so these might work for a variety of slightly different leaves (see Natasha how-to's in Beads > Natasha)
Sarajane H's spider
plant and one with large lobed green leaves (which she put into the
bottom half of an Altoid box to use as a miniature "planter")
http://flickr.com/photos/sarajanehelm/2771457382
mold
for individual leaves, etc. from House on the Hill ...http://www.houseonthehill.net/autumn1.html
....for more leaf molds, and how to make molds and stamps yourself,
see Molds > Molds to
Buy and Stamping > Making Your Own
and Texturing > Other Ideas, leaves,
etc)
(...see much more! on leaves i n Canes-Instr. > Leaves)
BOOKS
..."Making
Miniature Flowers with Polymer Clay" by Barbara Quast: She is "old school"
miniature flower maker. She knows how to make flowers out of old bread! This is
a good a step by step instruction (lesson), albeit she is kind of main stream
for my tastes.
... "The Art of Polymer Clay" by Donna
Kato has a chapter on making flowers that are larger, life size.
....I
can really recommend a booklet called "Meyer's Florist Shoppe' by Barbara.
Barbara makes 1/12th scale flowers for dollhouses using bread dough, but poly
clay could easily be substituted. instruction (lesson)s are included for everything
from Cyclamen to Orchids , Carnations and Roses.
...I believe several
of Sue Heaser's books have flower and plant instruction (lesson)s
too. Check her website: http://www.heaser.demon.co.uk/sue/suetemp.htm
...Last
year I purchased a Wilton book "Wilton makes it Easy to create Beautiful Gum
Paste Flowers; I just changed the 'gum paste for polymer clay' and it works;
It came with about 25 Floral Art cutters and simple tools; Here is a list
of the flowers that you can create with this set; wild rose, baby's breath,
forget-me-not, apple blossom, pansy, small and large daisy, calyx for flowers,
orchid throat, stephanotis, small and large carnations, rose petals (3 sizes),
daffodil petal, daffodil cup, lily, tulip petal, tulip leaf, sm. & lg.
rose leaves, holly leaf, ivy leaf, tulip leaf and leaf mold (puts all the
little veins on your leaf).
...There's a
book called "Colette's Wedding Cakes" Colette Peters, pub.Little, Brown
and Co. 1995 that has the best frosting flowers I've ever seen and great how-tos.
Substitute clay for the gumpaste and royal icings SHE's talking about and the
techniques are highly educational for us. Plus there are the most amazingly decorated
cakes I have ever seen, and I've read at least 100 cake books. I bet clay thinned
with Diluent or liquid clay can be used in frosting bags with
tips??...Sarajane H.
BOOKLETS
& CATALOGS
... if you can find them, the following
booklets have instruction (lesson)s for different flowers: Hot Off The Press's
"Friendly Clay Buds & Blossoms Jewelry "and "Fimo Roses & Ruffles
Jewelry", and "Liesure Arts Presents Aleene's Bread Dough Crafts".
Sweet
Celebrations: http://www.sweetc.com/ . .
. see "Catalog" for all kinds of (gumpaste) flower ideas, cutters, etc.!
...Donna
Kato's leaflet "Romantic Florals" (available through Prairie Crafts).
for all furniture (couches, chairs) ...furnishings .. mini foods...trees... terrains, etc., see Miniatures and also Houses-Structures
Google's
"image search" feature is very helpful!!
... just enter a word or phrase (phrases in quotes) for the type of image
you want to see (e.g. ...koala, pineapple, sunset)
...and google will display
*many* photos
http://www.google.com/imghp?hl=en
http://www.google.com/advanced_image_search?hl=en
(Advanced Search)
coasters
...size...
cicle or square (4" or whatever size you want), or odd-shaped cut with cookie
cutter or freehand
..many techniques could be used ....cane slice sheets,
slice paintings, textured or stamped, mosaics (inlay or caned), faux stone, wood,
ivory, or other faus and inclusions, transfers, etc.
...you could embellish
with crystals, glitters, beads, charms, fibers. Patty B.
...Patty Underwood's various coasters http://www.flickr.com/photos/papcg/sets/72157600940503148
...(this lesson was designed especially for people who
can't manage accuracy with scissors, but can manage to hold a stamp or a rolling
pin... to make as gifts)
(lesson) Roll out the Premo or FimoSoft
to a suitable thickness for coasters.... Cut out circles, maybe with crinkled
edges, with the cookie cutter.... Decorate by pushing in clean, dry rubberstamps
to impress images into the clay.... Put the maker's initials on the back. ...
bake. (If prefered, stamp the images first and then cut out - good for patterns).Crafty
Owl.
...Rebecca D.
has a lesson and examples re making disks to be used for 4-5"
coasters by flattening spirals of clay logs or... she says to use
a rubber eraser to clean any parts that look dirty after use; drips can be rinsed
off (see details in Sheets of Pattern >
Dragged Lines)
http://echomtnc1.homestead.com/pccoasters.html
and http://echomtnc1.homestead.com/instructions.html
...funny coasters http://www.garieinternational.com.sg/clay/lacoaster.htm
...I
also made a set of Christmas and football themed coasters,
backed with pieces cut from those cork squares.
...Nina's
fish mosaic coaster...
I made a clay base shape first, then covered it (still raw) with a white
sheet of PC ... then started at
the bottom with the
weed, pebbles and then addedthe fish. I filled the background in last... covered
the outside edge of the coaster. ...baked the whole thing for 25 minutes ....on
removing the piece from the oven I noticed a big airbubble
forming so I quickly pierced this with my needle tool and it went down
........
to make the pc grout, I mixed some clay with diluent but I didn't know
how mushie to make it ...after using
baby oil to remove some of the grout, I baked again and then sanded the
remaining grout off I was keen to texture the grout by because the design
is so small ie the mosaic pieces are approx 3mm on average I don't think I could
have textured it properly. Nina
(website
gone)
...
Ultra-Glo (thick, high-gloss, clear finish)... might be pretty neat to
pour over a slab of cane slices (or whatever), and use as
a coaster under coffee cups, glasses. ... I bought mine at a plastics store
last year for $5.45.....should also be available at places like Ace/True Value
and Michaels. The two bottles (which are mixed in equal parts) contain
8 oz., and cover approx. 2 1/2 square feet ....Ed, their tech person said
clayers might want to cover the item with Elmer's Glue first, then let dry for
1-1 1/2 hrs. Then he said either to brush on the combined liquids or dip the item
. If dipping, leave on a piece of waxed paper to dry (any dripping excess will
peel right off the waxed paper, and it can be trimmed with a pair of scissors).
If using a brush (to make the coating thinner) he recommends a small foam-type
brush which wouldn't leave brush marks. Ed (800) 368-9323. ..Diane B.
......although
consider also using just one huge cane
slice instead of a sheet of smaller slices, e.g., canejane's
covering a lid top (in this case, it was a papier mache heart box)
http://www.picturetrail.com/gallery/view?p=999&gid=681951&uid=502621
...coasters to put a flat polymer
sheet into ...http://www.wackywagon.com/access5.html
...Several
ways to prevent curling
of thin flat clay when baking:.
One is to place something heavy on top of the piece while baking. . . .
However, if the weight will harm the surface technique, then wait until the pieces
comes out of the oven and while it is still somewhat hot, place
heavy books on top of it until cool. . . . OR, while it is still hot but not so
much so that you can't handle it, fill the sink with cold water and then
lay the piece down on the bottom of the sink and hold it flat until it is cool.
Dotty in CA
...maybe see more ideas and tips in Frames,Mirrors,
Decorative Tiles > Decorative Tiles
incense
holders ... What kind of incense are you using?
--I made a long holder
for my stick incense. It looks kind of like a shoe shape. There's a ball
at the skinny end with an angled hole for the stick to sit in. The incense always
burns out before it gets to the holder. The ashes are sometimes hot that fall
, but even still I've never had any burn marks on it. (...Faun is right though
about keeping the direct heat away). Cindy
...figures sitting in saucers with
hole in head for incense http://7th-sense.com/fimobuddyincenseburners.htm
...fancy incense holders (dragons, castles, etc.) http://www.spiritroad.com/ceramicincen.html
...simulated wood, long holder, with claw and sun http://www.geocities.com/sleetwealth/DAR.html
...funny
long incense holders http://membres.lycos.fr/carozen1
(click on these 3 pages in the left nav. bar: ...Les
portes encens... RE- Les portes encens... On prend les mêmes)
...2
long tray incense holders...clay ball (with hole) at one end to hold stick incense...slices
or ropes over rolled paper form? (one cone -shaped)
http://users.adelphia.net/~cclaycreations/html/7.html
...nenuphar's round ball (with hole) on top of top end of oval clay
base (embellished with strips and dots of mokume gane) for stick incense
http://isisesc.supelec.fr/gallery-nenuphar/PolymerClay/aad
--I
have seen some pretty jazzy incense "boats" covered with polymer, but I don't
think I'd want one. Although stick incense should not be a danger in one, as it
doesn't burn all the way down the stick, some day I would probably forget and
lay the hot match down on the holder -- and get a nice permanent black scorch
mark! You have to keep in mind what some people will do, even if you put warnings
on the product. Burning an incense cone or
powder directly on polymer clay would
definitely be risking a nasty (and toxic) mess. Same with candles. Clay-covered
glass votive candle holders are safe and really pretty, though; and I've also
used them, partially filled with sand or aquarium gravel, as incense burners (you
could package some gravel and cone incense with each one to get people started).
Good luck! Bonnie
--Yes, the clay would burn if you set a cone directly on
it, but I've made one for cones where I stuck a piece of stained glass
in to put the actual cone on. Kim2
...(btw,
good site about making your own incense --cones/etc which actually combust.,
or non-combustible types just meant for heating to release scent
http://www.scents-of-earth.com/makyourownna.html
)
(see also Vessels
and Tools)
Tracy's "dispenser" for candies, etc. ...an upsidedown jar
full of wrapped candies, attached to a flying saucer shaped container underneath,
which has large holes for reaching the candies which have fallen into it from
the jar
http://www.doveceramics.com/misc.html
Marcy's
teapots (covering glass balls, but not necessarily. ..)
http://www.marcysclaypen.com/teapots/teapots.html
Lorie O's polymer hat (adult-size)!
http://www.sculpturefromtheheart.com/2001_melbourne_cup_hat.htm
(click on each photo!)
Suzanne H's lesson on making
a butterfly mobile... using liquid clay &
oil paint (or Pearl Ex) ... the butterfly wings are created by filling in a black
clay rope wing shape with different colors of liquid clay & paint
(oil?) on a sheet of glass ....she then uses a log of clay for the body
(with an embedded wire loop for hanging), baking the body together with the wings
in an angled pose
..... ... then she makes a mobile from the butterflies
http://polymerclaycentral.com/mobile.html
....Michelle Ross' lesson &
photos of various colorful fish (for mobile)... disk shape
as base, with added onlaid cutouts for fins, tails, stripes, heart-shaped
lips (or rope) ...plus several wire loops for fins,
and hanging)
(.......the fishes and a "group of bubbles"
was also onlaid onto cardstock, which had been stamped for "water,
for an invitation to a "swim party" )
http://www.polymerclayplay.com/html/gallery.htm
http://www.hgtv.com/hgtv/cr_clay/article/0,,HGTV_3236_3071209,00.html
(...she used a die cutter & laminator
for the body, but could use all clay
...I made a simple mobile with
space-related flat shapes of glow-in-the-dark
clay for Irene Semanchuk Dean's Kids' Crafts Polymer Clay book. I pierced
a small hole in each shape and hung them from lengths of fishing
line suspended from a wood embroidery hoop. Diane V.
( .... for polymer
wind chimes and outdoor mobiles, see Outdoor
Polymer > More Outdoor Items .. they
could be used indoors as well)
..real
mobiles and how to make them
http://www.mobilesculpture.com/makeyourownmobiles
..... http://www.enchantedlearning.com/crafts/mobiles
http://www.uniqueprojects.com/projects/mobile/mobile.htm
.... http://zeal.com/category/preview.jhtml?cid=10091399
http://www.creativity-portal.com/howto/artscrafts/mobile.html
...http://www.seasonsnaturaltoys.com/childs_room/play_room.htm
(floating fairies+)
...mobiles of various kinds & Calder
http://www.writedesignonline.com/history-culture/mobiles/overview.htm
making your own napkin ring holders... I had a metal one that I covered with gold clay... it slipped right off after baking ...then I applied roses to it. ....It was pretty durable and looked nice
(greatly
enlarged and disgusting things)... Once he and I made some pinworms
from clay for a "joke" presentation to a research doc. The doc loved them
so much they hang right next to his Nobel Prize!!! syndee
.... There
are probably other people in the science field (including nurses,
researchers, etc.) who love various micro-organisms, parameciums, etc., and love
them for jewerly, pens, etc. ;D
....for info on a polymer clay maggot
or larva, see Halloween
Barb's lesson on
making a wooden bucket (& faux wood)
http://www.picturetrail.com/gallery/view?p=999&gid=607368&uid=129694
(for other items to make ....including Crafty Owl's 10-minute Teddy Bear, other bears ... look in Beginners-Kids > Sculpting or Other Ideas, etc.)
(for clocks, see Covering )
fishing lures
...Don Lokke makes various kinds of lures from polmer
clay (crankbaits, topwater lures, spoons, flies, "jigs")
.......he
sells several CD's with lessons (first one is basics on making lures, plus color
mixing & layering, texturing, making and using molds, making hollow forms...
others have more projects for specific types of lures and one is just on mixing
colors)
.......I have marketed my CD's on eBay for over 2 years
..$20 each ..http://stores.ebay.com/Artist-CDs-Direct
.......http://www.craftcds.com
... http://www.polymerlures.com (gone)
.......my
CD's are more detailed than the advertising and recommend the proper baking times
considering the thicknesses of each design. 15 minutes is plenty for some of the
small jigs or flies... crankbaits take more time and may take multiple sessions.
. Don Lokke
...Sculpey III may not be suitable
for thin or projecting or thin parts of lures though because of it's brittleness
after baking (FimoSoft could be somewhat problematic too ...Premo, Kato, FimoClassic
or Cernit would be better).
...the people I know who made polymer clay lures
had flyfishing husbands who tie their own lures....they had some very good results
with Sculpey SuperFlex clay (now called Bake and Bend) which is basically
Sculpey with more of the flexible Elasticlay (now called MoldMaker)
added, the plasticiser. The clay stays very rubbery/bendy after baking, makes
things look livingbait-ier on the hook... Sarajane
(see
just below in Animals for more on making fish and bugs-insects)
animals
see many
more animals especially in Websites and in Covering Sculpted Forms,
both below
....also in Kids, in Sculpting
Bodies, and in Christmas
When
I first started sculpting animals, I tried so hard to make the face look exact
and realistic, and end up frustrated. ...I had a wonderful instructor
whotold me that sometimes only the suggestion of a feature was needed
for a face (meaning that instead of trying to make a whole perfect end of a nose
with a mouth, I may just need a tiny dot of black on the end of the nose)
...my
work is sort of "raw and primitive" it is not the life-like sculpting that
some pc artists do.
...another more thing that I do that helps....if I am trying
to make a dog and it turns out to look like a horse or something else,
I usually just go with the flow and say "the clay wanted to be a horse" and I
finish the horse . lol. Leslie
a cat head is a big ball, and his
nose is a little ball (only squished on the back a little). ...two triangles for
ears
......whereas most dogs (long nose breeds) are a ball with a long
box for a nose....simplification sometimes can be a good thing. Dot
...in sculpting
cats, the head is wider than a dogs, and I think that a cats eyes
are set lower and at a moreslanted angle than a dog as well. Leslie
realistic: ...When you see a cat's face in your mind's eye, it will resemble a rounded equilateral triangle, with the jaws more rounded than the nose --essentially a teardrop.... The eyes lie on a line about halfway between the tip of the nose and the crown of the head....the distance between the eyes is a whisker less than the distance between the eyes and the nose, so that the eyes and nose form another equilateral triangle half the size of the larger one that forms the cat's head.... The eyes are slightly larger than the nose.... Oval whisker patches frame and define the muzzle, and with some breeds of cat, these are more rounded than oval. Katherine Dewey
I went and felt the faces of my cat and dog......that cat was pretty puzzled, but I did learn a lot about touch that I just took for granted before, it was a neat experience (my dog on the other hand,well, I think that she wants me to rub her face again-LOL!!! ...(my cat is a regular tom, and my dog is a great pyrenese) ....the cat's eyes aren't so much slanted as they are more frontal, and the forehead is less prominent than the dogs'. There is less forehead on the cat too before the top of the head is reached. ...the face is wider around eye level than the dogs' and more pointed, like a heart, than the dogs' at the chin area. ...At a side view, the cats' face is roughly oval and the cheekbones are more prominent, as well.....The muzzle on Boomer is more like little cheeks set together under the nose area like little circles. Steph
dogs... depending on the breed, start with a head circle ball
of tinfoil or clay, triangles for ears -shape as desired, and use rectangle for
snout. ...put all shapes together, if using foil tape them as you go, then cover
with clay or working in clay....cut in your details, pressing in eye sockets and
place balls for eyes, then add lids to cover them. ...carve the rectangle into
the jaw & jowls and push holes in for the nostrils.
cats... use the
same principles..except use two circlar balls of foil/clay for forming the muzzle
area and smaller triangle for the nose..press flat, push in holes for nostrils
......"Persian" cats have a really pronounced and somewhat flattened muzzle,
so you'd want to make the balls a little larger, than for normal cats....also
you can build the basic geometeric form, then add with thin flat scraps of clay
and layer them over the figure for the illusion of long hair ..then draw lines
on them to give a fur texture.
......for short haired cats, just add shorter
strokes of lines for a fur effect ..
ALL ANIMALS ...& HUMANS ... all
things of nature are proportionally equal in design:
....each arm/leg joint
(segment?) is equal to 1-head, for humans as well as for animals.
....the
length of the head is equal to the length of each part of the body. ....the neck,
shoulders, back, rump, as well as measurements from elbow to knee and knee to
fetlocks (horses only?), are all the same size as the head, and
when tyed together give the overall mass and height.. . Linda D.
Leslie
Blackford's many sculpted animals (or just heads) --birds, other
animals
http://moodywoods.deviantart.com/gallery
(look around)
Christi Friesen's short book
on making cats (house cats & kittens...+ lions, etc.
)
http://www.polkadotcreations.com/books/detail_cf04.html
(click on book for larger image)
Laura's
lesson on dog heads --lab type (mini, but could be any size)...one
is 3/4 view
http://tutorials.theclaystore.com/beads-buttons-and-jewelry/dog-earrings-in-polymer-clay
lesson
on using aluminum foil to make "sculpt" of dog (could
cover with clay as well) ... at FARP (Fantasy Art Resource Project)
http://elfwood.lysator.liu.se/farp/theart/brukfoil/brukfoil.html
(more
dogs and other animals, etc. in Kids
> Animals, as well as Websites below)
horses:
Katherine Dewey's booklet on sculpting realistic horse
heads called "Equestrian Busts"
http://www.elvenwork.com/workbook.html
http://sculptor.org/horses
http://www.sculptor.org/ForSale/EquineSculptorResources.htm
http://home.earthlink.net/~elainel/
http://members.aol.com/pioncertes/models.htm
Linda
D's lessons on realistic horse, and on embedding mohair for
mane and tail
http://www.pcpolyzine.com/2005winter/justask.html...
http://pg.photos.yahoo.com/ph/artfilly/my_photos
Linda Douglas' miniature
carousel horse as a Bottle of Hope
http://www.npcg.org/index.php?option=com_gallery2&Itemid=64&g2_itemId=1372
Dinko's funny
horse with rider in armor
http://new.dinkos.com
(about 2/3 of the way down the photos) ......old
http://dinkos.search.bg/gallery21.html
(gone)
Kraugomi's weird little
creature heads, created on the end of a bolt... most of bolt visible,
but nut screwed on bottom to make a stand under head
(...and one is a chicken? body, with bolt for legs and feet)
http://monsite.wanadoo.fr/kraugomi
...for more, click on http://monsite.wanadoo.fr/kraugomi/page4.html
very
realistic fish by Joshua
http://www.knuthart.com/joshua/Images/Rockfish.jpg
http://www.knuthart.com/joshua/Images/black_crappie.jpg
look for dragons and dinosaurs in Websites below... and also in Sculpting-Body > Scales or Wings
for
links to many other animals --realistic and whimsical
....cats, dogs, fish, bunnies/rabbits, pigs,
cows, elephants, horses, and more
do
a ctrl + f search
on this page for the animal you want
fancy bugs, beetles, other insects
Fayette's
bitty bugs ("bugs" with human faces) & mini-scenes
http://www.pbase.com/fayette/bitty_and_little_bug_beings_
http://www.picturetrail.com/gallery/view?p=999&gid=778632&uid=492837
Becky
Meverden's lesson on making a ladybug figure (to hang off a flower
pot)...more ladybugs in Kids?)
http://www.hgtv.com/hgtv/crafting/article/0,,HGTV_3352_1399647,00.html
cane-slices
bugs .... built with symmetrical (mirrored)
layers (usually but not necessarily sets of cane slices),
over simple polymer bases (an oval ball)...(or you could make other
items this way)
...The bugs look more complicated to make than they are...
it's because they have a lot of parts & layers. But if you look
at the "parts" you'll see they're ....lesson on making bugs with layers:
http://www.amaco.com/pdfs/Lesson10.pdf
(need Acrobat Reader)
.....can add legs** to the base before adding
layers (this lesson lays 3 long wires, etc., across top of body --like an X, with
a 3rd horizontal cross-piece equalling 6 projecting legs..do not bend
until after baking)...make 3 small balls of diff. colored clay: flatten
one into an oval and place on top of body, over wires, covering base completely
or not... impress a line on this layer to divide body into lengthwise halves;
add 2nd color as head to end of body; add 3rd color as "thorax"**
(see beetle anatomy below)
.....can add legs to the base before adding
layers (lay 3 long wires, etc., across top of body --like an X, with a 3rd horizontal
cross-piece equalling 6 projecting legs..do not bend until
after baking)...make 3 small balls of diff. colored clay: flatten one into an
oval and place on top of body, over wires, covering base completely or not...
impress a line on this layer to divide body into lengthwise halves; add 2nd color
as head to end of body; add 3rd color as "thorax"
...use thickish
wires for the legs, or twist two together (or attach 2 together with liquid
clay?)
...Joanie's swap showing MANY cane slice bugs!!
http://www.pbase.com/joanie/image/22459731
(group) ....http://www.pbase.com/joanie/bugz
(individual, closeups)
.....many bugs from 2003 swap (Kathy G's &
those she received)
http://albums.photo.epson.com/j/AlbumList?u=4153008
(2 albums... click on Show All)
......I do one of two things with my bug
bodies....
1. I use the cane scraps so I have lots of nice colors...
I make a Natasha bead from them so the bottom of my bug has a mirror
image design on it.
2. OR I form the body with scrap & then cover
it with a very thin (#5) sheet of black clay....then the
bottom isn't an issue at all
...after forming the body, use slices of
cane to form the (various sets of ?) wings. ...starting at the
back of the body and overlapping slices till you come to the
head. . . .
.......and some have wire legs (added at end?)... most
have some sort of antennae.
....(you don't HAVE to use cane slices
if you'd rather use sheets or bits of mokume gane, skinner blends,
powders, textures, or inclusions to achieve that same layered
look.) Joanie
...Instead of cane slices you could also use
sheets or bits of powders, textures, inclusions,mokume
gane, skinner blends, etc. to achieve that same layered look. Joanie
...My friends and I spent one day just making simple canes... then added checkerboard
edges to old canes to dress them up. Joanie
...some are just wierd
bugs!!!!! I made a jester bug, and now a transparent pastel
one ..don't know where these are coming from..yikes! Jenny
...can use for
pins or embellishments too ..kids can make up a story for their imaginary bug
... could use a cabochon mold for the body base too (would be flat on bottom..
could shape further)
**beetle
anatomy: the thorax is middle region
of the body of an insect (between the head and the abdomen) and is the only region
from which the legs and wings grow; it's actually composed of three sections,
but only the dorsal plate (the pronotum) of the first section (prothorax) is visible
from the top of the insect, and it lays across both "shoulders" behind
the head (an underneath view would show the much longer entire thorax)
...
each thorax segment has one pair of legs, and the back two segments each
have one pair of wings (the thorax may be very large compared to the rest
of the body to allow for strong wing muscles)
...wings: beetles
are different from other insects in that the front wings lack veins and nearly
always meet in a straight line down the middle of the back ...these "wings"
are not used for flight though ...they protect the real wings and spread out of
the way during flight.
...legs: insects always have exactly 6 legs
(spiders have 8 & they're attached differently)
...the head holds
the antennae and eyes ...the abdomen is the segmented section behind the
back legs
(photos --loads of beetles !) http://www.living-jewels.com/photo.htm
(click
on Coleotteri for beetle types) http://www.thais.it/entomologia/default.htm
drawings
& photos of many bugs (plus butterflies,
spiders, dragonflies, crabs, etc.) http://www.insectcompany.com/main/photogallery.shtml
* Fayette's fabulous 1 1/2" to
2" bugs & flies (cane pieces and wire)
http://www.pbase.com/fayette/current_big_bugs
Joyce Fritz' bugs have tiny twisted ropes for legs ...&
various kinds of seed beads for antennae http://www.handscapesgallery.com/jewelry/joyce_fritz.htm
& http://www.villagegalleries.com/fritz.html
Fayette's smaller fantasy bugs
http://www.pbase.com/fayette/galleries
(click on all 3 pages)
Karen K's fantastic caned bugs
http://www.kkozakdesign.com/samples-m.htm
and Julia S's cane components bugs, based on Karyn Kozak
class (gone?)
http://home.insightbb.com/~mgrasso01/julia/threebugs.jpg
and http://home.insightbb.com/~mgrasso01/julia/mediumbug.jpg
Adria's
simpler-shape realistic bugs ...with two long wings (often with two-tone
stripes), plus thorax, head
http://img.photobucket.com/albums/v521/AdriaFilion
*Wanda's fantastic dragonflies
& bugs using cane pieces (website gone)
Suzanne's
large bush/tree with a bug on each large leaf (gone?)
http://www.picturetrail.com/gallery/view?p=999&gid=1043624&uid=149408
Alan's metallic powdered, bugs/beetles
...I start with a brass wire (to double as a stickpin) and fix antennae
around that. Then form a body around the wire.The fun comes with texturing (dental
tools) and colouring (pearl-ex or F. pulvers).No two are alike.
http://groups.msn.com/AlanJamesV/polyclayjewellery.msnw
..Alan's dragonflies & butterflies http://groups.msn.com/AlanJamesV/wingwork.msnw
real dragonflies
http://www.dragonflies.org/catalog.htm
Varda's scarabs necklace and scarab swap http://community.webshots.com/album/5633878VQRmhdpZjP
scarab swap at PCC http://www.polymerclaycentral.com/swap_scarab.html
Matilda's dragonfly
with Pearl Ex powders and stamped mica tile wings
(website
gone)
many
bugs, caterpillars, spiders, dragonflies (made for wreath)...esp. 2nd
caterpillar made from segments of twisted/squashed ropes, spider body
with Natasha technique, light blue bug (prob. mica clay Damascus Ladder
tech), and bee/butterfly made with thick cane slices or other thick cut
outs,etc.
(for more bugs, etc., see Kids)
Adria's
spiders made with one smaller + one larger polymer beads for
bodies (on eye pin), and bead legs
http://img.photobucket.com/albums/v521/AdriaFilion
(page 2 also)
.......more BUGS & other ANIMALS in Kids > Sculpting
chess pieces & sets
chess
swap. Let me tell you, this is the most eclectic
chess set i have ever seen. There are marvelously ornate dark kings and queens
both replete in black and gold. Light kings and queens that are fanciful renditions
(one looks like ivory, the other is dressed in silver). The knights are not just
horses, but unicorns, standing stones, and stylised knights in shining armour.
The bishops include a real bishop (with mitred hat) and a wood , also two stylised.
The rooks are all representations of castles beautifully embellished. And the
pawns... Some are stylised shapes that use every clay technique. There are caned
people, clowns and soldiers, flowers and even a slug and a turtle !!!
PCC's chess pieces swap
http://www.polymerclaycentral.com/pcc/chessswap.html
Marie’s chess pieces http://www.clayfactory.com/images/gallery/chess1.jpg
(can't find at new site)
*Dinko' s hilarious wild-characters chess
set
http://www0.delphi.com/polymerclay/dinko1.html
(gone)
*Garie's many whimsical sculptures
& chess set (film spool)
http://www.garieinternational.com.sg/clay/index.html
Varda's chess (larger) pieces and board (all made with mica
metallic clay)
http://community.webshots.com/album/5633878VQRmhdpZjP
kids make "their family" chess pieces
http://family2.go.com/features/family_2000_02/famf/famf0200bestcrafts/
(then click on Family Chess Set)
Magestic’s various chess sets (not
necessarily polymer)
http://www.majestic-n.com/majestic/medchesset.html
(pages 10-19 of the "catalog") for chess pieces cutters
http://www.sweetc.com
.......for
more chess sets and figures, see Kids
> Games
Katherine
Dewey's booklet on sculpting horse heads, "Equestrian Busts"
http://www.elvenwork.com/workbook.html
Puppets
Leslie’s
marottes (jesters’ heads on sticks) (website gone)
my fingerpuppets http://s96.photobucket.com/albums/l163/DianeBB/sculpts_more
And from Nora-Jean:
http://www.puppet.org
... http://www.puppeteers.org/ ... http://www.sagecraft.com/puppetry/
... http://www.puppetbuilder.com/
From Dotty CA
http://www.poapuppetrystore.com/
... http://www.puppetryarts.org/
http://www.puppetrypastimes.com/puppets.htm
http://familycrafts.about.com/parenting/familycrafts/cs/puppets/index.htm?ia
m=dpile&terms=%2Bpuppetry http://familycrafts.about.com/parenting/familycrafts/cs/puppets/index.htm?ia
m=dpile&terms=%2Bpuppetry
For those who want to know about making
puppets, here are some links that will help you find your way (lessons?).
http://members.tripod.com/~manngallery/becker.html
This Mann Gallery in Boston has a good FAQ (frequently asked questions) and a
glossary of Polymer Clay terms. It's a little old so it doesn't have the new Soft
Fimo, nor does is mention Premo. This page is of Don Becker, one of the
artist who is represented by Mann Gallery and he's doing puppets.
There are many types of puppets.
Finger puppets... finger Clay
Dolls. This is a puppet that can fit on a finger and is a fitting start for miniaturists.
Hand puppets...like the sock puppet, where the hand is inside of a
soft body and operates the mouth.
Rod puppet..... started out as a
court jester's stick, a head on a stick with bells to shake about and make merry.
Rod puppet with more rods. Ok you can have a rod puppet and then the arms and
hands are manipulated on sticks from below. Rod and string...a rod puppet but
the arms are manipulated with strings from above. This is the forebear of the
Marionette.
Marionette...the classic puppet that the hands and feet
and knees are manipulated by strings from above, the strings are attached to a
series of bars so the twisting of the wrist of the artist can control stuff like
walking and waving the arms.
Shadow puppets...These flat puppets are
made to be behind a screen and a light shines behind them, casting shadows on
the screen. Many battles have been fought in India and other eastern lands this
way for the amazement of the villagers.
Body puppets...where large
puppets are lowered over a person and they walk about at Marti gras and again,
make merry. So from being as small as fitting over the finger or as large as to
cover a grown up human, puppets comes in all sizes. And are used for all sorts
of purposes. I've seen sites where the puppets are used to share the word of the
Christians and for activists to protest racism. From the innocent to the profane
puppets offer an alter ego for the artist to say things that wouldn't have the
same impact if it was just a wild eyed rant on top of a soap box.
ventriloquists'
"dummies"? sit on something and mouth/head/eyes manipulated
I found out that there are universities where you can get a degree in puppetry.
I found some pretty severe activists who use puppets as a means of enlightening
the masses on issues of importance. All the way to Ms Piggie and Kermit on
the Jim Hensen puppet website. What I didn't find yet is a forum where the sharing
of the information is as free as we are here. You can buy into the organizations,
go to the schools and pay tuition, or any number of "it's going to cost you" sort
of arrangements. But a forum where the free sharing of information seems to be
pretty slim.
Penny for you thoughts site has some fab puppets!
http://www.mich.com/~tileman/penny2.html Donna
DHM (Doll House Miniatures?),
the March 2000 issue page 56 has an article on Poly-clay marionettes by Sue
Heaser lenora
I have 6 cigar boxes that I have plans on covering on the
outside with clay and doing the inside like a scene. Then I thought, hey...what
about a miniature marionette inside of the box. Stand the box on its side
and you can have the lid/door open or not, inside will be the puppet, if you have
a string coming out of a hole at the top you could pull it and make it jump. Nora-Jean
hand puppets with polymer or paperclay
heads
http://www.handcraftedfantastictoys.com/view_puppets.html
lots
of info on various puppets (and links to others)
http://www.hgtv.com/hgtv/cr_artists/article/0,1789,HGTV_3228_2331121,00.html
(foam puppet)
http://www.pbcreations.com/explore/puppets.htm
http://www.puppetbuilder.com/index2.html
puppets
and puppet theatre, esp. for kids . . . not nec. polymer
http://diynet.com/DIY/projectIndexDetail/0,2041,DIYC_238,FF.html
COVERING SCULPTED FORMS with clay
You
can cover baked, solid-clay shapes
("forms") that you've created yourself
...... or you can
make the forms hollow, then cover wth clay
....use liquid clay, white
glue, or super glues, or other methods to adhere the clay to those surfaces
well if necessary
POLYMER CLAY forms
Any
brand of polymer clay works for covering with other clay.
........ polymer
clays are good compared to air-dry clays since they don't shrink, take detail
well, etc.
...Several Sculpey clays are somewhat
cheaper by weight though, and can make good armatures and forms because
they have a very hard surface after baking, but it may be
good to add a layer of stronger clay (or slices, etc.) over some of those clays
for more strength...(the hard surface also also makes most of the Sculpeys brittle,
but using the stronger clay on top should alleviate that)
SculpeySculpey
Firm (gray)....extra firm, opaque gray .....shatter and chip resistant after
baking ......good for sculpting fine details
Sculpey Ultralight ...
creates a lighter-weight form than other polymer clays
... if thick, very
hard after baking; "won’t crack or break even in larger pieces" (do they
mean during baking? or after baking??)
.......if thin, is flexible after baking
(but is also strong when thin like the stronger brands of polymer clay?)
...when
raw, Ultralight is very soft; feels a little like firm foam when conditioning
(too soft for creating some details??...& how well does it "smudge" for sculpting?)
....can fairly easily stick to hands, work surface, tools
...bonds well with
added raw layers of clay (but let sit together awhile before baking for best bonding)
SuperSculpey
(flesh-colored)... bake at a slightly higher temp, just under 300 degrees...
will darken, but it also
makes the clay stronger than it would
have been. Katherine Dewey (so
especially good if you will be covering the SS, or painting it)
Sculpey
(original, bulk, white or terracotta)... most brittle of all the clays after baking,
and the softest before baking, but the resulting surface will be hard
(...like SuperSculpey, baking longer and/or at a higher temp will make it somewhat
stronger, but Sculpey will turn puplish)
Or cover raw
clay shapes instead
...in some cases, this could change the
shape a bit so keep putting in frig or letting rest, even overnight, to help avoid
distortion
also see Beads > Covering a Clay Base
OTHER-CLAYS
paper-based
"clays" can be good, but because they air dry they can shrink,
and some types won't do very detailed sculpting.
...Creative Paperclay
(white) for example, has been popular for using as a form under polymer clay,
and Makins (colored) is good but more expensive
...paper pulp would
probably work ... could add a bit of white glue to the wet pulp or acrylic finish-medium
...less
expensive paper-based clays (Celluclay, etc.), would be fine but they often
have rougher finished textures (
...traditional papier mache works too
(more
info on these clays in Covering > Paper-Based
and
grain-based clays may work too
...cornstarch based clays like
"cold porcelain"
...even salt dough clay
(these
must all be thoroughly dry before using with clay)
EPOXY CLAYS
...synthetic
epoxy type clays like Apoxie Sculpt and Fixit have some advantages
(don't shrink at all, and can even be mixed with polymer clays)
...epoxy clays
like Magic Sculpt, Aves Epoxy Sculpt, Milliput, etc, also work
(more
info on those clays and how to use them, see above in Epoxy and Other Putties)
OTHER
MATERIALS
...tightly packed aluminum foil (details for
form could also be given with an outer layer of clay, then baked, before adding
final outer layer)
...fine wire mesh
(for more info
on both, see Armatures-Permanent)
... polystyrene can be sculpted, especially the
thicker extruded kind used for sheets of insulation, etc.... can also stack
sheets together with glue, then carve/sculpt with various tools (for more info,
see Covering > Polystyrene Foams > esp.
Cutting, Shaping)
...dissolvable and/or removable forms
can be created with various materials (see Armatures-Temporary)
or
purchase:
...pre-made forms
made from paper mache, wood, glass, ceramic, some plastics, etc....
see Covering and Vessels
.... for wood beads, etc., also see Beads
> Covering a Base
overlapped
slices and bits on bases to make creatures, etc.
http://www.doreengay-kassel.com/index.asp
(direct to more examples)
Christine
Taylor makes very realistic animal sculpts
...she first creates a drawing
of the shape she wants to create on a sheet of paper ... then cuts it out and
uses the hole left in the paper as a guide for the a polystyrene foam she
carves--with files,etc (by continually trying to pass it through the shaped hole)
(NOTE that extruded ps foam is better for sculpting than regular expanded white
ps foam (see Covering >#6 Polystyrene >
Cutting, Shaping)
... when satisfied, she covers the form with a layer
of Sculpt-A-Mold and Creative Paperclay rather than polymer clay
(which will be the base for the hollow form) ....after drying, she makes registration
marks, cuts the form open and removes the foam (she didn't know it was safe
to bake the Styrofoam and leave inside) ...she reseals the form and finishes
drying it completely in the oven
. .she then covers the form with polymer
clay ...bakes the piece a long time... sands.... finishes with Varathane (...
she sands small or awkward parts before adding them)
covering forms with cane slices
cane
slices can also be used to "cover" forms
... forms
made of baked clay (solid or hollow)
...or forms made from other
materials and items like glass ball ornaments, egg shells, cardboard boxes,
3-D papier mache shapes, etc., etc.
I
sculpt first (a cat, in this case)... then cover it with paper thin
cane slices (so the canes will be less distorted)
....I use one piece
of clay. . .don't add heads or arms. . .sculpt them out of the mass. Dawn
http://mywebpage.netscape.com/dn537/images/purple%20cat.jpg
Jon
Anderson's covering a snake, lizard, turtle, etc.
http://www.fimocreations.com
... http://shop.store.yahoo.com/robertshieldsdesign/polymerclay.html
http://www.swdecor.com/jon-anderson-snake.htm
Omodtart's
cane slice-covered animals (dolphins, frogs, fish teapot) http://www.omodtart.com/sculptures/index.html
(gone)
Mike
Buesseler’s snakes (Jewelry Crafts & my class) --lesson
http://www.polymerclaycentral.com/mikeb/OldOddStf.html
--form a long rope of scrap clay into a triangle log, which is fatter
in the middle and thinner toward each end (his snake was around 12" long?)
--make a cane of your choice (his was ~1" square)—you could use a Skinner
Blend instead
--cut slices and butt together in 3-4? long rows on table (on
waxed paper?); reduce (lengthen) the cane (thinner) before slicing as you approach
the slices for the ends of the snake--to taper the snake shape
--add a lighter-color
strip on each long side (will eventually cover tummy and a little will show on
each side of snake = 1/5 + 1/5 on each side);
--put a flat side of the triangular
scrap log-body onto the slices, and pull the rest up around it; remove excess
plain stripe area, and roll to smooth the seam.
--form head in a thick triangle
shape
--for eye: press white clay into the hole of a large glass seed bead;
turn sideways and will look like a vertical slit of white; press eye onto
the each side of the head.
--shape snake body (in multiple curves,
or whatever) and prop the head up on a small block or wood, etc., while baking
for most realism
(--if you need to reshape snake to make it all lay flat on
the bottom after baking, put hot water on it, then weight while baking and cooling
again)
SETTINGS for sculpts--Bases, Scenes... etc.
Sculpts can stand alone or they can be placed in a little bit of a scene (standing, sitting, lounging); this can vary from simply sitting on a stump to a much more elaborate setting (doing this can give much more info about the sculpt and make it more interesting). Even small bases can act in this way. (Making an entire enviroment would probably be called a diorama.)
I found some fantastic bases in a lamp outlet store. Marble, wood, brass and plaster, etc. I found seconds for $1.00 - $3.00. They do have a hole in the middle, but I figured whatever I wanted to set on it would hide the hole. Roberta
Here
are a few links I've pulled from the general website listings below to show some
setting possibilities:
--many more of the websites on this whole
page (besides the following ones) will have scenes as well
sunni's lesson
on making a flat base with a texture sheet, an embellished sheet, and stops
http://sunnisan.com/crafts/stainglass4.html
polymerclayfan's lesson on making a "rocky" clay scene
(upright corals, with rock areas textured by wadded aluminum foil) on a wood
plaque base to add his sculpture to (sculpture has armature wire sticking
out bottom) --don't cover a non-acrylic varnish with polymer clay
http://www.polymerclayfan.com/seascape-tutorial.htm
Cathi's
open "book" sitting upright on a wood plaque ...with matching
scene, figures, parts of story, in front of pages (on plaque).... (for
kids or anyone)
http://www.picturetrail.com/gallery/view?p=999&gid=1464706&uid=820896
Cathi's
small aquariums with fish and plants, her adobe oven baking bread,
etc.
http://www.picturetrail.com/gallery/view?p=6&uid=820896&
(look around for bookend scenes too)
Karen
Rhodes' dinosaur sitting on a rock and reading a book ("rock"
is a clay covered wooden bowl but could use a real rock, or cover
one, or make faux rock)
http://www.clayalley.com/turnings.htm
(dino only; others may be added
to pbase soon)
*Elayne Watrus'
many figures, animals, scenes on bases
http://tinyurl.com/4yoju
(many sites with her work) ...... http://www.aspinningwheel.com/Little-Street/little-street.htm
(may take a while to load?)
http://www.fishmangifts.com/littlestreetcatalog.html
Vanessa's
many scenes with bases and accessories
http://members.aol.com/fimoinvasion/Gallery.html
(click on all 3 galleries)
Gwen's
Humpty Dumpty, covered wood blocks for wall/bases (website
gone)
bunnie,
jackrabbit and reindeer in small scenes (website
gone)
*Pearl's
many figures in scenes (website gone)
Marlene's
elf body asleep in shoe (notice collar too) (website
gone)
Joan's figures
standing or sitting on wood bases next to votive candle holder,
etc.
http://www.cox-internet.com/spirit/elves.html#
Katherine
Dewey's archives of realistic & fantasy sculpts in scenes
(figures, nature, etc.)
http://www.elvenwork.com/archive/archive1.html
Marilyn
Radzat's realistic fantasy figures, many on interesting detailed
bases
http://www.marilynradzat.com/galleryVI.html
(click around to all galleries)
Catherine L's
Noah? and various adorable animals (lion, hippo, frog, bird, sheep, pig,
giraffe)
http://www.polymerclaycentral.com/chall_may99a.html
Helene Grove's simple figures in simple scene set-up
http://members.spree.com/sip/sunnidaze/me/africans.html
(click on Helene's swap photo)
*Vanessa's
Pigmalion and Bearon figures and scenes (click on both in left column)
http://members.aol.com/_ht_a/vlui255808/FimoInvasion.html
Celidonia's many little base-type scenes with
mixed media (some with themes) for tiny creatures, etc.
http://www.celidonia.it/English/gallery.htm
(look all around)
Fayette's
many mini-scenes (in/around flowers/leaves & themed,
etc.) for her bitty bugs
http://www.pbase.com/fayette/bitty_and_little_bug_beings_
http://www.picturetrail.com/gallery/view?p=999&gid=778632&uid=492837
Kevin
Buntin's wonderful scene of many woodland creatures (hedge boggles) at
a banquet (with
lots of natural materials, mixing medial)
http://www.kevinbuntin.com/hedge_podge.html
and simpler scenes http://www.kevinbuntin.com/hedgegallery.html
....more
of Kevin's scenes-bases http://www.kevinbuntin.com/miscmischiefgallery.html
Bernie's bookends
with little scenes
http://www.picturetrail.com/gallery/view?p=999&gid=1972493&uid=1050390
Sue
Heaser's flat? teapots ...on cover of her book
http://images.amazon.com/images/P/1581801394.01.LZZZZZZZ.jpg
Margie's penguins,
igloos, simple scenes/bases (website gone)
Helene's simple people & snow scene with igloo (website
gone)
Wayne's
4 hrs of video on making bases for sculptures (stumps, vines,
plants, moss, rocks, water, skulls, lizzards, snakes and insects)
Tom
Plattenburger's polymer display stand for glass encased dragonfly
http://polymerclaycentral.com/mikeb/TomFly.html
Julianne's
3-D dragon head sculpt protrudes from a wall "frame" of rocks
and moss as a sort of base
http://www.mysticalis.com/galleryall/dragons/dragonotw1/index.html
a
"display window" for a scene or item can be created in any
glass vessel or ball ornament by covering all but one area,
which is left blank so that items inside can be shown
Kara mostly covered
a jar, leaving only an empty area of glass on one side to use as a display
window for her sleeping baby
http://www.kasa.pwp.blueyonder.co.uk//57.jpg
Lorie's
fabulous "hats" with figures, scenes on them... (for Australian
event)
http://www.sculpturefromtheheart.com/_borders/cup_hat_2.jpg
... http://www.sculpturefromtheheart.com/melbourne_cup_hat.htm
(2001
hat) http://www.sculpturefromtheheart.com/2001_melbourne_cup_hat.htm
( hover cursor over lower right ocrner of enlarged photo for more enlargement)
many scenes as part of a "shoe"
http://www.polymercafe.com/feat_of_clay/feat_of_clay.html
Debbie Jackson
's tiny hut under a tree with flowers/leaves
as part of a "shoe"
http://www.polymercafe.com/feat_of_clay/jackson.html
more
on making little scenes of all kinds here at GlassAttic:
Kids-Beginners
> Scenes & Dioramas
Houses-Structures
, for houses, castles, "ground," stone-brick,
scenery, furniture, etc.
Miniatures for plants,
food, other items & scenes
Halloween
> Scenes, Dioramas, Houses
Christmas
> Sculpting
I
once attached a figure to a base when it wouldn't stand up on its
own after coming out of the oven . . . just a simple thick oval clay
sheet, with a few rolled roses and leaves near the feet...DB
...when
they decide to tumble on me, I can either sand the bottom, or even them
off with more clay and rebake. anniep
Julianne's
bases and settings of various kinds for sculpted figures (stained,
sealed wood, and various others)
http://www.mysticalis.com/gallery.htm
(look all around)
For weight at the base of a sculpture, I find that
washers epoxied together with quick set epoxy works well for me. They are
inexpensive, can be bought in several sizes and come in uniform sizes. I've found
the best source to be Tractor Supply Company (TSC) or a hardware or lumber yard
store. Tried Home Depot but theirs were more expensive. I like to buy them by
the pound rather than by "each".
Once I've glued them together, I cover
them with a layer of scrap clay. Then bake and after cooling cover
with the final layer.
For ease of attaching a sculpture to the
base, as suggested, provide either thin brass rod or stiff wire sticking out
of the base. This wire can then receive your hammered foil and/or wire armature.
I would most likely cover this armature with a thin layer of scrap clay and bake
it, then add the final layer. Multiple baking will help prevent having to bake
a very thick piece which might cause the cracking. Also, because this would then
most likely be over 1/4" thick in its final baking, I would then bake for an hour.
Patty B.
using any size of ceramic tile, add polymer or wood beads,
corks, or drawer pulls (crystal, brass, etc.)to the bottom side
for feet. Lindaa ... could use polymer around edge too as plant or any
kinds of stand or display base, etc.
... or stamp on
smooth tiles with fabrico ink --bake 15 minutes ...the ink where
you stamped doesn't come off--it is baked on. vbfll (could put polymer around
edge as framing)
Another good use of medical 'mole skin' is on the bottom of figurines or anything with a rough bottom. I like it better than the felt pieces. Cheaper too. Lysle
Garie's glass "display
globe" baby food jar (over Pokemon
and Astro figures)
http://www.garieinternational.com.sg/clay/kid%27s_globe/zt_pikachu.htm
MORE CLEAR DISPLAY UNITS (see
Kids > Scenes & Dioramas for details)
(inside or under:)
jar or large glass "pot", huge brandy snifter fish
bowl or reg. fish bowl, glass ball ornament, aquariums, terrariums
(for sculpting stands, support and baking stands, see Sculpting-Body > Tools > Support Stands)
Bas
RELIEF Sculpting
& "sculpted"
clay paintings
To sculpt "in relief"
means to place shallow sculptured bits onto a background to create a picture or
design... the result is not three-dimensional like most sculpture (it's
as if the backs of the sculpted bits had been eliminated before adding them to
the background)
....high relief means the added parts
stick out quite a bit from the surface
....bas (pronounced "bah")
relief (or low relief) means the added parts stick out only a little from
the suface
......(think of the face on a coin as very low relief, as
opposed to the very high relief of the faces of 4 presidents at Mt. Rushmore).
Bas
Relief in Polymer Clay, by Katherine Dewey ...(low relief scultping)--5
full-page illustrated handout -- $5. 50 ($2.75 when ordered with 1st book)
("how to create a design; transfer the pattern onto thin sheets of clay with
a razor knife; apply simple clay shapes to add depth; blend and model using gentle
pressure...Inspired by topographic maps, adapted from fresco transfer") .
. . + another workbook on bas relief for smaller items like cameos, etc.,
at the same site:
http://www.elvenwork.com/workbook.html
http://pcpolyzine.com/0301january/kdeweyfaeryeg.jpg
Katherine Dewey's all-white clay bas reliefs ( like cameos)
http://www.elvenwork.com/archive/archive1.html
Chris Glasscock made beautiful, thin bas relief
scenes on glass (snow & deer winter scene, barn scene) ... baked
on glass, then put in frame
http://www.hgtv.com/hgtv/crafting/article/0,1789,HGTV_3352_2013966,00.html
Lorie
O's beautiful branches, leaves, women, etc. in bas relief on glass wine goblets
& stemware
http://www.sculpturefromtheheart.com/polymer_clay.htm
Christi
Friesen's bas relief scenes on the outside of her vessels (jungle,
ocean, etc)
http://store.cforiginals.net/vessels.html
Garie
has his students draw an image on paper, then re-create the
drawn image in bas relief with clay (or in 3-D)
...for creating bas
relief, the image could be placed under glass as a guide
for duplicating the image, and the clay modeled on top of it... then
baked on the glass)
http://www.garieinternational.com.sg/clay/creating_ideas.htm
.....
many wonderful scenes done in bas relief, or in
high relief, and some full 3-D
http://www.garieinternational.com.sg/clay/creativity/mosaic.htm
(click on each one to see many more)
... see more in
Paint > Polymer Paintings > Relief & Onlay
& Puzzle Piece
Tony's students' bas relief
paintings made over prints from magazines or famous paintings...
they use a sheet of plexiglas with a sheet of plastic wrap on top
of it, then carefully remove plastic wrap and place painting on cookie sheet
for baking (30 min.)...they work only with a wooden skewer and fingers...
http://www.hgtv.com/hgtv/cr_clay/article/0,1789,HGTV_3236_2755049,00.html
...
I have used greeting cards, covered with plastic wrap, and made pins.
Sharon K.
... could use your own photographs as images guides as well
...could use the polymer paste method to do this too (see Paints
> Polymer Paintings > Thinned)
Karen P's example and lesson
re aluminum foil armature being used under a part of a bas relief
(to save clay and make it lighterweight), then covered with a sheet
of clay
. . she also shows how to use molds to make the head,
face and feet (she cuts the backs of these flat for bas relief)
http://www.sculpey.com/Projects/projects_HolidaySantaPlate.htm
Karen
P's lesson on making a bas relief leaves & flowers plaque,
and painting in the stamped letters
http://www.sculpey.com/Projects/projects_GardenWelcome.htm
bas relief figures but without background area ..arms, legs, head, hat,
etc., overlapped or onlaid on each other . . .reindeer, penguin,
snowman, Santa, etc. . . in Creating Christmas Ornaments from Polymer Clay,
by Bridget Albano . . .
http://www.amazon.com/exec/obidos/ASIN/0887408508/qid%3D1057066535/sr%3D11-1/ref%3Dsr%5F11%5F1/002-9177801-4172043
(then click on "Look Inside this Book" ...and especially the two
black pages)
...Maureen's lesson
on (high-relief) angel ornament with wings and dangling feet under skit,
using her pattern shapes --manipulated-- & head and wings mold
http://www.weefolk.com/12_1996.htm
Byrd’s
very low relief "paintings" ... all clay
http://www.3wave.com/chhome/cha/claypics.html
sunni's
realistic relief "paintings" (leached Premo; regular clay
smeared thinly with nutpick for shading; hints & instructions from Katherine
Dewey's workbook)
http://sunnisan.com/claypainting.html
Christy's lesson on "carving"
a bas relief in raw clay, baking, then making a silicone mold
from it for duplicates
http://www.povn.com/rock/gpCDemo.html
Christy's bas reliefs ...some antiqued,
or made with lightly tinted clays pressed in mold, as if lightly painted
http://www.povn.com/rock/gpCarved.html
Lisa P's lesson on covering the top of the lid of
a cardboard photo storage box (using epoxy for baked "flower"
frames for photos, and
tacky glue for raw clay embellishments)
http://www.hgtv.com/hgtv/crafting/article/0,1789,HGTV_3352_1399654,00.html
Lisa's completely covered photo box, embellished with bas relief
underwater scene & Noah's Ark
http://heartinhandstudio.com/news1.htm
*Valerie's
high relief plaques of scenes (outdoor and figures/structures)
http://www.vaharoni.com/wp-content/plugins/fgallery/fim_photos.php?album=paintings
or http://www.falczx.com (click
on Paintings)
Mary Lamoray's sealife,
landscapes, and animals with backgrounds,
etc. ...... bas relief to very high relief
http://tinyurl.com/5u7a5
Kathy
Davis' realistic topographical map of ocean and islands (geography project?)
http://www.picturetrail.com/gallery/view?p=999&gid=1180023&uid=487483
Lesley's low
relief (background) and very high relief (or freestanding)
pieces (figure & bottles) ...scene in a shadow box frame
http://albums.photo.epson.com/j/ViewPhoto?u=4153008&a=31266991&p=68348809&f=0
component shapes (ropes, balls,etc.)
can be bundled together and onlaid, to create a high relief item
(an embellishment, a figure,
even a bead)
....cforiginals also uses pearls, glass, metal, etc. (mostly
beadlike) on many diff., wonderful kinds of pieces
http://store.cforiginals.net/index.html
(look all around, and clicking a second time
will make the photos much larger!)
*Anne
Klocko's many animals, people, sea themes, flowers, etc. (flat relief .
. . all in frames)
http://anneklocko.com/vca_pix.htm
Martha's
winter seascape (on slab of clay with edges "gathered" upward)...
pine trees with snow, ocean, lighthouse
http://polymerclaycentral.com/chall_dec03.html
(click on Details, but be aware that window may jump
down into the task bar)
*Marie R's relief plaques, many scenes; some
combined with painted backgrounds; look around
http://www.geocities.com/polymerclay/index.html
(scenes gone?)...look on
Kids page for new URL?
Bas relief sculptures of bears,
snowmen, gingerbread houses, etc.
http://www.personalizedfree.com/
Adorables' food, flowers, etc. bas
reliefs
http://www.lavendera.com/Adorables/9Page7.htm
Marita's
bas relief flowers, vines, in vases, baskets, etc.
http://bussola.supereva.it/italyclay/book/foto/marita3.jpg
Terry O's scene of mother bird feeding
baby in nest ... low relief
http://www.polymerclaycentral.com/chall_may04.html
*Garie's
small framed bas reliefs (small figures and scenes)
http://www.garieinternational.com.sg/clay/frames.htm
http://www.garieinternational.com.sg/art/Chinese_Series/chinese_series.html
(#1)
http://www.garieinternational.com.sg/art/Chinese_Series/chinese_series2.html
(really #3)
Dar's bas relief onlays on gourd (Indian women,
cactuses, pueblo)
http://www.afamilyjournal.com/gourdindianbowl45.jpg
gourd
"house" with onlays of tree, shutters, etc.
http://www.icon.co.za/~craftmarket/gourd_houses.html
Bunny's basket & leaves plaque
http://thewildbunny.homepage.com/new_stampted_stuff.htm
Feat of Clay (Ginny's) peacock (& jungle, etc.?) bas reliefs
http://members.aol.com/ftofclay/
Jeannette's
snow people, tree, night sky (paint, but could be clay)
http://photos.yahoo.com/primitivedragon
(click on "Painting", then on Snowboxes)
mtdew's fish
and rhinestone bubbles on framed plaque(website
gone)
Trace's
covered and decorated mini glass vases (*cactus, dolphin, bows)
(website gone)
treebelly's bas relief fairy on faux wood (website
gone)
seasont's many relief/onlay items (website
gone)
Garie's tiny reliefs and tiny things in frames
http://www.garieinternational.com.sg/clay/frames.htm
Kim K's trees, etc., onlay scenes (tiny, on beads)
http://www.picturetrail.com/gallery/view?p=999&gid=440248&uid=144121
Jan R's underwater scene with fish and kelp
http://www.pbase.com/janruh/image/2137073
Pauline's fish and underwater bas relief scene on a small round mirror
http://www.picturetrail.com/gallery/view?p=999&gid=529621&uid=447171
Clayground's flattish figures, xmas, etc.
http://www.debbiesclayground.com/catalog.asp
parrot jewelry, & and some xmas, Valentines
http://www.parrotjewelry.com/jewelry.html
goddess-figure swap
(bas relief, other techniques) at Sunni's place
http://sunnisan.com/crafts/goddess2.html
Sonya's
No Smoking plaque.. has glow-in-the-dark smoke
http://www.picturetrail.com/gid2899876
Byrd's
lesson on making an onlaid mandala design (with cane slices
& clay bits) on a tile (could be very simple to quite complex),
but fun (and an inadvertent math lesson); plus more examples of her mandalas &
more info
http://pcpolyzine.com/november2001/mandala.html
(lesson)
http://www.pbase.com/revbyrd/mandala__gallery
http://www.abgoodwin.com/mandala/
(more on mandalas in general)
Jan R's simpler mandalas (tiles)
http://www.pbase.com/janruh/tiles
Jeanne R's "scenes" made by onlaying various colors of soft clay she finds under her pasta machine onto a clay sheet (often overlapped, for sunsets, etc.) http://www.pcpolyzine.com/0303march/0303scrap.html
(...for more info and examples, see also Paint > Polymer Paintings > Relief, etc.... and also Onlay )
OTHER
KINDS OF
BAS RELIEF
(...also see other examples of bas relief in
Kids > in "Scenes & Dioramas")
(...see
also Stamping > "bas relief"
effects with stamps)
(see also Canes-Gen >
for pressing down "background" areas of cane slices to provide relief)
(...see also faux leather techniques in Faux-many
> Leather)
Frames
also often have bas relief elements
MORE TIPS on sculpting & painting
Would it
be possible to create sculpts with metallic (mica) clays?
How would you align the mica particles so they would lie flat and the surface
would be completely shiny? Jacqui
...you can stroke the surface with
your fingers - it should align the surface for you. Helen P.
...I've had much
better luck using gold clay to sculpt something, then going over it
with a similar color mica powder (Aztec Gold or Super Bronze)....after
baking, I glaze it with Fimo Mineral based glaze. Looks wonderfully metallic
......I
have done the same thing with cooper clay and copper powder... and especially
silver clay and silver powders (silver clay alone doesn't look very silvery)...I
haven't tired it with the pearl blue or red. DottyinCA
When
I started research for my faeries, I also started with photographs.
My daughter was my first model. I had her put on her swimsuit and put her hair
in a ponytail. This gave a good outline of her body and head.
... Keep the
camera at the same distance away from your model, and take photos of front, back
and sides.
...Then also take close ups of hands, feet, etc. for the detail
work.
...After you get your photos back, you can make photocopies of
them to the same size as your sculpture. This will let you take actual
measurements to compare to your piece. You can use a drafting tool called calipers,
instead of a ruler (it looks like a compass, but no pencil, just two sharp ends.).
My piece was only 7" so I could even lay my piece on the photocopy to see how
I was doing.
...put your sculpture up to a mirror. This is another
way to better see your mistakes
...Eventually I changed a lot of things
from my photos.... I went through all my doll magazines and found my
favorite features (favorite eyes, nose, mouth, etc.). Then I put all the features
together to make my faery. It doesn't look too much like my daughter any more,
but now it has a little of all my favorite things combined. (website
gone)
....It still took a long time to get it perfect, but this method
saved a lot of trial and error time and clay.
....Also put your sculpture
away for several days before you bake it.... When you look at it
again, you will be better able to see your mistakes. . Enchants
Katherine Dewey
In general, though, Katherine recommends looking at anything you want to sculpt as a sequence of geometric shapes (like spheres, cylinders, whatever) which you can assemble and blend together to create the form (a little like conceptualizing how to assemble a comples cane, only more direct, actually.)
Katherine
paints her figures, currently, using first a coat of black acrylic
for depth, then a dry-brush coat of gesso for highlights, then a stain
(or wash) of umber acrylic and water. One outcome of the Event was that Katherine
has decided to experiment with layering colors of clay and incising them to get
her fur look . . .
.....Katherine's long
lesson on making her lifelike mouse on the HGTV site; after
texturing the fur, coloring it by using first titanium white on
dry brush; then raw sienna/burnt umber clays with a bit of water; then highlight
with dry brush white on certain areas, or pink wash of raw sienna, cadmium red,
and white for nose/mouth/ears:
http://www.hgtv.com/HGTV/project/0,1158,CRHO_project_27285,00.html
VARIOUS
TIPS ON SCULPTING from Katherine Dewey:
-Use very firm clay, either advanced
(older) or leached. Firm clay (like Premo) is less likely to accept
fingerprints, and while harder to push into shape, it's also harder to push out
of shape (see above near very top of page for leaching clay and then testing it
for readiness)
-I make heads, bodies, arms and legs separately, and
let them rest at least a half hour before attaching them.
-I use an
insoluble, smudgeable clay, either Premo or Super Sculpey, so
that rubbing a moist finger helps to finish blending seams.
-Leave
sculptures alone and out of sight a day or two before baking, then look at them
with a fresh eye in bright light. You're more likely to notice fingerprints and
nicks.
-I bake on a cushion of (cotton) fiberfill; usually
the figure is laying down (but can sit if armatured with metal rods, etc.?).
-*After baking, when the sculpture is cooled, scrub under hot water with a fiber
scrubbing pad. Gotta be really careful around fingers and toes, eyes, ears and
nose. A dental scaler is perfect for these areas.
-Garments are added
to a baked, nude figure. I know the skin is smooth and flawless. Diluent
makes my polyer cloth hold fast, and I can remove it if I don't like the cut or
drape.
-I know a lot of artists who "brush down" with alcohol or turpenoid
before the sculpture is baked. This process doesn't work for me as I often bake
the legs or arms then add them to an unbaked body; brushing down with solvents
will break the bond between baked & unbaked clay.
-Brushing a baked sculpture with alcohol wil help acrylic paint adhere.
DANE'S TIPS on Sculpting
A: Symmetry Sculpting Solution: The brain and the eye
(the mind's eye) can get into bad habits. These habits such as your and mine (yes,
i got it too) lopsided symmetry sculpting. My drawings get even father out like
wind-blown sails! Many times in an unconcious effort to infuse action into a sculpture
(with out considering anatomy) I will make unbalanced masses. It's called trying
too hard. Nature is god with figure sculpting, so create symmetry first before
doing offsets which can be confusing.
1. Using the mirror to view your work
can ususaqlly spot errors in sculpting such as symmetry.
2. Stop looking
and start feeling! Animal sculpts such as horse and dragon heads, have very side-based
features, which are harder to view from the front than human features.
During
the final rough-in stage of a sculpture, it's time to do less looking and more
touching. With one hand on each side of the sculpt's symmetry sides, carefully
compare the sculpted mirrored masses on each side at the same time. Your hands
are better sensors than your eyes. Auguste Rodin, master fine art figure sculptor
had very poor eye sight and used his hands extensively to make up for his "infirmity"
and look what he sculpted!
B: Tricks of using Assymmetry
On Purpose: Once good symmetry is acheived, much realism and spontainous life
can be added to any sculpture by creating minor assymmetries in your sculpture.
Why does this work? Nothing in nature is in balance, but always in a dynamic flow
from one side to the other (like a sign wave on a graph).
1. Effects like
contraposto of body pose give a casual motion to the sculpt which are more naturalistic.
This is all about weight distribution and balance working in an assymmetrical
manner on a biological being. One leg taking on more weight pushes a tilt
to the pelvis (in humans) and the shoulder blade as well (in animals). The body,
in its attempt to create balance with assymmetry, will tilt the human shoulder
group in an opposite tilt from the tilted pelvis. The neck will then attempt to
keep the eyes and inner sinus and ear balance centers level by tilting the neck
back again in opposition to the shoulder tilt. The spine and neck vertebraes take
on graceful curves (when viewed from the front) in humans to tie these tilts all
together. Muscles such as abdominals, spine , neck, buttock and thigh muscles
will be slightly assymmetrical in these pose conditons as well.
~2. In faces
I will, after achieving symmetry, purposely introduce imperfections in this balance
to get a more interesting look. Likenesses of people can be greatly enhanced,
if one observes the subject's personality reflected in facial assymmetries that
all of us habitually express. Examples are tilted smiles or heads or eye brows.
NOTE: By using careful observation of natural beings in movement, (walking,
talking, running and leaning) many purposeful assymmetries can be introduced to
a sculpture for more naturalism.
Sincerely, Wayne THE DANE Hansen
Creating
Smooth Sculpts
1. Speed: Slowing down your speed of tooling and shaping
is essential when working with this spongy clay. 2. Roughing vs Finishing: I think
to heavy handed shaping used during rough in of clay has to be lightened A LOT
when you are approaching the time for accuratizing these same surfaces. This will
perhaps eliminate the need to prebake the sculpted body. 3. Practice Being Blind:
With years of experience, I've found that to "read" surface flaws (bumps and depressions)
acurately, a light touch sense with the finger tips more than the eyes will help
a lot to find these flaws. 4. Water and Rubbing Alchol: My finger tips and a little
water on them are my secret weapons for smoothing broad body surfaces. To avoid
print marks from fingers on clay, use fingers in up & down (not side to side).
Always gauge finger pressure while rubbing the clay down. At the end, a very gentle
slide motion will really refine things to a great degree. If you are not painting
the sculpt and want the clay's surface to show, water may create "moons" , flawed
translucent crescents. In such cases, substitute Rubbing Alchol for water.
5. Good lighting: A harsh side light will (help to) show many flaws as you
work. 6. Just before baking: This is the time to really look at the sculpt
slowly and ruthlessly for flaws. Flaws can be fixed easier while the clay is raw!
Spend time & patience at this point and DON'T RUSH to get the thing into the oven!
Rubbing alchol and a soft brush will take care of finger prints and soften flaws
in recesses. 2 strokes at most or you get brush marks! You should have no deep
flawed errors before baking! High spots (moderate ones can be sanded. 7. Post
bake: Sand, sand sand! I use Sand paper instead of flexible sanding pads to really
true up the baked surfaces of body sculpting. I use 300 grit wet dry. I use it
dry so I can easily see the lighter high spots from sanding and the darker
low unsanded spots. 8. Now you can use #0000 Steel wool to get everything perfect!
9. Final Refridgerator tip: Polymer clay heats up the more you handle it. Overworking
(overheating) makes clay very sensitive to pressure than its firmer beginning
stages. Stop work! Let the clay cool. Do a little and stop. Many sculptors do
an exaduration of this concept by refrigerating the sculpt (not freezing) for
a 1/2 hour and working the sculpt cool to refine surfaces while the condensation
is helping to lubricate your fingers and tools. 10. Softening too sharp or harsh
detail and getting rid of clay balled on high detail: Just before baking, I take
a soft small brush and vegtable or mineral oil on the brush. One or 2 strokes
to flick out clay balls and reduce harsh edges (especially if paint is to be applied).
Wayne THE DANE Hansen
````````````````````````````````````````````````````````````````put in Armatures??
From: figuredane@aol.com
Here
are some tips that might help when sculpting figures that you want to last:
1. Building a tough understructure for sculptures:
a. Use a good wire "skeleton"
scaled in wire diameter to take the weight of your figure. I use 1/8th inch aluminum
for figures that stand from 8 to 12 inches high. If a figure of this size has
long horizontal pose distances (like a horse or four footed pose) I will use steel
1/8th diameter wire on those horizontal runs or even switch to a larger aluminum
diameter wire, making well wrapped leg, head and arm connections with small brass
wire (jewelry gauges). Running the leggs and arms into a large twist down the
spine also will work well in these horizontal runs.
2. Don't use glues to
make wire frame connections 9they might melt when baking polymer clays) or just
break during poseing adjustments while sculpt the rough in stages. Make thse wire
connections with small gauge wire wraps or other mechanical means such as durable
epoxy putties or both!
3. Epoxy Putties:
Hardware stores will carry some
very tough plumbers' 2 part epoxy putties that, when mixed together (so the two
colors are an indivsiable single color by twisting equal "snake coils" amounts
until mixed) will give you a working setting time anywhere from 10, 20, 60 or
even 120 minute cure rate. Don't feel intimated, ask the guy at the counter! These
putties, if they are really fine grained and take good detailing, are often used
as the only clay by miniaturists who sculpt in scales that are very small, like
25 millimeter (1 inch) to 120 millimeter (4 inch scales). Putty can be used to
reinforce leg and shoulder joint connections of larger figures. Once your figure's
pose is set you can epoxy putty the entire wire frame in a "skinny body" sculpt
as well for greater durability. Just make sure you leave enough future thicjness
space for anywhere from 1/16th to a maximum of 1 inch of polymer clay for total
thickness baking curing.
4. Good Clay Assembly Habits:
Earthen clays that
are to be fired in high temp kilns always need to be religiously hand built with
good adhesion between clay balls. Polymer clays , while made to give the sculptor
lots of fool-proof leeway, need a similar attention paid to its clay balls.
. Minimize the amount of air pockets in the clay (especially between the wire
frame and the clay) by using direct pressing clay motions always PRESSING INWARD
toward the wire frame during all stages of sculpting.
b. Always spend time
CONDITIONING your clay by kneading it in your hands before applying it to the
rest of the clay figure. Don'y apply polymer clay straight out of the box to the
sculpture. This is the only time you should be using smiring motions is blending
clay parts. Otherwise these motions can loosen the bond between the wire frame
and create air pockets. Without this careful conditioning of clay parts and good
bonding of them, you may find cracks and even sculpture parts popping off after
baking as they sit on your self. Seems like a mystery when it happens, but this
is the preventive cure.
5. Taking the Wieght OFF of the main clay body sculpt:
a. Most simple wire frame figure armatures are simply attached to a wooden board
at their feet by drilling holes for the feet wires or smaller holes to each side
that will allow small wire wraps to be twisted underneath the mounting board.
If this is the only mounting support for your 8 inch or larger sculpture, you
are asking for stress cracks to develop.
b. Polymer clay developes these
cracks in the soft stages, but cracks won't appear until the sculpt is fully cured!
Who Knew!
c. Mounting the sculpture frame on a support rod that takes the
main weight of the clay will releave this knee and ankle cracking situation. You
use two different hardnesses of metal to make this rod system work. Aluminum sculpture
wire for the figure and a steel THREADED support rod. Why? You can create an easy
"home made nut & bolt" connection with a triple coil (tightly wrapped) of
aluminum wire crimped around the steel threads of the rod. It becomes instantly
adjustable and removeable by unscrewing! The rod can be placed in the classic
back of the figure's spine on the horizontal (like Chuck Needham's armatures)
or place the rod between the figure's legs at the crotch (like Wayne THE DANE's
armatures). Chuck's system requires an extra vertical threaded rod with a drilled
double plated wingnut assembly attachment for the two rods. Both rod systems require
a drilled hole in the wooden base with upper and bottom nuts for the vertical
threaded rod mount. Go to Chuck's website to see wonderful photos showing his
armature support set up and sculpture staging at http://www.globaldialog.com/~twobit
(then click on Sculpture) You can buy THE DANE's "Total freedom Armature" rod
support system kit with instruction (lesson)s and anatomy charts for $15.00 PPD
website: http://www.waynethedane.bizland.com
. Grades of Polymer clay
(bake at 250 to 270 degrees F with lots of ventilation in a nonfood baking oven!):
a. Sculpey: Cheapest cost, color: white, Lowest Grade, very mushy, cures to a
soft leathery hardness. For Kids.
b. Super Sculpey: Next Expensive ($10.00
for 1 pound box), Colors: Tranluscent Flesh (hard to see finish surface-mix with
a little black or white to reduce transparency) and white, Middle grade, Harder
to sculpt with has bouciness to it, Mineral Oil and rubbing alchol solvent (but
can be smoothed also with water like all its polymer clay relatives) cures to
very hard leather hardness. Good for main figure body not thin extension parts.
c. Premo: Most expensive, Colors: opaque flesh, white and black, Top Grade (has
some fexibility when baked good for extension body parts), cures to a semiflexible
hardness.
d. Super Elasticlay: Most expensive, Color: opaque beige tan, Specailized
uses, cures to a latex flexibility, great for thin extension parts like wings,
protruding delicate parts.
e. Cernit: moderately expensive, Colors off white,
better duraibity than super sculpey. used extensively by professional dollmakers.
must be baked.
f. Paper Clay: Cheap Cost, Dry Dries, Colors: Light Grey, Water
Based Very User Friendly, Inferior surface finishing to Super Sculpey clay, but
sands out fairly well. Works like a cross between paper mache and earth clay.
7. Baking to MINUMIZE CRACKING of polymer clays:
a. Put finished sculpt in
cold oven making sure all parts are well supported (clay reaches a semi-solid/liquid
state of cure where some seemingly stable extension parts will stress crack).
Rods, props with moistened kleenex tips will keep from marking the sculpt and
be flexible enough to accomadate shrinkage factor with polymer clay dimensions.
b. The real key to a good bake is very gradual increases in heat temperatures.
Bake piece at 100 degrees for 15 minutes to 1 hour, depending on the mass of clay
you have. Bring heat up to 180 degrees for 15 minutes to half hour. Bake at 225
degrees for 15 minutes. Cover any extension parts like fingers, etc. with aluminum
fiol (shiney side OUT). Bake at 270 degrees for 3 to 15 minutes. Turn off oven,
without opening door or removing sculpt until oven temp is completely back to
room temperature!. Smaller sculpts take less time to bake than larger ones, so
develope a feel for the timing of different size polyme rclay parts bakes by trail
baking different sizes and thicknesses of "throw-away clay chunks!
8. Sealing
the finished polymer clay or paper clay sculpture: See manuafcturer's instruction
(lesson)s for sealing your cured sculpture with coats for sealant. Many thin coats
is better than one or two thick coats.
more
Bill GirarD's sculptures w/ armatures http://www.picturetrail.com/gallery/view?username=zaaxs
--I start with 14 or 16 ga. wire (I use brass from jewelry supply stores)
and make a wire frame in the shape you want the figure to be and the right size.
(armature) Then you can just start adding clay till it looks like what you had
in mind.
--You can add aluminum foil to the bare wire then
it won't take so much clay, but I seldom do it cause where ever you don't want
the armature to come through the finished piece it will.(another law by Murphy).
--I make a large footing out of the wire that I bury in the base,
to give the figure more stability.
--Most of the time I make the figures
nude and then add the clothing or accoutrements, but not always. If hey
have flowing robes I make them as I make the figure.Then I add the final details
to the figure.
--I smooth the finished piece with my fingers and sometimes
a little lighter fluid. I use a very small artist paint brush and
lighter fluid to smooth out areas where I cannot fit my fingers. Use lighter fluid
sparingly. Always let it dry before baking.
--I prefer Super Sculpey polymer clay for figurative work that has been conditioned
for months between paper sheets to bleed out (leach) the oil so the clay is quite
stiff but not crumbly. Bill G.
THE
BEST BAKE GUIDE IS BY COLOR CHANGES no matter what the oven type or condition:
Color changes in clay are the only sure way to govern your sculpts. Prebaked translucent
pink color as the one I know about.
1. Bake color turns yellowish biege.
If you are going for the unpainted prebaked flesh color biege is undesireable.
Biege is good for optimum strength.
2. Brownish biege is still OK,
as long as pimples (raised circles of clay that you did not sculpt caused by expanding
air pockets under the surface) don't develop.
3. Purplish brown danger,
Will Robinson, Danger! You will definately get pimples at this stage!
4.
Deep Purple means you have ruined the piece! Large sized raised welts will
have deformed the entire surface!
Different based colors of polymer clay
will exhibit yellowish to brownish to purplish changed tones of whatever color
you started with. The Dane
more
FARP's various lessons and tips on sculpting, drawing, writing, etc. http://elfwood.lysator.liu.se/farp
Peter
Konig's excellent and thorough lesson on making a creature from
a drawing
... very detailed photos of creating an armature from
wire (joints are wrapped with Devcon solid epoxy for strength bec.
he makes large sculptures) ...techniques for creating very wrinkled skin
...good tip: in one photo, he shows using a cardboard "stencil"
of his (same-size) drawing to create the exact size and shape for
the body of his clay sculpt (while creating it on the armature, by continually
holding it over the clay he's put on so far until it's large enough
....he
also suggests using gray clay (a little black added when using the plain
white Sculpey) so the winkles and texture can be seen better
http://www.conceptart.org/forums/showt)hread.php?t=18287
(5 pages)
see many more in Websites below
DB: merge
I will help you out as much as I can from here. Of now I suggest you find yourself any type of clay and begin sculpting 12 inch (1/6th scale) figures. You might want to begin sculpting a head first.
Toy sculptors often make the first draft of a model in polymer clay, then make a mold off that and cast that in the hard wax. Sometimes with a resin casting step in between. That hard wax model is what gets refined and submitted to the companies. I, for one, was fascinated to see this formula and have saved the message. Helen
Hasbro's
Wax Formula (for Toy Sculpts)
Thanks
to nontrade secret guys like myself and Digger President of Art Asylum in Brooklyn,
here's rthe mix. Ingredients: carnauba (33 light tan):-75 grams....Affects Hardness
Paraffin (KC-278-D):-345 grams (amber) SW-12 (micro crystelin):-57.5 grams Victory
(KC-278-P):-42.5 grams (white) Pure Talc Powder:-400 grams....Lower if it presents
problems Colorant:-15 grams (or to desired color)...(Kenner Flesh Pink) TO MIX:
In wax pot (or crock pot is OK), combine elements starting with Victory &
SW-12. Then add Paraffin & carnauba. Add Talc last. Stir in coloranr. Make
sure all elements are mixed COMPLETELY! Pour melted wax into teflon cookie sheets
or cupcake tins. Make sure as you pour wax, you use a fine screen filter. Stockings
work well. (nylon hosery). FILTER, FILTER, FILTER! POINTS TO REMEMBER: 1. When
pouring castings: The cooler the wax, the better to cast in. Pour wax when it
looks gelled or has a skin. Ideal castings temp. is 150 to 175 degrees/Pozywax
at 190 degrees. Use hair dryer to preheat molds. Let sit for a few hours before
pulling out of mold. (Remember the middle (core) of the casting takes a while
to solidify) This formula has a 4% shrinking rate! 2. SOME TECHNIQUES FOR CASTINGS:
Use lamp oil, citrus shine, wax shine to buff castings. Apply with stockings.
Invest in various dental tools and an electronic waxer (specially made for wax
temperatures with digital temp readout and a variety of interchangeable shaping
pens. Use water ALWAYS! The overall process: 1. clay roughin of all separate parts
2. Make silicone molds of each part 3. Do wax castings from molds. 4. bring wax
castings to the finished stages. 5. Make silicone molds for prototyping into resin
for painting and presentation of product. Note: Toy comapnies want WAX masters
to use for their production tooling! Ain't no undercuts for metal production molds!
God knows what process MacFarlane Toys uses! Sincerely, THE DANE figuredane
(see
more reviews &
info at Books
on Polymer --move
there??)
(also see reader reviews for most books at amazon.com)
more whimsical or humorous figures
Yes!
The best tip I can give you is to get a copy of Maureen Carlson's book,
How to Make Clay Characters." This is an excellent book on sculpting all kinds
of characters and covers faces in pretty good detail. Also covers clothing, facial
expressions, using armatures, hands, feet and a lot more. Maybe you'll get lucky
and find it in your local library as I did.
…instruction (lesson) make Clay
Characters. … I think its great. It shows in great detail step by step each figure.
The first part of the book deals more with "character" faces on figures and the
second part with "realistic" so yes, to your question. How to get those great
faces. I love the end of the book on problem solving. One of the problems is "face
it this little darling is just not cute" and then she procedes on how you can
smoothe and shape the feature to make it "cute". NF
~I
just received the (later) book from Maureen Carlson, entitled "Family
and Friends in Polymer Clay". Wow! If you enjoy making figures as I
do (or want to learn), this is the book for you! In a nutshell (and as the cover
describes) "it covers techniques for creating caricatures of the people you know."
She covers everything including the basics of facial/ body proportions; instruction
(lesson) recreate moods; capturing a persons "likeness" for realism; doll construction
techniques... and on and on! This has to be my favorite of all of her books so
far. Amy
She's very thorough and even though the subtitle refers to making
caricatures of people you know, she has a lot of stuff in there that leans toward
the 'classical' kind of sculpture. I think it'd be a terrific book for a brand-new
beginner to intermediate sculptor, and even advanced, if the person wasn't advanced
in the area of creating "human" figures. Haven't read it all, of course, but it
looks very comprehensive, and I've already picked up a few tips in just the quick
skimming I've been able to do. Elizabeth
Cindy's explanation & review,
in Polyzine http://www.pcpolyzine.com/february2001/bookreview.html
Clay
Characters for Kids, by Maureen Carlson, North Light Books
...I
just got this book today and it's really terrific - I think kids are going
to love it, and I think that a lot of adult beginners are going to want
this book, too. Maureen creates characters that range from simple to quite
complex. If sculpting is a mystery to you, this helps you see how easily
a complex figure can be broken down into shapes that are easy to form. After you
get the basic figure done, then you can take it in your own directions. She even
shows you how to accomplish different moods with pose and facial expression. Tons
of beautiful pictures, very clearly written directions and fantastical stories
told along the way - she's amazing, she is! Elizabeth
......has
a color wheel made up of little sculpted fish...
http://www.pcpolyzine.com/0203march/hia.html
Creating
Fantasy Polymer Clay Characters, by Dinko Tilov: step by step Trolls, Wizards,
Dragons, Knights, Skeletons, Santa, goblin, a generic guy and other weird characters
...I have been working on a how-to book on sculpting funny characters......It's
due to be published in March 2004. There will be about 12 projects in it, very
detailed, I've tried not to skip anything . . . . Dinko Tilov
http://book.dinkos.com
(should be a great book... his peole and animals definitely appeal to kids and
he's a good teacher)
Modeling with Polymer Clay, by David Kracov
. . .(should have at least a little experience with sculpting) cartoonish but
not cutesy style
http://www.amazon.com/exec/obidos/ASIN/1560105542/qid%3D1057072672/sr%3D11-1/ref%3Dsr%5F11%5F1/002-9177801-4172043
Making Animal Characters With Clay, by Sherian Frey ... it starts
out with really simplistic animal figures, but the ones toward the end of the
book are more realistic... Her German Shepard police officer is the best dog head
I've seen yet. Dawndove
http://www.amazon.com/exec/obidos/ASIN/158180041X/qid%3D1005081677/ref%3Dsr%5F11%5F0%5F1/104-6272062-0844722
Dragon
Magic Sculpting Booklet 1, by Ria van Son (DragonMagic Sorceress)
30-page
booklet in color. Begins with easy project lessons for DinoDragons, DinoHatchlings,
a Real Dragon and a Wyvern. ($8 + $3 shipping) http://www.dragonmagic.nl
(click on photo of booklet at the Dragon Magic Store)
.....I just received
it today and I have to say for her first booklet it is terrific. What great step-by-step
instructions for us new at the dino & dragon thing. Barb
shorter
books re sculpting...
by Design Originals http://www.d-originals.com/polymer.html
# 5107 Clay World, by Kris Richards (whimsical bugs, critters, ocean
dwellers, barnyard animals, zoo babies, etc.) $11.99
# 3331 Babies & 'Bums'
by Michelle Lott (cute, rounded figures with accessories, interesting bases,
etc.)$7.99
# 3327 Clay Creations, by Becky Meverden
(34 characters... babies for every month of the year, sock monkeys, cats, frogs,
mice, elves, ornaments) $6.99
# 3333
Professional People, by Michelle Lott (standing figures: computer guy, lawyer,
tai chi, teacher, doctor, nurse, etc.) $7.99
# 3334 Special Seasons (cute
characters with theme of birthdays, Halloween, Thanksgiving,
Valentines, etc.:
mummy, rag dolls, pilgrims, Native Americans, birthday clown, etc.) $7.99
# 3332 Holiday Happenings, by Michelle Lott's (cute Christmas
character ornaments: mice,
snowmen, reindeer) $7.99
# 3268 Clay Cut-Out Kids (mostly bas
relief, Christmas ornaments using cutters,
clay gun and craft knife) $6.99
# 3301 Clay & Wire Whimsies
(all ages; birds, people, animals, holiday decor,
spooky characters; mostly with clay bodies and long wire legs, some
wire accessories) $6.99
more-realistic figures ...also
doll house figures
Creating Lifelike Figures in Polymer Clay
(by Katherine Dewey) .. how to sculpt realistic human figures... plus much
more --selecting clays, making your own modeling tools, proportioning the figures,
ethnic and gender subtleties, facial expressions and posing, costumes in clay,
finishing touches, etc.
http://www.elvenwork.com/book.html
...see more reviews ...plus some of the actual pages of this wonderful
book at:
http://www.amazon.com/exec/obidos/tg/detail/-/0974153001/qid=1086218058/sr=1-1/ref=sr_1_1/102-2863220-5922551?v=glance&s=books
(click
on "See More Pictures")
...Sep
2004...the Art Institute of California has added Creating Life-Like Figures
to its list of text books and will be teaching a course based
on the book
Making Babies, (a workbook by Katherine Dewey) ...(a companion
to her Creating Life-Like Figures) ...covers proportions, begining
with the face, followed by the torso, the legs, and the arms...proceeds with patterns
for modeling these parts of the figure, similar to the patterns in Creating Life-Like
Figures, but proportioned to the infant. ...patterns are in the 1/4th scale and
produce an infant sculpt roughly 6 inches tall (and includes instructions
to create infant figures in smaller scales) . . .no step-by-step photos
but there are photos that illustrate important steps where there's variation
from the companion book. With the adult figure book as a guide for specific
modeling techniques -- how to blend appliques or use specific tool strokes --
readers should have no problems creating a life-like infant. There's a scale chart
for producing smaller infants as well.
http://www.elvenwork.com/workbook.html
DVD
(and molds) for babies
& baby face
molds (and
older)-- CherylTrottier
(cherylamie at eBay)
http://ctrottier.tripod.com
..... http://tinyurl.com/ymkc2v (bottom)
(see
more baby molds below in Molds)
Cheryl's
babies &
baby face molds, and
older figures
http://ctrottier.tripod.com/
lovely book on
sculpting children in Cernit brand clay ( by Rotraut Schrott)
.
. . Marleen Engeler has one too, also concentrating in Cernit. Karen
For older faces, try Jack Johnston's books. Karen
(pretty
faces and bodies)...Sculpting a Polymer Mermaid ...(DVD)
by Patricia Rose
....I just bought the best polymer clay DVD ....her
face instructions are great... . has the best detail, yet is simple and in small
scale ...her web site is http:.//www.patriciarosestudio.com
. Beverly . . . she has also other DVD's ($40-54):
...Learn to Sculpt
Detailed Faces ...Learn How to Make a Polymer Baby ... Sculpting
a Polymer Fairy
And if you are looking for a general sculpting book, Hildegard Gunzel's is just the best!:) Karen
Sculpting The Figure In Clay by Bruno Lucchessi (sp?). . . I've integrated lots of their techniques into my own approach to sculpting. Leslie
Human Anatomy Online is a nice quick resource to jump to if you are sculpting the human body and can't find your copy of Fritz Schider's Atlas of Anatomy for Artists. You don't have that book? (shame on you it's less that 10 bucks from Amazon.com or your local bookstore!) http://www.innerbody.com/htm/body.html
I
reccomend the book, An Atlas Of Human Anatomy ( or Atlas
Of Anatomy For The Artist? )by Stephen Rogers Peck. This book
makes make drawing, but has wonderful tumbnail sketches and explainations about
how the body is designed. If you have no other book, get this one (Oxford
University Press $17.95 softbond at Barnes & Noble).
Animal & Human (?) (the sculpture books of Edwourad Lantieri )
Dynamic Anatomy by Burne Hogarth;
Drawing Dynamic Drapery
by Burne Hogarth;
Drawing Hands by Burne Hogarth;
Drawing The
Head by Burne Hogarth . . . . . Wayne the Dane Hansen
The best book I've ever come across for anatomy is 'Human Anatomy for the Artist' by Eliot Goldfinger. It's a little pricey (it's HUGE), but it's AMAZING. There's even a section on facial expressions! danielle
Human
Anatomy Made Amazingly Easy, by Christopher Hart. Review of this book
by Tommie Howell at
http://polymerclayhaven.com/reviews/human_easy.htm
(. . . Christopher Hart has written a book that I think finds the perfect medium
between showing not enough and showing far too much where anatomy is concerned.
. . )
Good places for doll books are http://www.hobbyhouse.com and also Scott publications, but sorry I don't know their webpage address. Karen
The
best book that I know for polymer clay dolls is Susanna Oroyan's
Fantastic Figures... If you find it somewhere, GRAB IT! Bob McKinley's book
is also superb...
In Fantastic Figures, she concentrates on unique dolls made
from polymer and paper clays, especially those that combine sculpted
clay with cloth bodies. Emphasizing innovation rather than imitation, she provides
lengthy and detailed information on the clays themselves; on sculpting the head,
hands, feet, and legs; on finishing medium and painting methods; and on constructing
the body, clothes, hair, accessories, and even display stands and tableau settings..."
(see reviews at amazon.com)
......"In
Anatomy of a Doll, master dollmaker Susanna Oroyan gave us a definitive
work on cloth dollmaking. . . .
Check
out dollmaking references. One very good one with realistic faces is Bob McKinley's
book. His faces are incredible.
... One of the classic books on making
dolls is "Dollmaking - One Artist's Approach" by Robert McKinley.
It can be *very* hard to find, but this site just got some in and I finally got
one! :) Not cheap at 29.95, but a *used* one went for $43.00 on ebay last week.
Pat
.... the book shows
him using Super Sculpey but Robert stopped using Super Sculpey because he was
experiencing too much breakage... and he switched to paperclay!!? Sadly he wasn't
around long enough to try some of the newer and stronger clays that we have today..
. . you
might try writing to Bill Nelson- to see if there are any remaining copies.
He's available at: 107 East Cary St., Richmond, VA 23219
Kathndolls
Making Miniature Dolls with Polymer Clay: How
to Create and Dress Period Dolls in 1/12 Scale, by Sue Heaser (also shows
how to make clothing, etc.) ... click on cover to see larger version
http://www.amazon.com/exec/obidos/tg/detail/-/0304356409/qid=1057068185/sr=1-22/ref=sr_1_22/002-9177801-4172043?v=glance&s=books
my
favorite... "1/12 Scale Character Figures for the Dolls' House" by James
Carrington. My favorite thing is sculpting dolls and figures, so that's part
of why this book ranks so "off the scale" with me. Very clear lessons for creating
dollhouse scale figures with tremendous life and humor and vitality to them, all
presented with clarity and thorough explanations.
New material, here, including
how to make molds for your basic figures, so that you don't have to start
from scratch every time you want to make a doll. How to wire the doll and pose
it and wig it for the effect that you're wanting to acheive. How to make the facial
expressions that you seek. And it's all written with so much of the personality
of the author coming through that you really want to have him over for tea. (Very
British.) Elizabeth (see also his series of videos below)
How
to Make Perfect Dollhouse Figures, by Kitty Mackey . . .figures for
scenes and displays....armatures, hands and fingers, facial featues; how to use
sculpting tools, maintain body-facial proportions, and how to paint figure
realistically
http://www.amazon.com/exec/obidos/ASIN/0890243417/qid%3D1057074121/sr%3D11-1/ref%3Dsr%5F11%5F1/002-9177801-4172043
Het
Grote FIMO-BOEK van A Tot Z (Tjitske van Nus-de Zwart), in Dutch but many
diagrams... "Dutch Darlings" figures (accomplished, ruffly, flowery
little girl/boy/baby figures with many accessories, holding alphabet letters,
etc.)
see photos, contact info, and more links at http://www.polymerclaycentral.com/bookrev3.html
Most
of the text of Mimi's New Clays for Dollmaking is available on-line and
free at:
http://www.mimidolls.com in
the Techbook section. There are over 500 pages of free information for dollmakers,
but not all of it applies to polymer clay.
The
mimidolls website is probably the best one I've seen for how-to
make dolls http://www.mimidolls.com.
...There
are not a lot of doll-making tutorials that I've found, besides that, but there
is an excellent list of links to doll artist's pages at http://everink.com/eve-da.html
... It helps me a lot just to see what others have done.
Way of the Doll: The Art
and Craft of Personal Transformation, by Cassandra Light
ISBN 0-8118-0698-7,
$18.95 Chronicle Books, San Francisco …uses a dollmaking workshop as a way to
explore the maker's inner self, childhood issues, and so on and to express
aspects of this in the doll form. Most of the dolls are realistic (more or less)
and you may or may not feel resonance with the approach, but the concepts addressed
in the book s are motiovational and the pictures are gorgeous…Sherry
Creating
Life-Like Animals in Polymer Clay, new book by Katherine Dewey
-- getting great reviews!
http://www.elvenwork.com/book.html
(from Katherine Dewey)
The cat is the most difficult animal in the book, the mouse the easiest. Begin
at the beginning. Every animal teaches. Each successive animal relies
on previously learned techniques while it teaches a new technique. So, put the
cat aside and go back to the beginning. The mouse teaches a lot about assembly
and texture, but is small enough so that lessons are learned quickly. The
rabbit and seal introduce foil cores that reduce baking times, and creating
a compact sculpture as well as working on a larger scale. The bear and
basset expand on foil core shaping, working with greater amounts of clay,and
forming limbs. The fox and fawn take the limb techniques further. The
frog and bird are two examples of very different animals made over similar foil
cores and with similar armatures in the toes. They expand on texture techniques
as well. After all of this, you're ready to tackle the cat, a very fussy creature
made with slightly softer clay (it's that Granitex/Premo blend). Kathy, who wishes
she'd written "Begin at the Beginning" in big, bold letters!
( For those
who've bought "Creating Life-like Animals", I've posted a special page at http://www.elvenwork.com/bookerr.html
that should prove helpful. There are 4 errors in the book. One is a typo, and
the other three are pattern drawings that were printed either too large or too
small. Print the page directly from your browser to get drawings that are just
the right size and the typo correction. Katherine Dewey)
.....Katherine's long lesson
on making her lifelike mouse on the HGTV site:
http://www.hgtv.com/HGTV/project/0,1158,CRHO_project_27285,00.html
.....Christina's examples
http://www.geocities.com/chellstr/clay/sculptures.html
.....(see
some examples at Marsha's site) (website gone)
...Also, I love the paperclay books by Robert McKinley. . . . he is no longer alive but his two excellent books are still available...esp found used on ebay. Dianne C.
magazines & e-zines
Gremlins
in the Garage (webzine) ... dedicated to figure kit modeling
including coverage of science fiction, horror, fantasy, and anime
from movies, books, comics, and cartoons. There are sections for
reviews, articles, finished kit pictures, garage kit companies,
and more.
http://www.gremlins.com/index.html
The
best resource for armature-making that I've found was an article in Modeler's
Resource magazine, a publication targeted at "garage kit" model enthusiasts.
Leslie
...I received a copy of Modeler's Resource in the mail today...In all,
if you build garage kits, this is a great magazine. If you sculpt, it's
also a great magazine, reflecting a very different stage where polymer clay plays
a large part. If you're a sculptor, you might be interested in this magazine.
If you paint your sculptures, this is a must have magazine. Katherine Dewey
.. "garage kits".... a grassroots, fan-based, international bunch of
sculptors and painters whose passion is media-related scale figure
model kits
Videos
Mark
Sawicki Sculpting Characters with Clay . . . Hollywood clay animator Mark
Sawicki ...creating your own crazy characters. Very easy-going . . . variety of
techniques for making cartoon folk, using simple tools and basic shapes.
...goood for beginners as well
http://www.polymerclayexpress.com/videos.html
1/12th Scale Characters in Polymer Clay Basic Body Blanks and
Mold Making with James Carrington ...imaginative and detailed figures
in this small scale. In the first tape,... make the basic body shapes...also
how to make two part molds...don't have to start from scratch every time...actual
size diagrams to help you shape your doll blanks and proportion charts for the
male and female figures
...1/12th Scale Characters in Polymer Clay Facial
Features, Hands and Feet with James Carrington
. . . "best miniature doll-making video I've ever seen. Very detailed and
thorough -...start with the basic body blanks from video #1 and progress through
four variations, two female and two male. .. no bland little dolls, here
- these dolls are full of personality and expression.
1/12th Scale Characters
in Polymer Clay Assembling, Painting and Wigging with
James Carrington ...makeup and wigs ...... really makes this look easy and provides
tons of information along the way http://www.polymerclayexpress.com/videos3.html
(long tapes)
Jack
Johnston has a 4 video series on doll making with polymer clay http://www.artdolls.com
I have those videos and they are excellent, J Johnston takes you through each
step of dollmaking and makes it look so easy...his hand armatures are terrific
as is his tape on soft body sculpture. . . . . . However, the videos that I like
best are Richard and Jodi Creager's videos. They currently have one on
Making Heads and another on Making Hands. They are the best that I have seen.
I am impatiently waiting for their next two, which they have in production right
now. Dianne
The
Creagers have two (now 3) sculpting tapes (head and hands
and legs-feet) out on creating very realistic figures. They
go into EXTREME detail... and they do show instruction (lesson) apply the wool
hair.
http://members.aol.com/creagers1/videos.html
...My favorite (lesson) resources for sculpting so far are the Creagers' videos
on sculpting heads and hands … Leslie.
the Creager's Heads and Hands videos…..
I'm sure I'll own them soon but I want to wait till the legs video comes out (do
you know when it's expected???) What is the fourth video from the Creagers? Becky
...I
just purchased a set of sculpting tapes from Creager Studios (head, hands and
feet). With purchasing the set, I received free a study they offer on both the
left and right ears. Since the ears came free with the tapes, I also ordered the
Caucasian nose and an elderly eye. Now I have an eye, a nose and both ears to
work from while sculpting. I've been watching tapes for two days and can hardly
wait to get my armatures ready to begin sculpting again!!! Jean/PA
...I received
two of these videos as a gift and I absolutely loved them. Jodi is calm and confident
on camera, and explains everything so thoroughly. And of course, their dolls are
some of the best out there. Lots of personality, beautiful costumes, realistic
gesture and expression. Just gorgeous! Elizabeth
...One place to order them
is: http://www.cely.com/shop/mainshop.html
...
The Creagers can be reached at creagers@aol.com for
order information.
I spent last year exploring and learning
about dollmaking. . . .I liked J Johnston's vids ok, but found Jodi and
Richard Creager's series so much more helpful.
...I also was able to
look at videos by Lisa Lichtenfieldt (she works with fabric) and her video
was extremely helpful if you are interested in lifelike fabric dolls.
...You
can do a web search for any of these dollmakers online websites. Dianne
C.
~I've got the videos on miniature doll sculpting by Evelyn Lenz Flook... ...- you would now have to change the color mix of the clay, because you can't get Friendly Clay, but other than that, the videos are very comprehensive and perfect for beginners. I don't do everything the way she does, because she's making dolls, and I think of dolls as being "posable." A few points don't translate to one-piece figures. And I also don't have exactly the same tools she has. But, it really helped me figure out the steps and how I could do the armature and bake in stages..... You learn how to make 1:12 scale dolls, and there is a chart for making half-scale dolls included, too. You just slide it into a page protector, and you can check your doll against the scale chart periodically to keep it in proportion...It really helps to see different ways use tools, different sequences in how faces are built, etc. Elizabeth
Margene Crossan (?) showed us instruction (lesson) use the armatures. But she also went a step further and cured the dolls at several stages. That helped her keep the doll from slumping or from messing up one portion while working on another. btw, that was in her latest video announced here last week - Sculpting Characters :-) http://www.mindstorm-inc.com
Several videotapes...Maureen Carlson's Faces Faces Faces, lots of stuff at Mindstorm Videos, and my fave, Jody Creagers one on sculpting faces. You can email the Creagers at creagers@aol.com for more information. Check out Dolls Magazine or Contemporary Doll Collector , as the ads in the back can be very helpful for resources. And Dollstreet (just search on Dollstreet) has at least one on line class involving face sculpture in I think paper clay.
Wayne
THE DANE Hansen
(Figure Dane).... . . figure sculptor and teacher in this crazy hobby of monsters
and movie characters….the human form has always been his focus. Renaissance sculptor,
Michelangelo is his life long mentor ..he has a standing reputation as "The Dick
Smith" of the figure kit hobby, freely disseminating his knowledge to all who
approach him. THE DANE's two biggest highs are figure sculpting and turning others
on to their own creativity through his videos, articles and at shows. His motto
is "talent is secondary to desire."
...Wow! i wish they had that stuff when
I was starting! Alas, that's why I started my teaching videos for other
newbees! ...spent last 9 years enabling other sculptors to vastly improve their
figure sculpting skills with my videos.
... I also offer free critiques
and tech answering services. ..just e-mail me at figuredane@aol.com
. Wayne
...Wayne's product descriptions http://waynethedane.bizland.com/index.html
...pricing for video (fig.sculpting+modeling) and for, orig. figure
kits, etc. http://members.aol.com/modeldane/page2/index.htm
... Ebay now has my videos kits too . . . search siegaard
seller name. Wayne
...his work is exceptional, and he is most kind and helpful in answering the often
dumb questions asked by the newly sculpture-obsessed (like me!). Check him out!
Bonnie
...instructional
videos on figure sculpting in polymer clay, and also tapes on building
& painting figure kits... presents the entire instructional process almost
uncut to the viewer... tapes run from 4 to 16 hours per each title in his
line of over a dozen subjects.
...I just got two
8.5 hr video courses today from Wayne the Dane who does garage kit sculpting.
I haven't had a chance yet to sit and watch them, but the are supposed to be very
comprehensive so I'm hoping it will improve my skill. If they are as great
as I hope, he's got a couple more I'm gonna invest in. Elise
...
(I also sell) soft-edged steel spoon and bent conical shaper (not
offered anywhere else and hand made by me--or see his instructions in Sculpting-Tools).
.... I also offer the world's only POST BAKE Polymer Clay Smoothing Fluid.
Garie,
have you ever thought of doing video tapes of the things you do, kid and otherwise??
I think they'd be a *great* success! Diane B.
....Garie Sim is interested
in making some videos of his unique and traditional uses of polymer clay if there
is anyone willing to share the business with him. I hope someone can take him
up on his offer! but he is in Singapore and I don't know if he ever travels outside
of it. Maybe someone travels out that way or has some suggestions for him. Take
a look at his many inventive things in various categories at http://www.garieinternational.com.sg/clay/index.html
I found a link on James Carrington's site to the Dolls In Miniature magazine that I didn't even know existed. That magazine is a fabulous resource for doll-makers! I ordered a bunch of back issues from Viola Williams and subscribed to the latest incarnation just recently. There is a third source of back issues of the magazines on the 'net, too - it's had three owners. There are always good ideas and lots of patterns for miniature dolls. Elizabeth
(for books on flowers, see above)
Molds
Cheryl's
baby face molds
http://ctrottier.tripod.com/
..... http://tinyurl.com/ymkc2v
(bottom)
Millie's
2-part molds ....for 6-6.5" tall whole women (one wide hipped,
one not) & man & 3" baby (+ 5" baby faces)
http://www.onestoppolymershop.com/page/938936
(for
more molds just for faces, look in Faces)
Online DISCUSSION GROUPS (all these are FREE)
I get a lot of emails from people asking about sculpting techniques and I do answer them. Oft times the questions have been asked before. Because this is so often the case, we've opened a forum on Elvenwork where people can ask questions about techniques or share ideas. To get there, got to http://www.elvenwork.com/tips.html and click on the question mark. In no way is this a substitute for any of the polymer clay or sculpting forums; it's simply an adjunct that easy for me to access. I'll still spend a part of my day here and at every other related forum on the web. Katherine Dewey
MAILING
LISTS
http://groups.yahoo.com/group/NoviceSculptors
(new
sculptors -- "This
group is for novice, small-scale sculptors and experienced sculptors who are interested
in mentoring. The goal is to create an atmosphere in which beginners feel comfortable
asking questions and showing their work to others. Mentors will be there to give
advice, share techniques, and offer constructive criticism.) Wayne the Dane?
...join and then spend a couple hours or so
perusing all their files ..... the mentors on the list are professional
model artists and garage kit enthusiasts who offer their expertise to beginners.
those folks know multiple mediums and figure sculpting ....sunni
http://groups.yahoo.com/group/Beginners_Polymer_Clay_Art_Guild
...
90% of the members are beginners... but very talented artist members
offer their help to newbies
...very active group... but note that they
do now allow lurkers more than 30 days (keeps the group smaller, but very relaxed
and chatty)
MEMBERS: anyone playing with
polymer clay is accepted as a member, but:
...most members
are polymer clay fairy & fantasy figurine makers
...also some baby makers,
and some more-abstract statue makers
...also a few who make something else
(like beads, ornaments, etc.)
http://groups.yahoo.com/group/figuresculptor
(sculpting figures of
all kinds! Our goal is to promote and share the art of figurative sculpture and
crosspollenate information and share artworks and questions about artwork execution,
artist marketing and have fun! The only resriction is (no) hard core pornography!
Sculptors in polymer and other clays, waxes, wood and stone are welcome! )
Wayne
the Dane
http://groups.yahoo.com/group/FigurativeSculpture
(intermediate-level small-scale sculptors and advanced
to professional-level sculptors who are interested in mentoring....no longer novices
(have completed several pieces and feel somewhat confident about their abilities),
but still feel that they have a lot to learn. Mentors will be there to give advice,
share techniques, and offer constructive feedback. Please don't join with the
intention of permanently hiding in the shadows!... Mediums include, but are not
limited to: polymer clay, paper clay, wax, plaster, plasticine, epoxy resin, metals,
stone, and so on. Genres include, but are not limited to: small figures (human,
animal, other), models/kits (horror, sci-fi, comics, fantasy, military, etc.),
dolls/art dolls (mixed-media figures), action figures, decorative figurines, abstracts,
and so on. Wayne the Dane.)
http://groups.yahoo.com/group/ArtisticAnatomy
(includes all topics that might be relevant such as: form, composition, light,
color and dynamics of movement,etc. as well as discussion of contemporary and
classical Figurative artists and techniques)
Figure Sculpting Anatomy Group
Class with Critiques. copy & paste into browser http://pub57.ezboard.com/fthemonsterlabfrm3.showMessage?
topicID=442.topic
(gone?)
http://groups.yahoo.com/group/figuresculptingandanatomy...
(this Yahoo group will help you with bodies. The crew there is a bit zanny but
ever so helpful. We don't have "chats" ..... we have group therapy (*rotflmao*)
There are some very talented generous people there. Come join the fun. Deb S.)
... http://groups.yahoo.com/group/figurekits
(sculpting, building and painting resin, vinyl and styrene models of figures --hosted
by Wayne)
... http://groups.yahoo.com/group/garagekits
(for fans and
collector's of resin model kits aka Garage Kits.We will discuss new tech's,review
kits and shows,video's related to the topic.To make it brief we WILL be an online
magazine devoted to the hobby)
...Gremlins
in the Garage (webzine) ... dedicated to figure kit modeling
including coverage of science fiction, horror, fantasy, and anime
from movies, books, comics, and cartoons. There are sections for
reviews, articles, finished kit pictures, garage kit companies,
and more.
http://www.gremlins.com/index.html
CITY-o-Clay
...polymer miniatures, sculpting and gen. polymer techniques
..used to be MSATClayArt
http://groups.yahoo.com/group/CITY-o-Clay
....polymer clay artists from beginners to
skilled professionals... all polymer clay techniques are discussed: color mixes,
raising cane, sculpting figures, replicating things from nature,
for jewelry and household accessories, in flat designs or 3D... miniatures
and scenes.
....the moderator
Nora-Jean Gatine takes a very active role in posting, teaching, etc ......she
likes to encourage beginners (and others)
....Nora
Jean also gives twice weekly, online, polymer clay webcam demos
(free, accessible by Yahoo members with YahooMessenger), where miniature
polymer clay techniques are reviewed and new techniques of all kinds are attempted
as live experiments
http://www.norajean.com/MSAT/ClayArt/WebCam/How-To.htm
...We also have hundreds of tutorials online.....We are chatty.
....(now over 1000 members, 26-100 messages per day)
ALSO:
http://pub18.bravenet.com/forum/show.php?usernum=1505510207&cpv=1
Katherine Dewey's sculptor forum
news:alt.sculpture (newsgroup) some moldmaking
and casting whizes there)
bit.listserv.clayart
(earth clay newsgroup…) ADDRESS?????
http://groups.yahoo.com/group/polymerclayfigurines (we share marketing ideas, wholesale information, tips on successful displays at shows and much much more....most of us on the list are figuine artists making whimsical characters and critters )
DOLLS and Art
Dolls:
Dollmakers email list at http://www.dollmaking.org.
There are about 750 members, with about 20 posts a day average. It's a great place
to pick up information on dollmaking and related arts. . . . "including everyone
from beginners to some of the most famous dollmakers working today. Topics of
conversation include marketing, supplies, costuming, and everything related to
dolls. We discuss every type of doll, from toys to art dolls, in mediums including
vinyl, cloth, polymer clay, porcelain, and even vegetables.."
Thedollmakingplace@yahoogroups.com
PolymerArtDolls@yahoogroups.com
http://groups.yahoo.com/group/Artist_Dolls
(for makers and collectors of fine quality Artist Dolls. The purpose is to
bring doll artists and doll makers together with discriminating collectors who
are searching for the beautiful, the unique, the best dolls available today. Porcelain,
resin, polymer clays, cloth and all other media are welcome. You are welcome to
buy, sell, trade, search for or promote your latest creations or dollmaking materials,
such as SFGW and doll molds. Exchange of dollmaking information is also welcome)
http://groups.yahoo.com/group/claydollartists
(polymer and air-dried clay doll artists. doll swaps, shows, tips on dollmaking
and doll sculpting classes)
http://groups.yahoo.com/group/AGDolls
(American Girl dolls, history, old crafts, antiques, fine sewing, period costumes,
unique doll accessories and modern finds to start interesting discussions with
other doll collectors. The emphasis here is on making doll clothing, accessories,
and crafts for your 18" dolls. )
claybabiesanonymous@yahoogroups.com
OOAKbabysculpters@yahoogroups.com
Where
can I learn about clay modelling, clay animation, and... shooting?
...just type claymation (in a web search engine like google or yahoo...
all kinds of sites will come up. :o) Lynda
....Here are some links that might
be of help. Try the newsgroup
Also take a look
at some of these websites. They should get you started.
http://www.klick.org/kids/techietalk/animation/claymation/
http://www.wsd1.org/LitOnline/claymation.htm
http://www.pwc.k12.nf.ca/projects/claymation/whatisclaymation.html
Robert H.
http://lordjonray.com/film/
(LJR Productions & Toby Bear claymation)
http://www.clay.s5.com/
http://www.animateclay.com/
Van Aken's home page is http://www.vanaken.com/clay.htm
...If you contact them, they could let you know if there is a supplier in (your
part of the world. Dona
...Garie Sim used polymer clay food with faces
for an animated TV commercial in Singapore
http://www.garieinternational.com.sg/art/animation/1a_animation.htm
WEBSITES
(not completely organized or turned into
links . . . sorry!!)
(DB
-these copied to Sculpting/Body Parts too)
LESSONS
YouTube....
http://www.youtube.com..... (or other free
video sharing sites)
Many clay demos of all types
are being uploaded to YouTube, etc.....yay!!
....to find them, enter significant
search terms into the search box at the sites, such as these bolded ones,
using YouTube:
http://www.youtube.com/results?search_query=clay+sculpture&search=Search
http://www.youtube.com/results?search_query=clay+sculpture+armature&search=Search
http://www.youtube.com/results?search_query=clay+sculpture+head&search=Search
(and
here are some good ones to check out) à
*many
excellent explanations of sculpting (realistic) at Katherine Dewey's
site:
http://www.elvenwork.com/tips.html
*Dan Perez' Sculpting 101: body parts
& skin textures
http://www.danperezstudios.com
(look esp. in Workshop and Model Shop)
http://web.wt.net/~hastur/workshoppages/detail.ht
PolymerClayFan's
realistic he-man, muscley figures + animals... + some
lessons
http://www.polymerclayfan.com/gallery
... http://www.polymerclayfan.com/sculpting-tutorials
many many lessons on sculpting & molding
http://www.iespana.es/sculptorscorner/tutorials.htm
many many lessons on sculpting, molding and painting after
baking
http://www.paintingclinic.com/clinic/clinic.htm
many lessons by various people on sculpting, painting, etc.
http://www.dolldesigns.com/tips.html
*wire+ armature lessons
for sm. figure & dragon
... also lessons on head,
hands, bodies, clothing, etc. (Astralos)
http://astralos.p5.org.uk/index.htm
(click on Course>Modeling> Armatures...or others...sequential pages)
*Nora Jean's
many foil armature, body, & head lessons
http://www.norajean.com/Sculpt/Index.htm
(look around)
Patricia
Rose's lessons on wire and clay armatures
http://www.patriciarosestudio.com/html/tutorial.html
(NOTE: more
lessons? in Armatures
Permanent > Wire and other categories
on that page?)
coat hanger? wire doubled over
for body, legs are ends, in wood to begin (Jenny P's lesson on sculpting
a figure)
(website gone)
Maureen's
lesson on head, hand, boots (from molds) and body (coat hanger armature
also), and pattern for robe
http://www.weefolk.com//santa.htm
wire and foil armature for
older man & woman on base (with accessories, etc.) (also Jenny P.)
(website gone)
Christel's lesson on making
a body from by wrapping polyfill stuffing around a wire armature
http://www.pcpolyzine.com/july2001/troll3.html
Nora Jean's visual instruction (lesson)s on alum.foil armature
and old man in robe (website gone)
Rick's
lesson on wire & alum foil, and alum.foil only armatures
& bodies
http://www.gremlins.com/rick_barrows/sculpt.html
Linda's lesson on sculpting a simple
dragon
http://www.itsjesterclay.com/littledragonlesson.htm
Marina's cute dragons in their broken open eggshells
***
look now at? ---> http://www.marieidraghi.itinglese/edraghini.htm
* PolymerClayExpress' lesson on making a cute but complete
dragon, completely "painted" with mica powders
http://www.polymerclayexpress.com/dece2001.html
Barbara's lesson for dragon (wire &
alum.foil armature), and onlaid scales
http://home.att.net/~ntwadumela/poly.html
fireEyes' lessons on dragon
shapes (heads, eyes, feet&claws, Eastern/Western style);
drawing, but applies to sculpting too (also sculpts and many paintings)
http://www.tailchaser-sushi.com/index2.html
Tommie's saga re testing the new Kato Polyclay for sculpting to make a bird-like
dragon (with various media for armature)
http://www.polymerclayhaven.com/lessons/dragonart.htm
*polymerclayexpress' lesson on making a small dragon (powdered,
but wouldn't have to be)
http://www.polymerclayexpress.com/dece2001.html
harryjohnpursey's various dragons with thicky- veined
wings.... + few photos of armatures
http://s10.photobucket.com/albums/a107/heroic12345/?start=all
Amy's visual lesson on creating a figure with wire
armature & Sculpey
http://www.clayplayground.com/how_to.htm
sculpting & armature
w/ SSculpey --lesson)
http://home.att.net/~ntwadumela/how1.html
sculpting a nude older person
http://www.nwlink.com/~ffranke/construct1.html
Maureen's older female face
http://www.weefolk.com//oldface.jpg
Jenny P's older faces (look around) (website gone)
*the Buonaiuto's
casual, uplifting, multi-ethnic older women, children, men, etc., heads
and bodies, using realistic bodies for a change! (also look in Bronzes and One-of-a-Kind
Clayworks)
http://www.alittlecompany.net/sculpt.htm#women
many
faces, bodies, . . . & dragons, and more
http://pcpolyzine.com/0301january/0301fantasyart2.html
(click on all pages)
Celadonia's many
lessons on sculpting (all? realistic fantasy faces, etc.)
http://www.celidonia.it/English/projects.htm
(under construction)
Jodi
& Richard Creager, very realistic, fabulous, ethnic sculpts
http://www.creagers.com ....... http://members.aol.com/creagers1/gallery.html(gone)
June Goodnow's very realistic heads, also Native American
http://www.junegoodnow.com/artistdolls2.html
Nora-Jean‘s
visual lesson on sculpting mer-people
(website
gone) (find
at norajean.com)
Nora
Jean’s lesson on how to make leg/foot and shoes
(website
gone) (find
at norajean.com)
head
,hands ,feet & basic armature photos (mom)
http://www.angelfire.com/biz/laurascrafts/piclink5.html#firstdoll
Sarajane’s hands
http://www.polyclay.com/beads.htm
and http://www.polyclay.com/hands.htm
*Desiree's hands
http://www.desiredcreations.com/howTo_PJHands.htm
Maureen's hand and b
http://www.weefolk.com//hands.jpg
*Angels Unawares’ lesson on
sculpting hand and arm
http://members.tripod.com/~AngelsUnawares/hands.html
Karen's very simple mittens
http://www.sculpey.com/Projects/projects_WoodenEggSanta.htm
various methods of creating eyes and attaching
hair--lessons?
http://www.cely.com/tips.html
http://www.exit109.com/~mimi/handbook/easyeyes/easyeyes.htm#Top
http://members.tripod.com/~manngallery/interesting.html
Thalassa
lesson
on making a caned eyeball for sculptures
http://www.geocities.com/SoHo/Bistro/5298/MSATeyegroup.html
Faun's tiny figures (some with wire hair); lesson
on faces, hair, etc. (website gone)
Angels Unawares’ lesson on sculpting an (African) child’s head
http://www.geocities.com/angelsunawares/Kwesi.html
Plankspanker’s wrinkly skins
(see more in Sculpting-Bodies > Scales
& Dragonskin)
http://www.geocities.com/Area51/Shire/6883/photos.html
Plankspanker’s lessons for dragon head,
teeth, etc., & a body form
http://www.geocities.com/Area51/Shire/6883/draghd.html
Plankspanker’s SOD’s: Dragons, Wyverns, Orcs, Demons, Aliens, etc.
http://www.geocities.com/Area51/Shire/6883/sods.html
fireEyes' dragons, wyverns, grey wolf, etc.
http://www.tailchaser-sushi.com/index2.html
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Adrian's sculpting info (lessons)
http://www.artandtechnology.com.au/sculpt/sculpt.html
Jimbob: sculpting with pc (lessons)
http://www.flash.net/~jimbob1/art02.htm
artGear's sculpting info (lessons)
http://www.artgear.com/sandman-i2.html
````````````````````````````````````````````````````````````````````````````````
*Tommie's darker
sculptures & others' work--some "garage" style
http://www.moonlightarts.homestead.com/gallery2.html
(gone) http://www.reliquary.homestead.com/
(gone)
Wayne the Dane's fiendish
figures
http://www.waynethedane.bizland.com/Gallery%20Index.htm
Dawn S's many hags,
fiends, ugly characters, etc. (look all around)
http://www.pacificnet.net/~rhaiven/
Owen's
skeletons, fiendish & other figures, wire (website
gone)
Adrian's
dinosaur and rider, plus other skull, etc., sculptures (realistic)
http://smallmountain.homestead.com/files/dinorider.jpg
and http://smallmountain.homestead.com/KleinbergenExhibit5.html
*the
Buonaiuto's casual, uplifting, multi-ethnic older women, children, men,
etc., heads and bodies, using realistic bodies for a change! (also look in Bronzes
and One-of-a-Kind Clayworks)
http://www.alittlecompany.net/sculpt.htm#women
*Katherine Dewey's sculptures (and some lessons)
http://www.elvenwork.com/index.html
Katherine's archives of sculpts
http://www.elvenwork.com/archive/archive1.html
Angela's many realistic bodies (and heads) on fairies, etc.
http://www.emilysfairies.com/home.htm#
Oscelyn's
animal sculpts based on Dewey book (website
gone)
Marsha's animals based on Dewey book (website
gone)
Robert
Houghtaling's Figgy Mountain Frogery (whimsical but realistic frogs, fish,
etc.)
http://www.figgymountain.com
Cheryl's realistic small
animals (mouse, otter, kangaroo, elephant,etc.)
http://members.tripod.com/~ctrottier/animal.html
http://members.tripod.com/~ctrottier/elephants.html
*Prue’s character figures
http://www.zigzag.co.nz/Prue.html
Bill Girard's (strong) mostly women, some ethnic, costumes, etc.
http://www.picturetrail.com/gallery/view?p=999&gid=574057&uid=463591
Robert Houghtaling figures...Sculpture and Design-- the bronze "winemaker"
pictured on the site is not really bronze. I needed to shoot some pics for as
magazine article and couldn't wait for the first pieces to come from the foundry.
I colored the original Super Sculpey maquette to look like bronze and that's what
you see on the web site. http://www.silcom.com/~rhought
Toini's Art Dolls (clones of real people)
http://www.taidenuket.com
*Mermaids,
M’s in bottles, The Fantasy Within Collection
http://store.yahoo.com/fantasies/index.html
*Lisa’s sculpture-looking women (fabric)
http://home.earthlink.net/~jcarruth/index.html
Bonnie's old world Santas
http://www.santasstation.com/bonniejones/bonniejones.htm
many Santas! (not
the real simple type though). . . click on all the kinds
http://www.reasonstobelieve.com/Pages/view_santas.htm
Darlene’s mermaids, fairies, dolls
http://dollsnw.com/darlene/dolls.html
Lorie’s women, mermaids, etc.
http://www.sculpturefromtheheart.com/index.htm
Kara's many pretty women, children
(fairies, mermaids, etc.)
http://www.kasa.pwp.blueyonder.co.uk//index.htm
Picklesisters' older characters, Native American, tree spirits
http://www.picklesister.com/dolls.htm
(gone?)
Leila's
realistic animals & people, (Native Americans, etc)
????????
One of a Kind's Native American, etc., older faces, bodies
http://hobbystage.net/art/misha/
(not accessible?)
Fayette's
many figures (older, young, etc.)
????????
James Peacock's sculptures
http://www.jamespeacock.com/gallery1.htm
Ann Cole's women sculptures,
clothing, wings, etc.
http://www.absolutearts.com/portfolios/a/anncole/
Ginny L's many figures and heads & mixed media (arty &
whimsical)
http://www.digitalartbeat.com/sculpture/index.html
Jannie's figures and heads (olders too)
http://www.vaneijk.homestead.com/index.html
Marilyn Radzat's fantasy sculptures (faeries,
angels, elves, & bases) --fairly realistic
http://www.marilynradzat.com/galleryI.html
Barbara's dragons with onlaid scales (...see Whimsical below
for many more dragons)
http://home.att.net/~ntwadumela/poly.html
(gone??)
Jenny P's dragon,
wizard with staff and cave
http://www.ruralaccess.net/users/jpatter/wizard.htm
Marie S's cool wizard
http://www.clayfactory.net/marie/images/ms8503.JPG
Marcy's wizards with many onlays on robes, stars & moon
on hats
http://www.marcysclaypen.com/wizardstrolls/wizardstrolls.html
Cheryl's
babies &
baby face molds... and
older figures
http://ctrottier.tripod.com/
...Cheryl's mini lesson on making a tiny baby + more babies
http://tinyurl.com/ymkc2v
lesson on making baby curled
up face down by Ann G.
http://anniesminis.com/baby.htm
...more of Ann G's babies
http://anniesminis.com/tiny.htm
...http://anniesminis.com/elf.htm
Camille's babies (...also in shells, eggshells)
http://www3.telus.net/camilleallen/camilleallen/id9.htm
http://www3.telus.net/camilleallen/camilleallen/id17.htm
http://www.camilleallen.com/camille_allen3.htm
(also click on For Sale)
Kathy
Davis' 4"
babies...
(Elf and Elfkin)
http://www.picturetrail.com/gallery/view?p=999&gid=5930524&uid=487483
Marlies' simpler realistic babies (practice models of plasticine)
http://www.mcuniverse.com/Plasticine-Baby.923.0.html
Millie's
photos of real babies' hands, feet and navel to study
http://www.onestoppolymershop.com/page/971075
(for realistic-babies, see several books/DVD's, molds, etc.
above under Books & Videos)
(for more babies, generally
less realistic see Gifts > Miscellaneous
Gifts ...and also Books & Videos above)
(Art
Dolls Webring ..225 websites)
http://ring.gerdesdesign.com/cgi-bin/list.pl?ringid=artdoll;offset=66
.....for
horses and other animals, se Other Items > Animals above
DOLLS & Special FIGURES
Kim
K's page of links to many doll sites
http://www.tlcnet.com/~polyclay/dolls.html
*Mimi's Dollmaker everything page:
http://www.exit109.com/~mimi/mimipage.htm
many links to lessons and other doll sites (polymer &
also fabric dolls) on sculpting,
painting, etc.
http://www.dolldesigns.com/tips.html
All
About Dolls --many parts & accessories for sale (eyes, hair, etc.)
http://www.allaboutdolls.com/
*Nellie Everink's character figures, plus
http://www.everink.com
Kathndolls' figures (old, young, etc.)
(website
gone)
(most of the text of) Mimi's New Clays for Dollmaking
http://www.mimidolls.com
*(many) dolls
& figures --worldwide
http://www.dollartcompany.com/da_home.htm
Christel's troll dolls & other figures (most with fabric
clothes)
http://home.online.no/~raje/Polymer/figurines/index.html
Verlene's figures (all types, some whimsical, fabric clothes),
plus skeleton & witch
http://www.verlenebrooks.com/Gallery1.html
http://www.verlenebrooks.com/PastGallery1.html
realistic animal head dolls (with fancy fabric clothing)
http://www.handcraftedfantastictoys.com/dolls.html
figures
with twigs used as woven cages or in bundles
for torsos, other wood/bark, and other mixed media (the rest isn't
polymer, but it could be)
http://www.akirastudios.com
(look all around)
...for
aluminum flashing figures (cutting, preparing and covering or painting)
, see Covering > Metal
Art Doll webring (dollart)
http://nav.webring.org/cgi-bin/navcgi?ring=dollart
(113 sites 11/99)
National ArtCraft’s photos of many doll faces
http://www.nationalartcraft.com/dollmaking.asp
Sarajane’s character dolls (& paperdolls)
http://www.polyclay.com/paper.htm
paper
figures (hinged--mostly paper but inspirational)
http://www.polyclay.com/paper.htm
see
also "jointed figures"
below
faun's mixed
media dolls, cone dolls, dog & cat head dolls, etc ebsite
gone) (website gone)
Cloth Art
site
http://www.martydoll.com/
Shane's angel figures (not exactly dolls, but not whimsical either)
http://www.shanesangels.com/gallery.html
MORE-WHIMSICAL & SIMPLE SCULPTING + ANIMALS, etc.
(for bugs, dragonflies, insects, etc., see above in Other Items > bugs)
VERY
SIMPLE figures
Dinko’s (lesson) on funny bird with teeth ("boid")
http://www.polymerclaycentral.com/castle/lesdinkobird.html
.....birds
with teeth swap (based on Dinko's bird)
http://www.polymerclaycentral.com/swap_bwt1.html
many simple but creative
polymer critters... all kinds
http://www.flickr.com/photos/82516008@N00/sets/72157594402099554
Domicreative's
weird little 2-ball creatures --with added metal and wire
pieces (for eyes, antennas, etc.)
http://domicreative.canalblog.com/archives/pate_polymere_objet/index.html
simple fun & colorful
amorphous figures ("monsters" with a heart" by ultimately-his-angel
http://i17.photobucket.com/albums/b88/ultimately_his_angel/monsters.jpg
buttonarcade's simple little
1 1/2" tall "monsters" (screaming with teeth,
or with backpack)
http://photobucket.com/albums/v237/buttonarcade
Kraugomi's weird little
creature heads (often w ith stIcking-out parts), created on the end of
a bolt... most of bolt visible, but nut screwed on bottom to make
a stand under head (...and one is a chicken body, with bolt for
legs and feet?)
http://monsite.wanadoo.fr/kraugomi
...for more, click on http://monsite.wanadoo.fr/kraugomi/page4.html
Karen's
Featherbutts ...funny birds made with eggs to which clay feet, eyes and
nose attached, and real feathers stuck onto bodies (wings, tail,
and crest)
http://www.picturetrail.com/gallery/view?p=999&gid=4027299&uid=2076171
for
simple Poke/mon and Nin/tendo/etc. figures see Kids
> Robots, Monsters, etc.
SIMPLE
+ MED. SIMPLE figures
*Sculpey's
many lessons (mostly medium-simple figures)
http://www.sculpey.com/projects.htm
various sculpting
lessons at Josh's website (animals,
xmas, etc.)
http://joshclay.com/projects.html
Becky
Meverden's lesson on making a snowman figure with cap and
sign
http://www.hgtv.com/hgtv/crafting/article/0,1789,HGTV_3352_1567322,00.html
Suzy
M's tiny figures (animal,etc), some personalized by hobby,
message, etc.
http://www.curiouscreations.ca
(click on Tiny Giggles)
Becky's
lesson on making a sock monkey (using pin armature) (Carol Duvall
show)
http://hgtv.com/HGTV/project/0,1158,CRHO_project_23933,00.html
*Pennydoll's many lessons on making small (baby) figures
in scenes (accessories, ruffles, snow, toy train)
http://www.pennydolls.com (click on
English flag, then on Fimo Workshops, then on individual photos for
lessons)
Becky's lesson
on making a simple baby in blanket
http://www.hgtv.com/hgtv/cr_kid_crafts/article/0,,HGTV_3256_1389570,00.html
Shelly's lesson on a simple angel with dress (made with
fabric & clay pasta machined together; Bunca thread hair, glued)
http://www.sculpey.com/Projects/projects_littleangel.htm
keepsake's simple angel/girl figures
http://www.geocities.com/pckeepsakes/angelorn.html
simple figures with kimonos, etc.
http://www.mhpcg.org/clayDays/claydays01/jan2001/January2001/pages/laurieF_jpg.htm
Artful's
simple figure characters (head and cone body only...sometimes arms-legs,
accessories added )
http://www.craftster.org/forum/index.php?topic=217174.msg2335373#msg2335373
...Harry
Potter figures, simple painted faces (no mouths) http://i7.photobucket.com/albums/y279/shiritsu/m3.jpg
...Capt.
Jack Sparrow http://i7.photobucket.com/albums/y279/shiritsu/m5.jpg
Polka Dot's personalized simple figures for gifts (pregnant moms, famlies,
grandparents, etc.)
http://www.polkadotcreations.com/ornaments.html
Varda's simple chess piece figures (male, female, horse, etc.)
http://community.webshots.com/album/5633878VQRmhdpZjP
(gone?)
*Spooky's lesson on making a
small simple wizard (beard/face, robe, etc.)
http://www.polymerclayhaven.com/lessons/wizard.htm
*Dinko’s crazy critters (complex cartoonish figures)
http://www.polymerclaycentral.com/dinko2.html
(click also on next pages)
...Dinko's
story http://www.polymerclaycentral.com/dinko1.html
(Sarajane's bear & star cutouts+, other projects--lessons)
http://www.polyclay.com/bear.htm
*Karen's lesson on face-and-body wood egg
figure (Santa, etc.)
http://www.sculpey.com/Projects/projects_WoodenEggSanta.htm
Karen's dinosaur & frog with
wood eggs/apples/pears underneath
http://www.clayalley.com/turnings.htm
(dino only; the others may be added to pbase soon)
Margie's
troll face, body, clothing (lesson) (website
gone)
Kristy's kangaroo with baby "nodders"
(heads on springs) (website gone)
Gwen's
Humpty Dumpty's with wood eggs underneath (website
gone)
**Elayne's MANY figures, scenes, animals, mostly on bases (also
xmas, fairy tales, . . . . .!)
http://www.aspinningwheel.com/Little-Street/little-street.htm
(many categories have multiple items)
*Victoria's cats scene (thumbnails)
http://www.users.mis.net/~victoria/sb/inworks.htm
Alan V's stylized cats with twist for body
http://groups.msn.com/ALANV/jewellery.msnw?action=ShowPhoto&PhotoID=43
Jean Comport's cat women and woman (and calico cat pins)
http://albums.photo.epson.com/j/ViewPhoto?u=4153008&a=31266991&p=68340303&f=0
L. Osborne (Cath's) underwater scenes
(kelp, fishes, mermaids, etc.)
http://faerieangel1nc.tripod.com/faeriesandangelsabound/id10.html
Elizabeth's home-burrow for jackalopes, furniture/ etc.
(see ____ for all details)
http://www.picturetrail.com/gallery/view?p=999&gid=640954&uid=488109
Mary V's multi-colored-metallic dragon with lo-ong toothed tail, &
tiny animals from Dewey book, people
http://members7.clubphoto.com/gail412387/Marys_little_People_and_Animals/
*Chet's Clay Page (lots of items)
http://home.epix.net/~cfuhr/poly.htm
*Tamila Darling, figures, xmas
http://members.aol.com/darlinclay/index.html
*Holbrook--FaLaLa ,santas, great snowmen, angel earring,more
http://members.tripod.com/~mmholbrook/index.html
*Pat R's "Chunky" Santas (& other Santas) (website
gone)
*Jan Ohio's snowpeople (for different occasions, seasons)
http://www.jjacksondesigns.homestead.com/Snowpeople.html
Sandy's santas, dogs, frogs, figures (website gone)
Jack Schwend's many figures (Little Guys ...elves, Santas, clowns, etc.)..
uses a small wood form which is round at the top for a "head,"
has an indented area for the "neck," and a solid cylinder at
the bottom which acts as the torso... he cuts and tapers the bottom of the torso
a bit so he can add legs from the upper hip area ... they fly/hang or stand...
coated with several layers of Varathane which cause them to look almost high-glaze
ceramic
http://jacksworkshoppe.homestead.com/page2.html
*Marie:letters, animals,flowers,
people!
http://www.clayfactory.net/marie/oldstuff.htm
(all 6 Old Stuff pages)
*Dawn
Stu's figures with accessories, clothing, hair, nursery rhyme figures,
etc.
http://www.thumbprintkids.com/pages/gallery.htm
Tracy's Amish figures, old-fashioned clothing and accessories
http://www.doveceramics.com/amish.html
Janet Ferris' African Amer. figure with apron and pie ("angel")
http://craftycollege.com/webofangels/hotpress.htm
Linda WP's whimsical figures & animals
http://www.lindapetersondesigns.com/gallery.html
M.Reid’s
hobbies gnomes
http://members.aol.com/polyopoly/gnomes.htm
pigsnstuff's hobbies/occupations piggies, xmas,
etc. tiny figures
http://www.pigsnstuff.com/index.html
Linda W's penguin, snowman, gingerbread boy
http://www.polymerclaycentral.com/claypen_holidaydecor.html
Designsfromtheheart's simple animal minis with diff. accessories
(cow, pig, rabbit, cat, dog, bear, hen)
http://cybamall.com/fromtheheart/miniaturecows.html
Pat
S's mouse and mice, clothing... raccoon....piggie...and
adorable, almost-bald little guy with flowers
http://www.brpcg.com/Galleries/pat.html
Christel's animals
http://home.online.no/~raje/Polymer/pins/index.html
many animals (large and small "birds"...
octopus, dogs, leopards,
rats... many more)
http://www.alexandrablythe.co.uk/contents.htm
(look in: Previous Work, Commissions,
& Recent Sales)
Megaswappers' many Australian animals
http://www.sunnisan.com/crafts/aussie2.html
African Critters
swaps ...(elephants, hippo, etc. )
http://sunnisan.com/crafts/africans.html
Megaswappers' dragons swap (mostly but not all sculptural)
http://www.sunnisan.com/crafts/dragnswap2.html
(also click on Previous to see Sunni's various
Ria’s
dragons with gourd armatures
http://users.bart.nl/~creation/
(click on Dragon
Store)
http://www.dragonmagic.nl
Omodt's cane slice-covered animals (dolphins, frogs, fish teapot)
http://www.omodtart.com/sculptures/index.html
Jan Ohio's nativity animals
http://www.jjacksondesigns.homestead.com/Nativityscene.html
*Pat-nipntuck's tiny
clothed figures (pigs, etc.) (website gone)
Modelina's many tiny figures, animals, winter sports figures
http://www.geocities.com/patiesboutique/lesproduits.htm
HelenClayArt's riding hobby horse head and hobby horse
http://www.homestead.com/HelensClayArt/page5ornaments.html
Dinko's horse
http://dinkos.search.bg/gallery21.html
Koi
fish (sculpting in relief), made from canes (lesson)
http://home.worldnet.fr/~katybor/jkoi.html
Jan Ohio's
elves (holding letters)
http://www.jjacksondesigns.homestead.com/Elves.html
Ria's little wizards (some parts glow-in-the-dark)
http://users.bart.nl/~creation/
(click on Next Page -- Little Whizzies)
*Adorables' cats, dogs, animals,
Thanksgiving people, etc.
http://www.lavendera.com/Adorables/adorables%20front%20page.htm
Meowy's many simple kitties .. all extremeties "pulled"... no
joints
http://www.meowy.net/gallery/categories.php?cat_id=29
bas
relief dog on frame (Puppy Paws Frame, at joann.com..made with Model
Magic, but same for polymer clay)
http://tinyurl.com/69dz7
Dawn Sch's animals ...critters
http://members.aol.com/rhaiven/critter.html
Animal Swap on Heather's page
http://www0.delphi.com/polymerclay/pcc/swapwildthing.html
Joanie's lizards, gekkos, and fish
http://www.pbase.com/joanie
Alan's
lizards on
leaves with simple
ladyugs
http://groups.msn.com/ALANV/jewellery.msnw?action=ShowPhoto&PhotoID=103
*cforiginals' many animals (not
simple, but not going for total realism either)
http://store.cforiginals.net/index.html
(look all around, and clicking
a second time will make photos much larger!)
*Karen's many animals & small figures from diff. countries
http://www.geocities.com/fripon1980/Animaux.html
http://www.geocities.com/fripon1980/Divers.html
http://www.geocities.com/fripon1980/Dolls.html
Bunny's lesson on making a rabbit and Easter eggs for a basket
http://www.thewildbunny.com/easter.htm
Celidonia's wonderful, tinted-translucent bunny (and teddy bears)
http://www.celidonia.it/English/others_paths.htm
Marie's lesson on making a seated rabbit and chicken on a
wood dowel (ears glued onto mini straw hats)
http://www.sculpey.com/Projects/projects_WoodenWascals.htm
many
more rabbits & bunnies in Halloween/holidays
> Spring, Easter
Tracy's animals
http://www.doveceramics.com/noah.html
Phyllis' turtle with cane slices on shell
http://www.picturetrail.com/gallery/view?p=999&gid=265607&uid=144121
skygrazer's
mokume gane cabochon-shaped turtle "shell"
http://www.skygrazer.com/polymerclay/gallery/jewelry1d.htm
frogs...
Joanie's lesson on making her little froggies
http://www.pbase.com/joanie/how_to_gallery__froggies
Alan's owl eyes, beak
http://groups.msn.com/AlanJamesV/polyclaythingsnotjewellery.msnw?action=ShowPhoto&PhotoID=82
Heather R's kids & animals
http://members.home.com/claythings/kids.htm
many funny, whimsical animals and figures (lampworked, but
could be done in polymer)
http://www.smartassglass.com/images/bead_catalog.htm
Eni's student galleries of fantasy structures (interior & exterior)
and fantasy critters (not polymer, but lots of inspiration)
http://www.3dworkshops.com
Irene & Tara's lesson on making a small simple
teddy bear (holding a heart) --two bears
http://www.polymerclayhaven.com/lessons/button.htm
polymerclayhaven's
rainforest animals swap (s-snake around limb, lizard, panda bear, Setc.)
http://www.polymerclayhaven.com/PCHSwaps/rainforest.htm
Tracie's animals, kids, & seasonal (website gone)
*Marcy’s many figures..... in holiday & other categories
http://www.marcysclaypen.com/index.html
Cathy L's simple figures/clothing & animals in Nativity
scene (piggie) (website gone)
HelenClayArt's
nativity animals, wedding bride/groom on bottom of stemware
http://www.homestead.com/HelensClayArt/page6misc.html
*HelenClayArt's figures
http://www.homestead.com/HelensClayArt/openingpage.html
many figures, etc, (actually
cookie jars or salt/pepper shakers, not
polymer but good images--some seasonal)
http://www.cookiejars.net
penguin
swap at PCH http://polymerclayhaven.com/PCHSwaps/peng1.htm
Damalias snake, snake collar necklace,
and small-snake earrings ...covered with mulit-wrapped-bulleseye canes
slices
http://www.flickr.com/photos/papcg/2207372029
(Mike B's snakes, covered with cane slices... see above in Sculpted
Clay Forms)
Nora
Jean's snakes (website gone)
Barb's painted fish & shoes
http://www.barbplevan.com/rustic.htm
many ornaments (hobbies, etc.) bas relief sculpting
http://www.personalizedfree.com/
Lisa's cake topper
figures
http://rightbraincreations.com/
& http://www.pcpolyzine.com/2004january/cake.html
Amy's figures with books, etc.
http://www.clayplayground.com/
~Emi's lesson for making variegated "fabric" with random
tearings of colored clays and a bit of leaf here and there (run through the pasta
machine on a backing sheet); she uses this to make a sculptural kimono pendant
http://www.hgtv.com/hgtv/cr_clay_jewelry/article/0,,HGTV_3238_1390604,00.html
Chicago Area Polymer Clay
Guilds small kimonos
http://members.aol.com/CAPCG1000/kimono.htm
*Grove&G.fish,flowers,insects,masks,faces+
http://www.groveandgrove.com/wearablegallery.html
*Klew's drum&Aspen beads, leaf pods, necklace beads
http://www.nfobase.com/html/karen_lewis_.html
MYSTICAL & FANTASY figures, WISE WOMEN, GODDESSES, etc.
"What
are art dolls? ...Art dolls are not meant to be played with unlike
most toy dolls. They are meant to be positioned and displayed as a work of art,
rather than used by a child. Most often art dolls are not safe for children anyway
since there are often many small objects that can easily harm a child. They are
not mass produced like most toys, they are unique and individual so each creation
has a life of it's own and generally portray a snap shot of time be they historical,
mythological or modern."
Julianne Sizemore http://www.mysticalis.com/aboutpc.htm
(see also Jointed figures just below)
Sue Heaser - Polymer Clay (some lessons?)
http://www.heaser.demon.co.uk/sue/suetemp.htm
‘s babies in various positions
http://www.zigzag.co.nz/Images/NZartists/Femke/femke.jpg
(gone?)
Magestic’s "novelties (all kinds
of mystical, historical sculptures)
http://www.majestic-n.com/majestic/spelbytudmin.html
Magestic’s skulls & skeletons
http://www.majestic-n.com/majestic/skelprod.html
voodoo
folk dolls (mixed media, small... amulet)
http://www.folkart.com/voodooshop/dolls.htm
Julie’s Wise Women
figures
http://members.aol.com/wise1j/page1.html
Trina's Wild Women
(boobs & hair) website gone)
Crafty Michele's spirit women and other
figures for pins
http://www.geocities.com/Wellesley/1644/cm-pcj-pins.htm
Roberta
A & others' wild women ... stamping & mixed media
(lesson)
http://www.hgtv.com/hgtv/cr_clay_jewelry/article/0,,HGTV_3238_1386894,00.html
http://www.eragraphics.com/samples4.html
http://www.eragraphics.com/fetish.html
http://www.eragraphics.com/amulets.html
Dayle's
various mystical figures (& shrines)
http://dayledoroshow.com/pics3.htm
Arizona
guild's "doll swap"... all kinds of whimsical figures &
amulets (plus Donna H's " paperdoll " with polymer head)
http://home.att.net/~reserved/DollSwap.htm
hi-
art figures with twigs used as woven cages or in bundles for torsos,
other wood/bark, and other mixed media (the rest isn't polymer,
but it could be)
http://www.akirastudios.com
(look all around)
Cindy's "goddess" (mixed
media ...wild women) pendants (gone, find her
new site)
http://www.geocities.com/claycrazy1/GoddessVes.html
"wild
women" swap (many many styles and techniques) (website
gone)
Dawn
Sch's goddess figures
http://members.aol.com/rhaiven/goddess.html
(gone
goddess-figure swap (bas relief,
other techniques) at Sunni's place
http://sunnisan.com/crafts/goddess2.html
goddess-figure
swap, from Chicago Area Polymer Clay Guild
http://www.capcg.org/goddess.htm
Jean
Comport’s The Girls
http://www.mdpag.org/gals.htm
Jean Comport's Boob-a-la ( full-figured women with mixed media dangle
arms, etc.)
http://www.nwpcg.org/ravensdale/rave/rave00/comport.shtml
Jean
Comport's cat women and woman (and calico cat pins)
http://albums.photo.epson.com/j/ViewPhoto?u=4153008&a=31266991&p=68340303&f=0
Google's "Image Search" feature..go to:
http://images.google.com/
then enter the words....goddess clay
Sid's goddess shapes
(non--pc)
http://goddessmandala.com/gallery/goddess.html
Rosemary's amulet type small figures ("Little Babies")
http://www.mhpcg.org/clayDays/claydays00/oct2000/oct00.html
flat,
ethnic figures made with 2 twigs to which a body is attached in
the middle (mixed media)
http://www.dotcalmvillage.net/cre8it/stickdollkits.html
......Jeanne
R. suggests that ethnic, etc. mini-masks make good heads for art dolls,
assemblage, etc.
Gabriel Colunga's various contemporary "figures"
with mixed media and often multiple legs, heads, etc.(not polymer)
http://www.galleriadante.com/artists/gabriel.htm
many
more small figures from the Mile High Guild
http://www.mhpcg.org/clayDays/claydays01/jan2001/January2001/index.htm
one-piece-body
angel with wings
http://home.earthlink.net/~firstimpress/index-15.html
*tiny petal-body fairy, Sue Heaser's lesson
http://polymerclaycentral.com/pcc/suefairy.html
lesson
on making flower fairies (using petals from silk flowers for dresses...
could be polymer heads, legs, etc., though)
http://www.hgtv.com/hgtv/cr_dolls/article/0,1789,HGTV_3242_2248412,00.html
Celadonia's
woods fairies...chunkier... some have leaf or flower petal
hair or hats
http://www.celidonia.it/English/woods_fairies.htm
*Mary's expressive
faeries and faerie house & simple-realistic body postures
(website
gone)
Margaret's
many angels (website gone)
Sally
H's angel (and another angel) (website gone)
Pat R's simple &
expressive girls, angels (website gone)
ninfa's figures, fetish, faces (website gone)
Faun's
tiny figures (some with wire hair); (website gone)
Owen's
figures (some fiendish), fish, wire, skeleton, etc. (website
gone)
Ria‘s
dragons and Pooh people
http://dragonmagic.nl/
*Michelle’s excellent (many) dragons (website
gone)
Nevin's Comic Sculptures 1
http://nevx.artist.webjump.com/
Figuredane's sculptures (movies, monsters, etc.)
http://www.waynethedane.bizland.com/index.html
Faces/sperm, radio
bugs (Victoria)
http://www.dcr.net/~victoria/sb/
JOINTED, wire, etc.... people & animals... DANGLES with beads, wire, etc.
Sue
S's Beople figures... jointed with fancy-bead bodies, beaded arms/legs
longer beads for feet, and crazy, mixed media hair
http://home.attbi.com/~beoples/gallery.htm
*Cheryl's
many fabulous jointed figures (art dolls)... with caning, and lots
of mixed media for skirts, hair
http://members.shaw.ca/gera/new_page_1.htm
moonbaby
bead people (many pages with diff. theme figures)
http://www.amtraco.com/%7Emoonbabies
simple
lesson on making bead-type people (top to bottom)
http://www.springfield.k12.il.us/schools/Iles/demosp/Mari.html
lesson on making bead people (bottom
to top)
http://www.beadstudio.com/info.php?a=141
Julie's
lesson on making jointed kid figures for pins ("Kidz Pinz")
http://members.aol.com/wise1j/page1.html
Loretta's
triangle (body) girl pins, with coiled wire arms/legs/hair,
polymer hands and shoes,disk heads
http://www.members.tripod.com/loretta.hughes/id35.htm
Lynne
M 's boy and girl jointed figures (cane slices/shapes, jointed with
eye pins or curved wire --pipe clearners? or wire-wrapped
arms & legs?)
http://store1.yimg.com/I/manning-creations_1814_652334
wire
and beads figures (some have personality or good-cause accessory)
http://www.nanosite.com/confab/awareness.html
*Ginny
L's wire figures, lots of separate parts attached
http://www.digitalartbeat.com/sculpture/bellrna.htm
http://www.digitalartbeat.com/sculpture/diva.htm
http://www.digitalartbeat.com/sculpture/bchbabe.htm
Comport’s
jointed figure
http://www.nwpcg.org/ravensdale/rave/rave98.shtml
(click on A-C)
*wild
jointed figures with transfers for faces (not polymer), "Milagro
dolls"
http://www.rdwarf.com/~mnoel/rice.html
Dan's
and Tracy's "figures" made with box and other shapes,
tube bead arms, etc.
http://www.nwpcg.org/ravensdale/classes.shtml
Jean Comport's Ouchie Box( covered
metal bandage box) with added head on top and dangle arms on side
http://albums.photo.epson.com/j/ViewPhoto?u=4153008&a=31266991&p=68352233&f=0
Krista's
jointed "birds", using beads or wire for long necks, legs (see
also assem. fig's below)
http://www.artware.ns.ca/Retail%20Store.htm#Birds%20of%20Paradise
*assemblage figures with differently colored-patterned pieces (from wood,
but still inspirational) http://www.pekin.net/pekin108/wash/artwood_ud/index.html
assemblage figures (hinged) diff. paper patterns,
etc., but still inspirational
http://www.art-e-zine.co.uk/contents.html
Susan
B's lesson on amulet-type figure with flat body, molded
head, and coiled wire for arms
http://www.sculpey.com/Projects/projects_InsetPeoplePins.htm
Beckah's
fetish doll with bunches of dangling pebbles on sinew for skirt
or legs
http://www.bearingbeads.com/Images/_ifetishdoll.jpg
Beckah's
jointed figure made with a gift box or match box
http://www.bearingbeads.com/Box%20Buddy%20Pictures.htm
macaroni
monsters (& pipe cleaners?), could be tube beads, etc., though--many
jointed
http://familyfun.go.com/arts-and-crafts/season/feature/famf97project/famf97project22.html
tallmouse's West African figures made with dowel through
bead (head), doubled pipe cleaner for arms, dressed in rectangle
of fabric (diamond cut out in center for head, then tie around waist and neck,
turban) ...these figures often carry everyday items like baskets with fruits/
vegetables/ straw/ fish, buckets, jugs, beautiful boxes, lanterns and filled sacks
http://www.tallmouse.com/projects/kids/african/index.htm
Irene
C's joints made from embedded snaps (lesson)
http://www.polymerclayhaven.com/lessons/joints.htm
(
gone)
Gilda's
cute dangles with large shoes dangling from long string legs
http://members2.clubphoto.com/gilda220950/2043485/guest.phtml
Josh's lesson
for ribbon-dangle cow, cat, apple and snowman
http://joshclay.com/projects.html
Gwen's dangling Humpty (and jester); note the hole created
for the leg jump ring formed by 2 U-shaped clay extensions under body, each
with a hole
http://www.picturetrail.com/gallery/view?p=999&gid=271391&uid=145717
Merri Beth's jointed arms made from beads and jingle bells, attached
to "Roly Poly" formed over xmas ornament or light bulb?
http://www.nwpcg.org/ravensdale/rave/rave00/hill.shtml
Kris
R's lesson on making "Polydollys" with onlaid clay patterns
. . .not dangles,
but remind me of them...
http://www.sculpey.com/Projects/projects_PolyDollys.htm
Judy's lesson on making a toy polymer acrobat
figure from diff. baked clay pattern pieces, jointed
with wire ---spiraled and flattened outside each join) ...it sommersaults
on string when frame is squeezed
http://www.hgtv.com/hgtv/cr_clay_figures/article/0,1789,HGTV_3237_2831708,00.htm
few moonbaby animals, bugs, etc., using projecting beads only
for legs or hair, etc., around large face or lg. body
http://www.amtraco.com/%7Emoonbabies
Chris Gluck's lesson on making funny, simple bugs (could be
people) coiled colored wires for arms/legs
http://www.hgtv.com/hgtv/cr_kid_crafts/article/0,1789,HGTV_3256_1385790,00.html
You can make jointed
flat figures (like paper dolls or puppets) with button-type polymer
disks instead of the traditional paper fasteners at the joints (puppets could
be paper or flat polymer clay). Make two holes in each disk, then thread a u-shaped
bent wire through the holes and the corresponding body holes of both, from front
to back; twist wire in back, and trim off ends.
....here is one template:
http://www.ruthannzaroff.com/mirkwooddesigns/images/paperdoll.gif
Christel's lesson on making a "rabbit" hair holder, using
elastic for the holding band and also for the dangly feet and hands
http://www.pcpolyzine.com/0203march/rabbit.html
(click on any photo to see enlargement)
http://home.online.no/~raje/Web/Rabbit/full/2002_0201_202602BB.JPG
(unfinished rabbits with clothing)
*wild,
jointed figures (flat).. "paper dolls" (not polymer?,
but easily could be)
http://www.art-e-zine.co.uk/dolls.html
...& Liz's http://www.libzoid.com/files/polydoll.jpg
(not
jointed) polymer head placed atop doll paper body (& colored
pencils?)
http://www.azpcg.org/documents/DollSwap.htm
(Donna H.)
loads of different paperdoll patterns (or printables)
...(+animals, historic, movie, cartoon, misc.)
http://freepapertoys.com/paperdolls.html#1
...also dress the dolls online http://www.paperdolls.com/pages/dressem.htm
Nancy's
legs-dangling flamingo; body is covered xmas ball (website
gone)
Nancy's
wire springs for legs/necks birds (heads, feet and body/wings made of clay)
(website gone)
*Melnik's jointed figures
(simple heads) (website gone)
Dawn's Dolly Dangles (website gone)
seasont's jointed
dangling figures (website gone)
catbyte's (Hazel) very cute, simple lady-bug with wire legs and
antennae (website gone)
(wrong site)
(see also Jan Clausen's lesson on making a wired, beaded figure in Beads
> Miscellaneous)
(see
also Sarajane's jointed marionette lesson in Puppets below)
(see also more ways to make joints in Armatures)
lesson
for pipe cleaner people (could have polymer heads) &
clothing
http://familyfun.go.com/arts-and-crafts/buildmodel/feature/famf0200pipecleaner/famf0200pipecleaner4.html
...for
cutting, preparing and covering or painting aluminum flashing figures ,
see Covering > Metal
Misc. OTHER . . . refile
Cindy’s
characters plus shells, etc. (mermaids, fairies, etc.)
http://www.geocities.com/RainForest/Vines/5451/Figures.html
Nora Jean's lessons on making a star fish, abalone shell, kelp,
and other undersea stuff
http://albums.photo.epson.com/j/AlbumIndex?u=1751108&a=13491510&f=0
(okay)
Jan R's mask pendants, formed
over small river rocks
http://albums.photopoint.com/j/ViewPhoto?u=222109&a=8737905&p=29086124
---I bet it'd be a great way to make light little insects too.... neat!
Joanie
Sunni's onlay silhouette method, using a photograph, computer
& thin clay
http://members.spree.com/sip/sunnidaze/me/claysilh.html
(gone?)
Tamila's thick flower cane slices
on telephone wire in pot
http://albums.photopoint.com/j/ViewPhoto?u=45197&a=12355325&p=45196938&f=0
Polymer Clay Shoppe (esp. the links page)
http://polymerclayshoppe.com/index.html
Sunni’s
cat heads necklace
http://sunnidee.tripod.com/busyhands/grafx1/catsmeowb.jpg
Tamara's animals, basket, realistic fruits,etc.
http://jtmalt.home.mindspring.com/gallery.html
*JeanneCook:
West, fancy & not
http://www.mdpag.org/cook.htm
Egyptian,
Greek, Byzantine, Oriental, Hindu, Pre-Columbian art & objects... at Treasures
of Ancients
http://www.egypt-greek-gifts.com
all kinds of Egyptian objects and motifs... Egypt
http://www.shelleym.co.uk/gallery/inspiration2.htm
Alan's beautiful nautilus shells made from translucent and brown
http://groups.msn.com/AlanJamesV/polyclayjewellery.msnw?action=ShowPhoto&PhotoID=54
Comport, multi-media head/hat--Bulbette
http://www.whatuseek.com/cgi-bin/redirect.go?url=http://www.creationsbykris.com/cbk3.htm
Jeanne
R's erotic art
http://www.heartofclay.com/page15.htm
echo_brook's
character spermies ... http://img99.imageshack.us/my.php?image=img01102yi9.jpg
http://img384.imageshack.us/my.php?image=img01123ei7.jpg
... http://img80.imageshack.us/my.php?image=img01142yj6.jpg
Alice in Wonderland: transfer & allround
http://www.polymerclaycentral.com/pcc/swapalice.html
Ria‘s
dragons and Pooh people
http://dragonmagic.nl/
Klee: dragons,heads,flowers,jewelry
http://member.aol.com/KleeBug/ChezKlee.html#Homepage
tiny sculptures,
etc. swap
http://www.polymerclayhaven.com/PCHSwaps/tiny2.htm
Nora Jean's basket
of landscaping and stream/waterfall
http://albums.photopoint.com/j/AlbumIndex?u=75641&a=7027173
terra cotta figures
http://www.k2net.it/sicilianartisan (gone?)
FAQ-Surface Effects,metallic,paint,rough,antique (info lessons)
http://www.jaedworks.com/clayspot/polyclay-faq/surface.html
Polymer Clay FAQ | Stone Clays (info lessons)
http://www.jaedworks.com/clayspot/polyclay-faq/stone.html
Jen's couches for
doll (lesson here or elsewhere... see Miniatures
>Furniture)
http://www.polymerclaycentral.com/cardcouch.html
more lessons and websites with figures can also
be found in:
Christmas and
Halloween,...
also
Heads, Armatures,
Miniatures
Lori G's abstract creations
http://home.earthlink.net/~lorigles/clay.html
(click on thumbnails)
Cassie Doyon's abstract, mixed
media clocks (more clocks in Covering)
http://www.npcg.org/Gallery/doyon/doyon.htm
Sculpey Flex's &
Glows
http://www.sculpey.com/subset_kids.htm
Judith Skinner --blend
and JASI slicer (polyannie AOL)
http://members.aol.com/polyannie/jasi.html
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
(see also: Safety for barrier creams, Canes/Faces, , Onlay, Covering for clocks and lamps, Other Materials )